Exhibit Columbus has announced the new 2020-21 theme, as well as the J. Irwin and Xenia S. Miller Prize recipients. As an exploration of architecture, art, design, and community, the programming is meant to activate the design legacy of Columbus, Indiana through free, public exhibitions. The symposium and exhibition cycle explores the future of the center of the United States and the regions connected by the Mississippi Watershed.
The 2019 London Design Festival opens next month with highlights including projects at the V&A by Sam Jacob and Kengo Kuma. Running from September 14th to the 22nd, the festival will include large-scale installations by Paul Cocksedge, Martino Gamper, PATTERNITY, Dan Tobin Smith and Camille Walala. Returning for its 17th year, the festival will celebrate design across London.
A new genre of film is emerging: the luxury skyscraper promotional video. Usually released before a new building is even finished, these filmic renderings follow an uncannily standard format: A stirring soundtrack reliably accompanies a time lapse of a city’s skyline; viewers ascend a rendered building until we reach the top floor. There, we see some variation of the most common scene found in these videos: a businessman silently overlooking the expansive city below. The figure tends to be pensive, well-dressed, white, and male. Read on to see three prime examples of this odd trend.
Thinking broadly of architecture, the masterpieces of the past inevitably come to mind; buildings constructed to withstand the passage of time, that have found an ally in age, cementing themselves in the history of humanity. Permanence, however, is a hefty weight to bear and architecture that is, due to its program, ephemeral should not be cast aside as "lesser-than."
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In a large-scale, central installation at the 2017 Chicago Architecture Biennial, the likes of 6a architects, Barozzi Veiga, Kéré Architecture, MOS, OFFICE KGDVS, and Sergison Bates—among others—have designed and constructed sixteen five meter-tall contemporary iterations of the renowned 1922 Chicago Tribune Tower design contest.
Six teams have been shortlisted in a competition to restore and renovate the historic Clandon Park mansion in the county of Surrey, England, after the National Park property received heavy damage from a fire in 2015.
Organized by Malcolm Reading Consultants, the competition tasked teams with restoring and updating the interiors of the 18th-century Palladian house, as well as designing new flexible event spaces and visitor facilities within the existing building footprint.
Sam Jacob Studio harbours a long-held fascination with Half-Timbering. In this essay, Jacob examines the historical, cultural, and aesthetic roots of the style.
It’s fair to say that “Mock Tudor”—that black and white facade treatment—has a less than glowing reputation. Take these sneering lines from John Betjeman’s Slough, for instance:
It’s not their fault they often go / To Maidenhead / And talk of sports and makes of cars / In various bogus Tudor bars.
(Perhaps those very same bars that Martin Freeman’s character in The Office notes have “a sign in the toilet saying: Don’t get your Hampton Court”.) “Mock Tudor” is often accused of “bogus”-ness, of lacking authenticity, of fakeness, and many other types of architectural sin.
The Chicago Architecture Biennial has announced the list of participants invited to contribute to the event’s second edition, which will be held from September 16 to January 7, 2018 in Chicago. More than 100 architecture firms and artists have been selected by 2017 artistic directors Sharon Johnston and Mark Lee, founders of Los Angeles–based Johnston Marklee, to design exhibitions that will be displayed at the Chicago Cultural Center and throughout the city.
“Our goal for the 2017 Chicago Architecture Biennial is to continue to build on the themes and ideas presented in the first edition,” explained Johnston and Lee. “We hope to examine, through the work of the chosen participants, the continuous engagement with questions of history and architecture as an evolutionary practice.”
The inaugural show at the new London Design Museum, Fear and Love, presents a collection of "reactions to a complex world." Featuring eleven specially-commissioned installations designed by the likes of OMA/AMO, Hussein Chalayan, Andrés Jaque and Metahaven, the spatial context which frames them is the work of Sam Jacob Studio.
The Illuminated River Foundation has unveiled the six designs shortlisted to transform the river Thames in London by lighting up key bridges along the length of the river. The six teams were selected in September and asked to work their initial schemes into concept designs for the Westminster, Waterloo, London and Chelsea bridges. The teams comprise: Adjaye Associates; A_LA; Diller Scofidio + Renfro; Leo Villareal with Lifschutz Davidson Sandilands and Future\Pace; Les Éclairagistes Associés with ecqi and Federico Pietrella; and Sam Jacob Studio with Simon Heijdens. Read on to see all six designs.
Sam Jacob Studio has created a replica of Adolf Loos’ unrealized 1921 mausoleum in Highgate Cemetary, London, which is home to the graves of Karl Marx and Malcolm McLaren, amongst other notable figures.
The Illuminated River Foundation has announced a shortlist of six firms that will compete to design a new permanent light installation along the Thames River in London. From a pool of 105 teams (made up of 346 different firms), the winners were selected based on experience, past projects and team composition. The six finalists will now continue on to develop lighting schemes for the Westminster, Waterloo, London and Chelsea Bridges, as well as a design masterplan for the 17 iconic London bridges between Albert and Tower.
Continue reading to see the list of six finalists.
Sto Werkstatt have announced that Sam Jacob Studio will be creating "a unique installation" for their London gallery space that will "explore the exchange of information between digital and physical worlds." Entitled One Thing After Another, the project has its origins with what Jacob considers the most mundane, yet essential form, of architecture: the garden shed. The structure will be 3D-scanned to create a digital copy which will then be processed and scaled to fabricate a new CNC’d version from Verolith, a lightweight type of volcanic stone made of 90% perlite.
London-based practice Sam Jacob Studio, led by a former partner of FAT, have installed a 1:1 replica of a standing sarsen stone from the Avebury stone circle in the centre of the British New Town of Milton Keynes. The 'MK Menhir', situated on a Porte Cochère on the city's Midsummer Boulevard, has been (CNC) milled from hard-coated foam using data from a 3D scan of the original stone. It has been given an iridescent tint using techniques similar to those used to spray paint a car.
In an interview with Core77 Sam Jacob, formerly of FAT and now principal at Sam Jacob Studio, has "always pursued an idea of design practice as a combination of criticism, research and speculation that all feed directly into the design studio." This approach has allowed his ideas to "cross-fertilize, find connections and directions that make the practice stronger, more agile and able to respond intelligently to the problem at hand." Jacob, who is also a Visiting Professor at Yale and the University of Illinois at Chicago whilst simultaneously director of the Night School at London's Architectural Association, recently saw the end of FAT's final project: the curation of the British Pavilion (alongside Dutch architect and academic Wouter Vanstiphout). In the UK, former partner Charles Holland is bringing a collaborative project with artist Grayson Perry to completion in Essex.
Read more and see some of Jacob's drawings after the break.
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The scaffolding has come down, revealing the first glimpse of FAT's extraordinary A House For Essex. Designed in collaboration with British ceramic artist Grayson Perry and commissioned by Alain de Botton’s alternative holiday rental project Living Architecture, the house will be the final built work that FAT complete. The bejewelled two bedroom dwelling, topped with a shimmering golden copper alloy roof and clad in glinting green and white tiles, sits in the rolling landscape of Essex - Charles Holland (FAT) and Perry’s home county. Adorned with sculptures integrated into a wider narrative that spatially recounts the life of a fictional character called Julie, the barn-like shape, bold colours and decoration has not simply garnered widespread attention but has also captured people’s curiosity.
Find out more about the project in an interview with the architect after the break.
.jpg?1597247495 "Courtesy of Exhibit Columbus")
.jpg?1505513471 "© Laurian Ghinitoiu")
.jpg?1505513328 "© Laurian Ghinitoiu")
.jpg?1505513195 "© Laurian Ghinitoiu")
.jpg?1505513136 "© Laurian Ghinitoiu")
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.jpg?1501324422 "Anne Hathaway's Cottage, England. © <a href=\"https://en.wikipedia.org/wiki/Tudor_architecture#/media/File:Anne_Hathaways_Cottage_1_(5662418953).jpg\">Wikimedia Commons user Tony Hisgett</a> licensed under <a href=\"https://creativecommons.org/licenses/by-sa/2.0/\">CC BY 2.0</a>. Image Courtesy of Tony Hisgett")
_FAT_-_Living_Architecture_(2).jpg?1407615522 "Sculptures by Grayson Perry. Image © FAT/ Living Architecture")
_Dave_King_-_Channel_4_Television.jpg?1407615749 "Under Construction (August 2014). Image © Dave King / Channel 4 Television")
_FAT_-_Living_Architecture_(3).jpg?1407615601 "Aerial View. Image © FAT/ Living Architecture")