OODA shared with us their design proposal for an iconic high-rise with 40 stories in Sao Paulo. Invited to participate in the competition, the we challenge was to merge in just one whole both tourist apartments and luxury residences with plenty of common spaces, gardens and sightseeing spaces. More images and a brief description after the break.
RUA Arquitetos shared with us their design for the Olympic Golf Course Clubhouse in Rio de Janeiro which is organized like a comfortable veranda, dissolving the limits between the landscape, the building, and the users. As Rio citizens, the architects wanted an architecture that expressed the city’s lifestyle, one that was tropical, open and generous, like a big varanda leaning over the golf course. They reconfigured the concept of ‘veranda’ with a large, extremely light roofing around which the clubhouse’s activities are organized. More images and architects’ description after the break.
To enhance its belonging to the green world the new Olympic Golf Camp Headquarters aims to become a landscape icon merging with the nature of the site. Designed by Group8, the buildings are made by cutting the ground at different points and then by lifting it up at some corners. The newly created landscape is oriented according to the context and the program offering good protection from the ‘superblocks’ complex next to them. More images and architects’ description after the break.
The Brazilian Institute of Architects and Rio de Janeiro department (IAB-RJ) have announced architects Pedro Évora and Pedro Rivera of RUA Arquitetos as winners of a competition to design the 2016 Olympic golf course clubhouse. The competition, open to professionals who graduated within the last 15 years, attracted entries from 82 teams of architects and landscape architects from across Brazil.
RUA Arquitetos’ winning scheme captures the atmosphere of Rio by showcasing the lush tropical landscape of Barra da Tijuca with a large veranda whose lightweight roof collects rainwater to irrigate the course.
Continue reading for the architects’ project description.
Niemeyer, who will turn 105 this December, was admitted to the same hospital for about 2 weeks in May after suffering from pneumonia.
According to The Huffington Post, Niemeyer’s doctor, Fernando Gjorup, has said that the architect is “fine” and in stable condition, although “a bit dehydrated. He entered the hospital complaining of nausea, but little else.”
Congresso Nacional dos Municípios (CNM) Headquarters Winning Proposal / Luis Eduardo Loyola and Maria Cristina Motta
The primary condition for the first prize winning design of the new headquarters of Congresso Nacional dos Municípios (CNM) is the creation of a metropolitan area in line with the urban context of the city of Brasilia. Designed by Luis Eduardo Loyola and Maria Cristina Motta, the project is embodied along an axis in the form of a white metallic volume floating gently on a concrete basement. The transparency of the volume creates a special relation with their surroundings. More images and architects’ description after the break.
Designed by Ana Cecília Tourinho, Analu Brandão, Gabriel Kozlowski, and Beni Barzellai, their competition entry for the City Hall Várzea Paulista creates a unity among all the planned projects for the downtown of Várzea Paulista. By proposing an infrastructural ring, the project functions as a public connector to embrace the existing green space and north and south. Connected to the public transportation system, it distributes and negotiates the confluence and flow of pedestrians while building a coherent image of the city’s entry. More images and architects’ description after the break.
A cultural and educational space for creative industries, such as movie, TV, web design, fashion and performing arts, the first prize winning proposal for the CASA FIRJAN da Indústria Criativa unifies the educational, cultural and corporate segments. Designed by Lompreta Nolte Arquitetos, the project, located in Rio de Janeiro, creates a hub for producers, consumers, and investors of these disciplines to provide interaction, networking and business opportunities. More images and architects’ description after the break.
PAX.ARQ, in collaboration with Vazquez Junqueira Arquitetura, designed this concept for the CAD SP (Digital Arts Center of São Paulo) as a study for São Paulo’s secretary of culture. The transparent, prismatic cube arises from the concepts of inter-connectivity, transparency and respect to pre-existing architectural surroundings. Learn more after the break.
Conceived by Mexican architect Ivan Juárez from X-Studio, the Lightweave Palm Observatory consists of a dialogue with the natural landscape context of Bahia de Todos os Santos, Brazil. The project explores a local artisanal textile technique using the coconut palm leaf found in the island as raw material. It then forms an interior space for personal reflection which creates a visual dialogue between the interior and exterior landscape that it delimits. More images and architects’ description after the break.
The Brazilian Pavilion brings together two outstanding professionals from two different generations: Lucio Costa (1902-1998) and Marcio Kogan (b. 1953). Costa is the world renowned urban planner who conceived Brasília, the country’s new capital inaugurated in 1960, with public buildings designed by Oscar Niemeyer (b. 1907). Costa was one of the core ideologues of Brazilian modernism and the author of some of the master-pieces of modern Brazilian architecture.
Marcio Kogan, an architect and movie director, stands out in the contemporary scene with major projects both in Brazil and other countries. Costa’s installation Riposatevi -a masterpiece, albeit not familiar to all- will be exhibited. Marcio Kogan has created an original piece for Venice.
Designed by Aleph Zero + Juliano Monteiro, the [DES]dobrar Memorial is a space composed by reflective elements which is therefore a cloudy limited space: in, out, far and near, front, back, unique, multiple, real reflection. An important element of the project is one that activates and gives meaning to the objects: the user / observer. Unlike a mere passive spectator, is the observer who composes the piece through its position and its motion in space. Such movement is yet ‘reflected’ by objects that “dance” as the passage of passersby and accuses them of being they, too, actors in a multiple reality, dynamic and interconnected. More images and architects’ description after the break.