Location14-22 Howie St, London SW11 4AY, United Kingdom
London-based practice Rogers Stirk Harbour + Partners (RSHP) have announced the elevation of five associates to partner level while Mike Davies CBE, who has worked alongside Lord Rogers for more than forty years, will be reducing his roles. Davies has been involved in some of the practice's most significant projects including the Pompidou Centre in Paris, Lloyd's of London, the Millennium Dome, and Terminal 5 at London's Heathrow Airport. As a Chevalier de la Légion d’Honneur, Davies is currently the project director for Grand Paris, the masterplan for Greater Paris 2025 which was commissioned by former President Nicolas Sarkozy. According to RSHP, Davies "will remain employed in a part-time role."
PLP Architecture has received planning approval for its 62-story tower at 22 Bishopsgate in the City of London. 22 Bishopsgate, which will take the place of the high-profile "Pinnacle" designed by KPF and abandoned as a result of the financial crisis, will be the City of London's tallest building at a height of 278 meters. As reported by The Architects' Journal, the design of the project has been led by PLP co-founder Karen Cook, who worked on the design of the Pinnacle before leaving KPF in 2009.
Architectural charity Article 25 has revealed a selection of the images to be included for auction in their annual 10x10 fundraising auction. One of the highlights of Article 25's calendar, each year the 10x10 event divides an area of the city of London into 100 sections, challenging the participants to produce a drawing or other artwork inspired by the location assigned to them. This year, Article 25 abandoned the usual grid in favor of 100 areas along the Thames, taking in the many landmarks along the river's winding route. Article 25's list of participants includes architects such as Rafael Vinoly, David Adjaye, Sir Terry Farrell, Will Alsop and Chris Wilkinson, alongside artists including Antony Gormley and Wolfgang Buttress.
Last year's 10x10 event raised over £120,000 for Article 25's healthcare projects in the developing world. This year, the 100 drawings will once again be briefly exhibited at the RIBA headquarters in London on December 1st before the work is auctioned, an addition to an online auction which will begin on November 24th at 10x10london.com.
Read on to see a selection of the artworks to be auctioned.
LocationAlbion Buildings, Clerkenwell Rd, London EC1R 5EN, United Kingdom
PhotographsCourtesy of Assemble
Al-Kindi Society for Engineers will be holding its annual engineering forum in London, titled “Iraq Architecture and Planning 2016”.
The forum will be held on Saturday the 09th January 2016 and will be attended by a host of distinguished professionals from international high profile engineering and architectural firms.
The forum will be held as a 1-day symposium and will feature expert speakers and presenters. It will also be complemented by a range of activities including an exhibition on architecture and technology.
The Royal Institute of British Architects (RIBA)’s Future Trends Survey for September 2015 shows a level of consistency with the workload index remaining unchanged at a balance figure of +21. All nations and regions within the United Kingdom returned positive balance figures, with practices in Scotland responding most confidently about workloads in the next quarter. The report states that practices remain firmly positive about overall workload prospects in the medium term, though with "an apparent leveling-off in the rate of growth."
André Tavares debates with Mark Tuff and Tim Abrahams
The Lisbon Architecture Triennale is very pleased to announce the kick-off debate - Communicating Forms – with André Tavares chief curator of 2016’s Lisbon Triennale, Mark Tuff and Tim Abrahams.
A higher percentage of the world’s population lives in cities than in any point in history, and with an ever increasing demand for housing, some of the planet’s older and more condensed cities are struggling to keep up. This crisis is currently front and center in London, where median housing prices 12 times the median income have prompted a large number of radical solutions to quell the storm, but with politicians so far declining to take decisive action a viable answer remains a distant possibility.
In a new video produced by a collaboration between The Architectural Review and the Architecture Foundation, Phineas Harper proposes London take lessons from housing solutions from the past. The example on display here is The Barbican, a massive housing block constructed in the 1960s and 70s, and featuring amenities such as an arts center, music school, restaurants, pub and a cinema, all while providing comfortable, affordable housing for the middle-class professionals at which it was targeted. The video recounts the tale of the project's inception and its design ideals, revealing how this 50-year-old fortress in central London could be an inspiration for the architecture - and the politics - of today.
The Royal Institute of British Architects (RIBA) have made 90,000 unique images from their visual archive available online. Architecture.com/images (also known as RIBApix) hosts the world's largest collection of 16th century drawings by Palladio, as well as drawings by Sir Christopher Wren, Erno Goldfinger, Augustus Pugin, Denys Lasdun, and Edwin Lutyens. In addition, many original London Underground station designs sit alongside collections of some of the world’s leading photographers, including John Maltby, Edwin Smith, Henk Snoek, John Donat, Dell & Wainwright, Martin Charles and Tony Ray-Jones.
Last month a Kickstarter campaign launched by the Real Estate Architecture Laboratory (REAL) reached its funding target: the Real Review, an independent bi-monthly magazine which intends to "revive the review as a writing form" to a general readership within the architectural sphere, will soon be a reality. ArchDaily sat down with editors Jack Self and Shumi Bose to discuss how the project came into being and what this—the flagship publication of REAL—will look like when its first issue is published in early 2016.
Thomas Heatherwick's controversial Garden Bridge in London has regained popular support amongst officials after a significant cut in funding. The Transport for London (TfL) – the authority in charge of the Garden Bridge program, which was approved last year – has reduce the amount of taxpayer money from £30 to £10 million, alleviating concerns over public cost. Now, all that's needed for the project to start construction is an approved amendment to the site's lease in Lambeth. It is expected to break ground next year, despite lingering concerns over maintenance costs and use restrictions.
The design media is little more than a sycophantic, vapid and naval gazing extension of the PR industry. Our monographs, magazines and museums feed a cycle of shallow celebratory hysterics with little to no investigative or critical practice. Awards programmes lurch between jacking off the already engorged egos of starchitects or chasing the virginal myth of untainted emerging designers preying simultaneously on the young's insecurity and the old's fear of death in the name of profit for disconnected share holders. Cosy relationships between judges and judged, editors and edited amount to mild corruption - unsubscribe now.
For this edition of The Urbanist, Monocle 24's weekly "guide to making better cities," the team report from the two-day CityLab summit, which "gathered the world’s top mayors and urban leaders for a series of chats on how to to make our cities a better place." They explore the vision for London’s transport infrastructure, discover how Rio de Janeiro is gearing up its digital strategy ahead of the 2016 Olympic Games, and find out how to create a smart city through data. On top of that, they chat to millennials in Washington and "sit down for a very honest chat with the mayor of Athens."
Community consultation is meaningless vacuous tick-box bullshit. It has become a decoy that developers deploy to shove unwanted projects down the throats of an unconsenting public. Its cringeworthy language of community empowerment is just thinly veiled power moves and lazy spin. The profession, the public, and the built environment would be better off without it.
Consultation Con is one in a series of debates rugby tackling six fundamental issues facing contemporary practice with a playful and combative format designed to ferment open and critical discussion. Framed by theatrically provocative opening gambits, a series of free debates will turn conventional consensus on its head.
We all assume that to quit architecture is to fail. Yet the vast majority of those who stick it out are sucked into a world of disempowered subservience to big business. Becoming an architect squanders the creativity and energy of those who are attracted to study architecture in the first place, robbing society and the individual of their potential. There is a better way. We should all quit architecture before it's too late.
The Southbank Centre—a large complex of Grade One listed, Modernist cultural venues on the banks of the River Thames—are poised to refurbish three of their most loved spaces: the Queen Elizabeth Hall, the Purcell Room and the Hayward Gallery. As part of this transformation, London-based practice Jonathan Tuckey Design (JTD) have been commissioned to create a new 'Archive Studio' set within the foyer of the Royal Festival Hall, all part and parcel of the Southbank Centre’s desire to open up access to their collections and archives. JTD's free-standing, self-supporting structure is "an open framework which makes the scale the archival process apparent to visitors, held together by polished brass nuts and bolts and clad in perforated hardboard."
"Cities face a choice of building up or building out," says Renzo Piano, according to a recent article on the Daily Mail. Responding to backlash led by the Skyline Campaign, a campaign spearheaded by architect Barbara Weiss that "aims to stop the devastation of London by badly designed and poorly placed tall buildings," Piano is defending London's controversial skyscraper boom by saying it's giving the one thing the city needs most: "space on the ground."