DesignIntelligence has released their 2015 rankings of the Best US Architecture Schools for both undergraduate and graduate programs. Over 1,400 professional practice organizations were surveyed and asked to respond to the question: “In your firm’s hiring experience in the past five years, which of the following schools are best preparing students for success in the profession?” In addition, more than 3,800 architecture, landscape architecture, interior design, and industrial design students were also surveyed about their education, in data presented separately from the rankings.
However, perhaps more enlightening than the ranking itself are the firms’ responses to several additional issues raised in the report. For example, 54.6% of the firms surveyed selected sustainability and climate change as the professions’ biggest concern, while maintaining design quality was a close second. Firms also provided insights on the most important qualities of new graduates entering the workplace, with an overwhelming 70.1% selecting attitude/personality as the most important attribute.
Read on after the break for the Top 10 undergraduate and graduate programs.
Kunlé Adeyemi, the 38 year-old former disciple of Rem Koolhaas, made headlines last year with his Makoko Floating School, which enabled better access to education a slum community in Lagos. In this profile of Adeyemi and his Practice NLÉ Architects, originally published by Metropolis Magazine, Avinash Rajagopal explores what drives the young architect, explaining why he was selected as one of 10 designers in Metropolis Magazine’s 2014 New Talent list.
When the Makoko Floating School was completed in March 2013, it received wildly enthusiastic critical acclaim from the international news media. The simple A-frame structure, buoyed by recycled plastic barrels in a lagoon in Lagos, Nigeria, was designed by NLÉ, a Lagos- and Amsterdam-based studio founded by the architect Kunlé Adeyemi. The project, intended as a model for how Lagos’s floating community could build simple, sustainable structures for themselves, subsequently faced a few challenges. One of the biggest was winning over local officials, who simply did not know what to make of such a building.
Consisting of over 2,800 iPod Nano screens, “The Discovery Wall” at Cornell’s Medical College in Manhattan was a 2.5 year long process in digital art, conceived by Squint/Opera and accomplished in collaboration with Hirsch & Mann. From a distance, the animated screen appears as a single, unified image. But take a closer look and every single screen has its own unique text. As a permanent piece, it shows the plausibility of digital art to integrate with the existing building fabric. Watch the video above and make sure to learn more about the creative process here.
New information has been released — along with a series of renders — seven months after the New York City Council approved Cornell University’s two million square foot technology campus in Roosevelt Island. Envisioned as “a campus built for the next century,” Cornell Tech’s first set of buildings has tapped into the talent of some of the most respected architecture firms in the city: Morphosis‘ Pritzker Prize-winning Thom Mayne, Weiss/Manfredi Architecture, Handel Architects, and Skidmore Owings & Merrill.
New images of the buildings, after the break…
Taking place at the Hartell Galley at Cornell University, ‘Vers un climat: Building (with) the Unstable‘ is an exhibition by AWP Architects focusing on the nocturnal face of architecture – how buildings contribute to the urban nightscape. From August 26 – September 16, the exhibit features both realized and proposed projects by AWP while revealing the practice’s in depth research on the many ways in which the intangible dimensions of architecture – such as atmosphere, climate, and light – materialize in buildings. Part of AWP ’s ongoing challengeis to translate recurrent themes of impermanence, evolution, and the uncontrollable into design. More architects’ description after the break.
City Council has approved Cornell’s two-million-square-foot tech campus planned to break ground in 2014 on New York’s Roosevelt Island. Masterplanned by Skidmore, Owings and Merrill (SOM), the ambitious carbon positive campus will offer housing for 2,000 full-time graduate students, world-class education facilities, a hotel, a corporate co-location building, and more than an acre of public open space. Construction will commence with the first, state-of-the-art academic building that will be designed by Thom Mayne, founder of Morphosis, who will incorporate the latest environmental advances, such as geothermal and solar power, to achieve net-zero energy for the landmark structure.
Today, Cornell University has announced their selection of Thom Mayne and Morphosis to design the first academic building for the CornellNYC Tech campus on Roosevelt Island. Mayor Michael Bloomberg awarded the Roosevelt Island campus project to Cornell mid-December of last year. With plans to achieve net-zero, the campus is striving to become the new modern prototype for learning spaces worldwide.
“This project represents an extraordinary opportunity to explore the intersection of three territories: environmental performance, rethinking the academic workspace and the unique urban condition of Roosevelt Island,” Mayne said, as reported by Cornell University. “This nexus offers tremendous opportunities not only for CornellNYC Tech, but also for New York City.”
Continue reading for more.
After Mayor Bloomberg, Cornell President Skorton and Technion President Lavie announced Cornell’s victory over Stanford to build an eleven acre state-of-the-art tech campus on Roosevelt Island in New York City, the team has now tackled their next step in choosing six high-profile architecture firms competing to design the schools first academic facility.
Selected from over more than 40 firms from the U.S. and abroad, the finalists include Skidmore, Owings & Merrill, Diller Scofidio + Renfro, the Office for Metropolitan Architecture (OMA), Morphosis Architects, Steven Holl Architects and Bohlin Cywinski Jackson. Continue reading for more information.
Informality, which was first categorized and described in the 1970s, is now pervasive — across cities, in the places we live, work, and move through the everyday. For many, the informal is no longer a discrete sector appended to the workings of the “formal” city, but an integral effect of the structuring of cities and landscapes by contemporary economic, political, and technological change. Self-built architectures and urban agglomerations, ambivalent landscapes, nomadic and temporal spatial manifestations of informalized are situationally specific, but globally ubiquitous. Design Tactics and the Informalized City symposium, being put on by Cornell University on April 13-14, brings a discussion of this reality to disciplines that work on the city in material and spatial terms: architecture, urban design, landscape architecture, engineering, media and product design. More information on the event after the break.
Mayor Michael R. Bloomberg is set to announce Cornell University and its partner, the Technion – Israel Institute of Technology, winner of the intense, yearlong competition to build a New York City Tech Campus on Roosevelt Island. The announcement follows Stanford University’s unexpected withdraw from the competition after tense negotiations with the Bloomberg administration. Meanwhile, last Friday Cornell received a $350 million donation in support of their proposal, being the largest gift the University has ever received.
Just recently, the author of architectural videos blog shared with us a video on OMA’s founding partner Rem Koolhaas‘ lecture which he gave at Cornell University on October 20th. His lecture was given on the occasion of opening Milstein Hall, the new extension to the faculty of Architecture, Art and Planning designed by OMA.
Milstein Hall, the new 25,000 sqf flexible studio space at Cornell’s College of Architecture, Art and Planning (AAP) in upstate New York, was opened last month for students. The first new building in over 100 years for the AAP, the design by OMA was led by partners Shohei Shigematsu and Rem Koolhaas in collaboration with associate Ziad Shehab.
“Not only is this going to be our new home, but everyone has a new attitude,” AAP student Ben Waters told the Cornell Sun. “Everyone has this new-found sense of pride for the program.” The excitement from students and the AAP surrounding the new hall comes with no surprise considering the danger that the program faced in early 2009 – threatening both their accreditation and the hopes of a new OMA designed building eliminated from the campus.
Featuring a unique hybrid truss system of 1,200 tons of steel to support two dramatic cantilevers Milstein Hall provides a must needed connection between the existing Sibley and Rand Hall. Professor Mark Cruvellier shared, “We have a couple of buildings here on campus that were always divided, and we’d always have to run back and forth in the middle of winter. Here, we have a building that not only connects Rand Hall and Sibley Hall together, but one that also embodies architecture and design ideas.”
Enclosed by floor-to-ceiling glass and a green roof with 41 skylights, this “upper plate” cantilevers almost 50 feet over University Avenue to establish a relationship with the Foundry, a third existing AAP facility. The truss system allows for a wide-open upper plate that will house sixteen design studios.
“The upper plate of the box was a direct response to the need for interaction that the art field entails, though we realize this cannot be perfectly achieved or designed by architecture,” Shigematsu commented. “Our ambition for the upper plate was for it to serve as a pedagogical platform for the architecture, art and planning departments – an open condition that could trigger interaction and discussion. I am sure the students and faculty will generate unexpected uses and conditions that go beyond what we have planned for it.”
Thanks to architectural photographer Matthew Carbone for the amazing photos of this project!
Location: Ithaca, New York, USA
Client: Cornell University, College of Architecture, Art and Planning (AAP)
Project Area: 47,000 sqf addition to the College of Architecture, Art and Planning – Studios, Crit spaces, Auditorium, Exhibition, Exterior Workspace and Plaza.
Project Year: 2009-2011
Photographs: Matthew Carbone
Cornell University and Stanford University are competing for the environmental affections of New York City’s public officials as part of a contest for the design of a school of applied sciences. The Bloomberg-supported competition will end on October 28th and it promises to dole out $400 million in land and infrastructure improvements to the winning school. Each school is running an impressive campaign with a well developed infrastructure of “green technology”. Read on for more about the proposals.
Cornell University’s proposed New York City Tech Campus on Roosevelt Island plans to become a sustainable landmark. Oriented by the sun, the 10-acre campus encompasses the largest solar array in New York City, four acres of geothermal wells, and 500,000 square-feet of open green space dedicated to the public. If built today, the campus’s 150,000 square-foot main academic building would be the largest net-zero energy building in the eastern United States.
The proposed campus is designed by Skidmore, Owings, & Merrill (SOM). Landscape will be designed by James Corner Field Operations. Cornell teamed up with alumnus and managing director of Distributed Sun, Jeff Weiss, to help build a comprehensive energy solution. National Renewable Energy Laboratory (NREL) and the NYS Energy Research and Development Authority (NYSERDA) also participated in the conceptualization of the proposed renewable energy and energy efficient aspects.
Continue reading for more images and detailed information.
The highly anticipated Milstein Hall at Cornell University has officially opened its studios to students. It is the first new building in over 100 years for the renowned College of Architecture, Art and Planning (AAP). Designed by OMA, led by partner Shohei Shigematsu who directs the NY office, and and Pritzker Prize-winner Rem Koolhaas, the design for the 47,000-square-foot building physically unites the AAP’s long-separated facilities to form a platform for interdisciplinary collaboration.
“Milstein Hall operates on many levels,” says AAP dean Kent Kleinman. “It redefines the entry for the northern edge of the campus; it provides a permeable boundary between academic space and the public; it offers extraordinary spatial relationships between internal programmatic elements; and it offers a landscape of studios that fosters a level of interaction between our undergraduate and graduate architecture students that we have never enjoyed before.”
Cornell overcame the danger of having both their accreditation and new architecture school eradicated from the campus, but as we reported in May of last year there has been smooth sailing in terms of the physical construction of OMA’S Milstein Hall ever since.
More about Milstein Hall following the break.
Architectural Digest has compiled a list of college campuses throughout the United States which have the most remarkable architectural traditions, which broadcast their innovative philosophy through design. A number of colleges have fully incorporated modern architecture into their campus schemes, for example MIT; while others have preserved their historical edifices through the course of the years, like the University of Virginia. The list involves some prestigious institutions, in addition to some surprises, all possessing their individual architectural languages.
See the 10 College Campuses with the Best Architecture after the break.
After a reflective sabbatical following the 7th issue, The Cornell Journal of Architecture has recently launched itself back on the scene of primer architectural journals. The long awaited 8th issue strives to be “about the now, the new, and the next in architecture, while simultaneously acknowledging that every possible future is intrinsically linked to the existent, to the present and its attendant past. At the heart of issue 8: RE is the understanding that the creative act itself is reiterative; that in rethinking, recombining, reshuffling, recycling, and reimagining aspects of the world around us, we produce work that both belongs to the current moment and establishes new future trajectories.”
Table of Contents following the break.