Brooklyn based interaction designer Cooper Smith has created an amazing series of videos documenting pedestrian travel within Manhattan. By tracking the paths of 1000 Nike Plus (Nike’s new smart running shoe) runs, he was able to produce and distill a wide variety of data. The results are quite elegant in terms of graphics, and offer insight into the patterns of urban travel. For more videos visit Cooper’s website.
After many years of political turmoil, South Korea has now gained enough economic stability to begin working on its goals of becoming the world’s next major international business hub. This stability has allowed large Korean companies to travel to foreign countries, constructing some of the tallest buildings in the world. Now, however, these companies are taking their designs to their own soil by strategically focusing on areas that will allow for the greatest opportunities for future development. One such area is the city of Songdo. More on this city’s development after the break.
Architects: Baird Sampson Neuert Architects
Location: Toronto, Ontario, Canada
Project Team: Barry Sampson, Seth Atkins, Geoffrey Thün, Ian Douglas, Yves Bonnardeaux, Mauro Carreño, Gregory Reuter, McMichael Ruth, Andria Vacca, Colin Ripley, Jason Lee
Contractor: Struct-Con Construction
Project Year: 2005
Project Area: 6,108 sqm
Photographs: Tom Arban
ADD Inc shared with us their proposal for City Sqaure Miami, a multi-phase, mixed use project which integrates digital media and architecture to restructure Miami’s Performing Arts District. City Square is an elaborate urban design scheme that is comprised of two gleaming “media towers,” intended to bring brightness and excitement to Miami’s premiere arts and entertainment hub.
More on City Square Miami after the break.
The design by DRA&U, which is meant to accommodate cultural activities, comes from the study of shells, their real geometry, neither ideal, nor platonic. The x-ray analysis of these slender bodies gave them the ability to perceive the deficiencies, deviations, and a set of slight imperfections due to environmental disturbances during development, which makes them so fascinating. Each shell contains history and a body that evolves with sublime patience, where the beauty, usefulness, functionality and aesthetics are linked to each other, because the amazing beauty lies not only in the outer (what you see usually), but also lurks in intimacy than hidden. More images and architects’ description after the break.
Location: Pittsburgh, Pennsylvania
General Contractor: Turner Construction Company
Civil Engineer: ATS Chester Engineers
Lighting: Studio i
Project Area: 64,500 gsf
Project Year: 2009
Photographs: Steinkamp Photography, VEKA Marketing, Joshua Franzos Photography
The aim of this symposium is to create a dynamic dialogue where architecture, design and education are the main focus. With the help of merited guests, they are hoping to achieve a broad spectrum of dialogue and an innovative approach to progressive architectural education.
The theme this year is ‘What is the main focus in architecture today?’ More information on the event after the break.
We propose a station that pretends to be a real terminus station. Consequently, it is not a place just to pass through, but a place where the passengers change their rate of movement. In this place, the city of Huelva introduces itself to the traveller, and sees him off. For this reason we have not proposed a simple halt where we get off a train which continues its journey, but rather a Terminal Station that has to be the end and the start of all travel.
OODA shared with us their proposal for the New Taipei City Museum of Art which won the Merit Award in the international competition. The competition intention was to create a pioneering and innovative design concept which will stand as a new-age landmark and a symbolic voice to the world of Taipei City new spirit. OODA’s concept emerges from a big volumetric cube in confrontation with a smaller inner structure cube – hypercube which is an applied mathematical form that relates both. Then the big outer bisects the clamp (as structural elements) and sucks the in between surfaces to a central point creating a hypercube as the core. More images and architects’ description after the break.
This exhibition space design by dEEP Architects is for an art exhibition titled ‘Heaven’ that is being held in Shanghai’s trend setting shopping destination Xin Tian Di Shopping Mall. The form of a rabbit was chosen because in the Chinese culture this year is the Year of the Rabbit. More images and architects’ description after the break.
Researchers at the University of California San Diego are investigating how our brains respond to various spatial environments. Dr. Eve Edelstein, a neuroscientist, is researching how architectural designs can be manipulated through data gleaned from measurements taken from users while they experience different spatial environments in ‘The Cave’ – a controlled laboratory.
The evidence is enlightening, as it clearly shows how our brains respond to light, space, and even ceiling height. What may be intuitive for architects, Dr. Edelstein is attempting to quantify in an empirical manner in order to understand how and why these elements affect our brains, body, and behavior.
It would be interesting if we could all upload our designs and experience them in the design development stages from this academic perspective.
According to George Baird of Architectural Record, skepticism of sustainability is on the rise. Architectural historians, theorists, practicing architects and even construction lawyers and risk managers are warning designers about the risks associated with the “going green” ambition. Sustainability takes many forms. From the recycling and reusing of materials to new technological innovations, “green design” can be humble: sourcing natural and passive solutions energy needs; and it can be extravagant: using customized and computer-enhanced systems that detect environmental conditions and respond accordingly to the building’s needs.
At the peak of the modern era, a meshing of car culture and the Space Age brought about the gaudy and garnished Googie architecture. The signatures Googie style lie in sweeping arches and hard angles, cantilevered roofs and bold colors, and, its most relative homage to the Space Age, the starburst. The first of the Googie style, and its namesake, was a coffee shop designed by architect John Lautner by the name of “Googies”. With its place on Sunset Boulevard in Los Angeles the new style caught the eye of many passersby who began to associate the style with the glamour of Hollywood. The spread of this movement from Southern California went most notably north and south along the shore to become a symbol of west coast futurism.
Architects: GWWO Architects
Location: Baltimore, Maryland, USA
Exhibit Planning & Design: Haley Sharpe Design
Civil Engineering: Vanasse Hangen Brustlin, Inc.
Landscape Architecture: Mahan Rykiel Associates, Inc.
MEP Engineering: Henry Adams, LLC
Structural Engineering: Faisant Associates Inc.
Project Year: 2011
Project Area: 17,655 sqf
Photographs: Robert Creamer, GWWO Architects