Zaha Hadid Architects’ Riverside Museum in Glasgow, Scotland, has won the prestigious European Museum of the Year Award (EMYA) for it’s ability to “demonstrate brilliantly how a specialist transport collection can renew its relevance through active engagement with the wider social and universal issues.”
Out of 40 museums from across 21 European countries, the jury agreed unanimously that ZHA’s Riverside Museum fulfilled the EMYA criteria of ‘public quality’ at the highest level.
The proposal for the Speirs Locks Student Campus masterplan by Stallan-Brand seeks to integrate existing structures of merit and to introduce new public spaces around them. The retention of an old glue factory as a gallery and historic walls capture the site’s industrial past. The retention of an existing ornate brick wall, once the ground floor of the City Council Cleansing Department, is used to define a new public space, creating a unique arrival and provide the adjacent studio spaces with an appropriate external display space. More images and architects’ description after the break.
Bennetts Associates, one of the UK’s leading architectural practices, was just selected by the Citizens Theatre to work on the plans for a major redevelopment of its iconic Gorbals home. This will be the most comprehensive redevelopment of the building since it opened as a theatre in 1878. The planned capital project will transform the building creating a new vision for improved rehearsal, administration and learning accommodation, as well as improved facilities for the public. More images and architects‘ description after the break.
There has been some controversy over the past few months for the George Square redesign in Glasgow, Scotland, since we last announced the six shortlisted architecture firms in December. Following the submission and assessment by a jury in January, the project went through an upheaval when Labour leader of the Glasgow City Council, Gordon Matheson announced that the submitted designs would be scrapped in favor of a “facelift” for the square. Numerous reports on the Herald Scotland present conflicting arguments for the turn of events and the abrupt change in plans have left the council, jury, design firms and the public in discontent. It is unclear what the status of the project is today, but for the moment it is on hold as the council discusses ways in which to proceed.
Follow us after the break for more.
Six firms, Agence Ter (France), Burns + Nice (UK), Gustafson Porter (UK), James Corner Field Operations (USA), jmarchitects (UK), and John McAslan & Partners (UK), were recently shortlisted in the project for a major redevelopment of George Square in the heart of Glasgow, Scotland. The 13 statues and monuments that stand in the square are to be moved to other sites in the city while the area is given a makeover ahead of the 2014 Commonwealth Games. Planned to submit their plans by the new year, the six designs submitted to Glasgow City Council will be put on public display at the Lighthouse in early January. The design competition winner will then have the prestigious task of redeveloping the square to further enhance Glasgow’s reputation as an international city.
The RIAS (Royal Incorporation of Architects in Scotland) has announced OMA as the tenth recipient of the prestigious Andrew Doolan Best Building in Scotland Award for the firm’s “welcoming, light and spacious” design of Maggie’s Gartnavel in Glasgow.
Serving as an exemplar for alternative healthcare design, OMA’s single story composition for the cancer care center laces together a series of interlocking rectangular spaces that form around a lush courtyard. Transparent walls of the building’s light-filled interior promenade connect patients directly to nature, as the building accommodates for the complex needs of the facility by providing spaces of interaction, personal privacy, and discrete counseling rooms, along with private nooks and corners. A notable characteristic of Maggie’s Gartnavel is the rich use of materials, from the flush inlaid timber and concrete ceiling to the simplistic concrete exterior and expansive floor-to-ceiling glass walls.
OMA generously donated their £25,000 prize to the Maggie’s Cancer Care Center.
More images after the break…
Nearly 275 kilos of explosives brought down the first Red Road tower block this past weekend, marking the beginning of a controlled demolition process that will completely remove the infamous residential complex from the Glasgow skyline by 2017. In a response to the post-war housing crisis, the Glasgow Housing Association (GHA) flats were constructed between 1964 and 1969 in an effort to provide the ultimate modern community for almost 5000 residents.
Continue reading for more on the iconic Red Road flats and a video of the demolition.
Attracting more than 1.4 million visitors since opening in June, the Riverside Museum, designed by Zaha Hadid Architects, recently won the European Museum Academy Micheletti Award 2012. Named the most innovative museum in the fields of technology, labor and social history, Riverside competed against museums in 12 other European countries to win the 17th annual award. More information on the award after the break.
Architects: Reiach and Hall Architects
Location: Glasgow, Scotland
Structural Engineers: SKM
Quantity Surveyor: Balfour Beatty Construction Ltd
CDM Co-Ordinator: Capita Symonds
Landscape Architect: Horner + MacLennan
Acoustic Consultant: New Acoustics
M&E Engineer: DSSR
Project Year: 2011
Project Area: 6000 sqm
Photographs: Michael Wolchover
This exclusive video of OMA’s Maggie’s Centre by BD online features OMA partner Ellen van Loon discussing the design for the cancer care center. Led by OMA Partners Rem Koolhaas and Ellen van Loon with Associate-in-charge Richard Hollington the Maggie Gartnaval center located in Glasgow opened today.
Ellen van Loon shared, “I enjoyed designing such an exceptional environment with this very dedicated and inspired team of designers and contractors. The sequence of spaces is an interplay of openness, retreat and support to underpin the Maggie’s programme.”
Today marks the opening of Maggie’s Gartnaval, a new center for the charity located on the ground of Gartnaval Royal Infirmary in Glasgow, Scotland. Designed by OMA, the center aims to provide emotional and psychological support to those affected by cancer in the greater Glasgow area.
Rem Koolhaas commented, “We were touched to be asked to design a Maggie’s Centre, and invigorated by the opportunity to work on a completely different scale, with different ambitions, and in a different environment. Maggie’s is so unique and urgent among the projects we are working on.”
In June we shared with you a first look at Zaha Hadid Architects‘ Riverside Museum in Glasgow, Scotland. Opened officially on June 21st the museum in a short seven week time period has already welcomed over half a million visitors!
“It is wonderful to see that the new museum has captured everyone’s imagination,” said Zaha Hadid. “Such passion for innovation and discovery from all members of the community is very exciting.”
“The Riverside Museum has been a huge hit since the day it opened to the public. We knew just how much visitors loved the old Museum of Transport at Kelvin Hall but even so, the reaction to the Riverside Museum has been phenomenal. The feedback from people has been overwhelmingly positive and we are already seeing visitors returning time and again to enjoy Glasgow’s latest attraction,” shared Councillor Gordon Matheson.
More about the Riverside Museum, photographs and drawings following the break.
Here is the first look at Zaha Hadid Architects latest project, Glasgow Riverside Museum of Transport. Slated to officially open later this week the museum in Glasgow, Scotland has 7,000 sqm of exhibition area and also includes cafe, retail and education spaces within its program. Following the break are more photographs and description.
Plans for the new Glasgow School of Art building, designed by Steven Holl Architects in association with JM Architects, received approval from the Glasgow City Council’s planning committee this week. Site preparations are scheduled for this summer, and work on the new building will immediately follow with construction scheduled to take around two years. The five story building will reside directly opposite of Charles Rennie Mackintosh’s masterful Glasgow School of Art building.
“We are very pleased with the support from the Glasgow City Council Planning Committee. We believe that the new building will be an exciting addition to the Glasgow School of Art and will provide an inspirational environment for the students and the community,” Holl said.
Holl’s design focuses on creating a relationship between the two buildings through attention to architectural elements, such as light, materiality and proportion. The prominence of Holl’s new building has created a lot of dialogue surrounding the design, which was the winning entry in a competition for the Glasgow School Art. Our previous coverage can be found here.
Debate continues on the design for the Glasgow School of Art by Steven Holl Architects in collaboration with Glasgow based JM Architects. Last month William J.R. Curtis shared his critical thoughts on the new extension, referencing the diagrams by Holl as ‘cartoonlike’, the surface choices of glass ‘monotonous’, and the external volumes as ‘clumsy’. As we all know architecture is subjective and debate should be welcomed, hopefully resulting in a smart discussion focused on providing the best design solutions for a project. A critique of an extension to a building with such importance as Charles Rennie Mackintosh’s Glasgow School of Art, a design that masterfully manipulates light into spaces and skillfully the nature of different materials, is expected. However, this review almost seemed personal and a bit uninformed. Curtis, during his critical rant even asks “where was the client during these intervening months?” referring to the initial announcement and presentation of Holl’s winning design and then later released drawings.
Continuing, “The unsatisfactory state of Holl’s proposal perhaps reveals what may happen when a star architect drops in from another planet and blinds a building committee with the “smoke and mirrors” of popularized phenomenology. Some good old Scottish common sense would have been in order to insist on greater rigor and a more appropriate response to the context.”
Holl took time to respond to Curtis’ article stating, “We welcome criticism as long as it’s based on an accurate understanding of our design. Unfortunately William Curtis’ article is not knowledgeable about our design,” and Holl also shares specifics about both the design material choices for the new extension (his full response following the break).