The main aim of AZPA in their design for the New Library of St. Martin in Passiria was to create an envelope that is not only functional but also representative of the local and global contents of a cultural institution found in a library. This design would have the architectural potential to transcend the specificities of the place to reach a global character. More images and architects’ description after the break.
Designed by Tomas Ghisellini Architects, the first prize winning proposal for the Domus Vitae, a new city morgue and social facilities complex, is aimed at being a new architectural presence with a continuous but porous body. The design includes balconies, porches, patios, terraces, overhangs and suspended volumes which capture, tame or magnify natural light. These features create spaces for which the atmospheric quality is supposed to be a decisive added value. More images and architects’ description after the break.
Stemming from the idea of creating a perfect synergy between architecture, nature and social technologies, the competition winning proposal for the St. Horto project by OFL Architecture fits perfectly within the project area in Rome. By redefining the boundaries through a game of compressions and expansions, the architects create a dynamic and attractive space. More images and architects’ description after the break.
HOK was recently selected as lead architect for the Ri.MED Biomedical Research and Biotechnology Center (BRBC) near Palermo, Sicily in Southern Italy. The $269 million world-class research facility at 334,000-square-feet will be a global hub for biomedical research and development. The ultimate goal is to prevent or cure diseases while improving the quality of life and life expectancy of patients. More images and architects’ description after the break.
SANAA has just unveiled their plans for the Bocconi University Campus in Milan, Italy. The design features various undulating structures, forming connective inner courtyards, that wind their way across a 17,500 square meter green space open to both students and neighborhood residents.
According to Paola Nicolin, a professor at Bocconi and writer for Domus, the University is a “playground” for the imagination, using “non-hierarchic compositional elements” to establish a relationship between the campus’ organic forms and the human lives which inhabit it. In Nicolin’s words, the project “speaks of transparency, empathy for nature, and far-sightedness.”
More images and info on the project, after the break…
If there is one characteristic that defines “architecture” it is innovation. And if by innovative, you think responsive, then Domus Academy certainly qualifies. It was started by Maria Grazia Mazzocchi, daughter of Domus Magazine founder, Gianni Mazzocchi after people kept writing letters asking her to start a design school. And in 1983, she did just that.
For the basics, the school is very clear. Your accreditation comes from an affiliation with the University of Wales, in Cardiff, UK, which is awarded upon completing 180 Master’s level credits. And you also receive a Diploma Supplement from them which proves that you have a degree that is equivalent to major universities across the globe. And it’s sited in Milan, which if one is interested in Italian design, is an ideal locale. It’s a one year program, so it doesn’t require the extensive 2- and 3-year commitments that many programs across the world demand. It will cost a similar amount, however, at €23,790 Euro. But the best aspect of that admittedly large tuition fee is that it is for a single year—11 months to be exact. That means one can immediately begin searching for a job to pay off what is, after all is said and done, a relatively small student loan compared to average ones that are three times that size. There are also unrestricted scholarships available that defray costs from between 20%-50%. And in case you’re wondering, classes are taught in English.
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On display until February 3rd at the HangarBicocca in Milan, the ‘On Space Time Foam’ suspended art exhibit by Studio Tomas Saraceno is composed of a transparent surface accessible to visitors, hanging at a height of 20 metres and covering 400 square metres on three layers, for a total of 1,200 square metres. Known for his surprising structures that draw the public into extraordinary spatial and emotional experiences, the large soft and floating film welcomes visitors who will thus find themselves moving mid-air between the floor and the ceiling, earth and sky, and it compels them to lose their spatial coordinates. More images and architects’ description after the break.
Architects: Cino Zucchi Architetti
Location: Milan, Italy
Design Team: Cino Zucchi, Helena Sterpin, Filippo Carcano, Cinzia Catena, Silvia Cremaschi, Cristina Balet Sala, Anna Bacchetta, Annalisa Romani, Martina Valcamonica, Valentina Zanoni
Structural Engineering: Mauro Giuliani, Redesco srl
Light Design: Cinzia Ferrara
Liturgist: Giovanni Mariani, Giovanni Zuffada
Photographs: Courtesy of Cino Zucchi Architetti