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Adjaye Associates Unveil First Phase of Barbados National Performing Arts Centre

The first phase of the Barbados National Performing Arts Centre, designed by Adjaye Associates, has officially opened in Bridgetown, marking the commencement of a significant cultural initiative. Originally conceived as a temporary pavilion for Carifesta XV, the timber structure serves as both a functional venue for performances and the foundation for the forthcoming 85,000-square-foot permanent complex, slated for completion in 2026. Developed in collaboration with structural engineer StructureCraft, the project features mass timber construction, low-carbon design strategies, and adaptive reuse of components. This approach provides Barbadians with a "meanwhile use" venue while laying the groundwork for a future national hub within the Barbados Heritage District.

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When Old Meets New: JK-AR's Reinvention of the Traditional East Asian Bracket System through Digital Carpentry

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By imagining an alternative reality and rediscovering his cultural background, architect Jae Kyung Kim of JK-AR established his identity as an architect when creating his practice, selected as one of ArchDaily’s New Practices 2023. After studying and working in South Korea and the US, he’d noticed an absence of traditional Asian architecture, which had peaked his interest. He began to thoroughly look at a possibility where the traditional timber buildings of East Asia had still been relevant and continued to evolve.

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IKEA's SPACE10 Lab Reimagines Craftsmanship Through Digital Techniques

Picking up on the debate surrounding digitization in fabrication and its impact on traditional crafts, Copenhagen-based SPACE10, the future-living laboratory created by IKEA, recently invited three architects—Yuan Chieh Yang, Benas Burdulis, and Emil Froege—to explore the potentials of CNC milling for traditional craft techniques. The architects came up with three divergent yet equally innovative solutions to address the fundamental issue that plagues digital production: an apparent lack of a "human touch." In a Post-Fordist world increasingly dominated by customization, this investigation holds obvious importance for a company which deals primarily in mass-produced ready-to-assemble products; however, with its advocation for the infusion of dying classical craft techniques into the digital manufacturing process, the experiment could be meaningful for many other reasons.

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