Since the construction of the first high-rise, it seems architectural merit has been weighed most heavily by a building’s height. However, Kriston Capps of CityLab notes in his article “For the Best U.S. Architecture Per Square Mile, Head to Dallas” that the concentration of buildings by award-winning and internationally-renowned architects can also put cities on the architectural map. Although Chicago and New York may have taller skylines, he argues, in terms of stellar design density, Dallas can’t be beat. Read the full article, here.
The Dallas Holocaust Museum and Center for Education and Tolerance has officially gone public with plans to build a new permanent home in the city’s West End, across from the museum’s current location. Preliminary designs, by Texas-based Omniplan Architects, indicate a modest concrete and weathered steel structure with expanded galleries that would be built on parcel bound by Ross Avenue, Houston Street and the Dallas Area Rapid Transit light.
Thomas Heatherwick is set to expand his international reputation in the coming year, thanks to two exhibitions that will tour the United States and East Asia, reports the Architects’ Journal. The US exhibition, titled “Provocations: The Architecture and Design of Heatherwick Studio” will tour Dallas, LA and New York from September 2014 to October 2015. The Asia exhibit is yet to be formally announced, although it is believed it will begin in Singapore in Spring 2015. Read on after the break for more details of the exhibitions.
The results are in: Dallas has selected Stoss + SHoP’s “Hyper Density Hyper Landscape” (HDHL) over finalists Ricardo Bofill and OMA+AMO to reunite its downtown with the neighboring Trinity River. The winning team’s pragmatic approach aims to activates the region’s “full potential” by introducing an alternating “grid-green” development that will transform 176 acres into three new “dynamic, mixed-used” neighborhoods.
“The idea is very clear and compelling,” stated the jury. “There’s much left to be resolved in details but the diagram of the green coming into the city and the city going into the Trinity is a very powerful diagram that should become a strategy for managing change as the community moves forward.”
It’s been two year’s since the construction of the 42-story Museum Tower in Dallas. As many of you may recall, the luxury condo has been in dispute with the neighboring Nasher Sculpture Center over an intense “hot spot” caused by the tower’s highly reflective skin. Although Nasher has demanded that the Museum Tower cover its southwestern facade with an external louver system, thus blocking the glare from penetrating Nasher’s Renzo Piano-designed cast aluminum sunscreen, the developers have refused to oblige due to a fear of jeopardizing the project’s profitability.
Negotiations have turned to squabbles and proposals have fallen on deaf ears. However, a team lead by REX and Front has been commissioned by the Dallas Police and Fire Pension Fund (DPFPF) – the Museum Tower’s developer – to explore a “third option,” one that would not require changing the construction of either Museum Tower or the Nasher.
Dallas Architecture Forum, a non-profit organization dedicated to providing challenging and on-going public discourse about architecture, design and the urban environment, is pleased to announce its 2013-14 season of lectures that will begin with award-winning Korean architect and the founder of Mass Studies, Minsuk Cho, who will speak Thursday, Oct. 3 at 7 p.m. at The Magnolia Theater, 3699 McKinney Ave. Other speakers for this season include Hugh Broughton, Jose Selgas and Lucia Cano, Larry Scarpa, and Gregg Jones.
Lectures will occur at 7 p.m. on the designated evening with a complimentary reception beginning at 6:15 p.m. Tickets are $20 per lecture for general admission and $5 for students (with ID). Tickets can be purchased at the door before the lecture. No reservations are needed to attend Forum lectures. Dallas Architecture Forum members receive free admission to all regular Forum lectures as a benefit of membership, and AIA members can earn one hour of CE credit for each lecture. For more information on the Dallas Architecture Forum, visit www.dallasarchitectureforum.org.
Architects: Overland Partners
Location: Dallas, TX
Design Team: Jim Shelton-AIA, Tim Blonkvist-FAIA, Scott Adams, Bess Swantner, Brad Bailey, Adam Bush-AIA, Steve Bellanger
Consultants: Project Cost Resources, Blum Consulting Engineers, EJES, Jaster Quintanilla (JQ), Lam Partners, 4B Technology, Hughes Associates, WJHW.
Area: 108,000 GSF
Photographs: Jeffrey Totaro
OMA*AMO (New York), Ricardo Bofill Taller de Arquitectura (Barcelona), and Stoss Landscape Urbanism (Boston) with SHoP (New York) have been selected as the top three teams to re-envision Dallas’s urban center and its connection to the Trinity River Corridor. The teams kickstarted the final leg of the competition this past weekend with a summer workshop, symposium and site visit alongside local developers and city officials. All three final proposals will be unveiled to the public this mid-October with a lecture series host by each team (dates and information here). A winner is expected to be selected shortly after.
When Christopher Hawthorne, architecture critic for the Los Angeles Times, gives a bad review there is the sense that he is essentially dismantling a building, chipping its façade apart, like breaking down some charade in defense of the public’s honor. Like a hired killer he disappears the architecture, but at the same time heightens its visibility in the culture.
This ability, to provoke in such ways, is precisely why Thom Mayne would like to bar Mr. Hawthorne from taking a crack at reviewing the new building he and his firm, Morphosis designed for the firm’s new offices.
On a recent tour of the new digs, Mayne, as reported in The Architect’s Newspaper, was overheard saying, “There are no good writers in Los Angeles” and “All local writers are horrible.” To add further insult, he wants a science writer to cover it. That should be a short review.
Aiming to build awareness of urban design solutions capable of shaping Dallas forward, The Connected City Design Challenge is asking participants to develop a more refined and specific strategy for connecting the downtown and river, and assist in securing future public and private investment. By empowering both designers and citizens, The Challenge will work to realize integrated solutions that improve the livability and viability of our city. In order to secure the most capable design talent and facilitate a variety of solutions, this will be structured as a competitive process consisting of two idea streams: a professional stream and an open stream. Requests for qualifications are due May 9 for the professional stream and for the open stream, the deadline for submissions is October 3. For more information, please visit here.
Architects: Cooper Joseph Studio
Location: Dallas, Texas, United States
Project Team: Wendy Evans Joseph, FAIA (Principal in Charge), Chris Cooper, AIA (Principal in Charge), Chris Good (Project Manager / Design Team), Read Langworthy (Design Team)
Area: 903 sq ft
Photographs: Eduard Hueber
As an update to the article we posted several months ago regarding the disputed ‘hot spot’ in Dallas between Renzo Piano‘s Nasher Sculpture Center and the adjacent residential tower, the controversy is still a hot issue. The reflection caused by the sculpture center is still something they have not been able to solve. Any solution will be costly and difficult. The Nasher people have recommended louvers covering the tower’s south face. The tower people say that this will require a computer-generated engine for every window, about two years to study, even more time to install. And it may not work. More information after the break.
Location: Dallas, Texas, USA
Director Of Technology & Bim: Synthesis
Associate Architect: Good Fulton & Farrell
Structural Engineer: Datum Engineers
Consulting Structural Engineer: John A. Martin Associates, Inc.
Mechanical Electrical Plumbing Engineer: Buro Happold
Civil Engineer: URS Corporation
Area: 16,722 sqm
Photographs: Iwan Baan, Courtesy of Morphosis
The Nasher Sculpture Center in Dallas designed by Renzo Piano and the neighboring 42-story Museum Tower are embroiled in a dispute revolving around the adverse effects of glare reflecting into the Nasher’s interior gallery and garden. Currently in mediation over possible solutions, the topic certainly brings to light the implications involved in highly glazed high-rise construction and the surrounding buildings. More details after the break.