Storefront for Art and Architecture will host a “closing ceremony” for the exhibition, Sacred Spaces in Profane Buildings, an exhibition by Matilde Cassani that explores secret, sacred territory throughout New York, on November 5, 2011 at 5pm. The ceremony will include discussion with local clergy on the condition of religion in the city of New York, focusing on the religious spaces that are built in non-traditional places to worship. The reception is free and open to the public. For more information, visit here.
Production and design firm, The Department of the 4th Dimension (The D4D), created the world’s first pop-up scent museum for Sephora & Firmenich. The Sensorium: Lucid Dreams from the Sensory World is an interactive exhibition exploring the emotions and instincts behind scent.
For more information, continue reading after the break.
The space of sound created by Carlito Carvalhosa’s Sum of Days on exhibit at MoMA until November 14, 2011 is a sublime environment of billowing white fabric and the white noise of the atrium reflected upon itself. The psuedo-boundaries established by the translucent material that hang from the ceiling create a confined space of light and ambient sound – fleeting and ephemeral. Upon entering the exhibit, you pass an array of speakers affixed to the wall. They are emitting a low hum – the sound of voices and echoes that are distant, yet recognizable. It is unclear at first from where these sounds are originating, but behind the fabric bodies are drifting in and out of view. The curtains, which are constantly swaying, direct you in an ellipse to the center of the space where a single microphone hangs, picking up the noise within the exhibit and sending them to the dozens of speakers that hang at intervals inside the curtains, along the walls of the exhibit, and up through the galleries at the mezzanine levels that overlook the atrium.
The MAS Summit for New York City, which occurs at 9:15am on October 14th, will bring together four icons of urban planning, design and architecture to explore today’s challenges and opportunities in creating a well-planned and well-designed city.
Delivering keynote speeches will be Amanda M. Burden, FAICP, an urban planner and civic activist, who serves as the New York City Planning Commissioner and Chair of the New York City Planning Commission, and Witold Rybczynski best-selling author, Martin and Margy Meyerson Professor of Urbanism at the University of Pennsylvania and architecture critic at Slate. More information on the event after the break.
On October 18th, starting at 7pm, Storefront for Art and Architecture presents Kissing vs Komplex, a Productive Disagreement Series Event with Sylvia Lavin and Hal Foster on conversation about contemporary relations between art and architecture, and the forces that bring them together.
The Architectural League of New York recently announced its Fall 2011 Lecture Series. Jeanne Gang, recently awarded a MacArthur Foundation “genius” grant, will give the annual Ulrich Franzen Lecture on Architecture and the Environment, delivered by an international figure whose work has significant implications for understanding and reconceiving the relationship between architecture and the environment. Past Franzen lectures have been delivered by Renzo Piano, Shigeru Ban, and Werner Sobek.
The League’s Current Work series annually presents prominent architects and designers, who help to shape current architectural discourse with their work and ideas. This year’s series includes Michael Van Valkenburgh, designer of the recently opened Brooklyn Bridge Park; Francine Houben of the Dutch firm Mecanoo; Jesse Reiser and Nanako Umemoto, the recent winners of the major international competition to design the Kaohsiung Port Terminal; Michael Maltzan of Los Angeles; and Bernard Khoury of Beirut. More information on the lecture series after the break.
WTC: Street Installation and Exhibition is a 4×28 foot montage comprised of closeups of the facades of the former Twin Towers- located on East 4th Street between the Bowery and Second Avenue. There will also be nine accompanying prints exhibited in the FAB Cafe across the street.
NEW YORK–Although the American Folk Art Museum has avoided dissolution thanks to a cash infusion from trustees and the Ford Foundation, the institution’s ongoing financial troubles raise difficult questions about the relationship between signature architecture and cultural capital.
Impulses toward the formless, alternately understood as struggles to escape form as a manifestation of various norms and constraints, are as old as architecture itself. But the formless is also increasingly in the air today, whether explicitly as in discussions of the “formless” quality of the city, or implicitly in talk of atmospheric buildings, randomized structures, and the dematerialization (or increased mediation) of architecture. No doubt part of its appeal lies in the fact that the formless is frequently found at the intersections between architecture and other fields, those intriguing moments when architecture unravels and can perhaps be woven into other practices, from art to ecology or engineering. Nevertheless, the formless has not yet been theorized rigorously in architecture. More information on the event after the break.
USA Today has put together a list of city neighborhoods which are satiated with activity, areas which offer a “great slice of urban life.” These districts trend from the urban vicinity to its very core, each in itself exemplifying the revitalization of the American city. The list includes regions which have been influenced by deliberate urban revitalization projects, such as High Line Park in Chelsea; while other neighborhoods have experienced an influx of a younger populace which has contributed to its growth, such as Lawrenceville in Pittsburgh.
See the 10 Up and Coming Urban Neighborhoods after the break.
Ten years since the 9/11 attacks on the World Trade Center in New York, the National September 11 Memorial was dedicated in a private ceremony with the victims’ families. It was officially opened to the public as of today, September 12th. The opening of the 9/11 Memorial is a first step towards the closing of a long chapter of construction at the World Trade Center site.
Storefront for Art and Architecture will be host to Matilde Cassani’s Sacred Spaces in Profane Buildings, an archive and exhibition that unveils the secret sacred territory throughout New York. The exhibition will run from September 14 – November 5th with an opening reception on September 13 at 7pm. Cassani’s work explores the pluralism of religion as it manifests itself in contemporary non-traditional spaces – hidden away in the niches of the contemporary city. This exhibit will have a collection of analytical and speculative works, to be read as a public archive and exhibition.
Continue after the break for more on this exhibit.
Ten years ago the world was jarred at seeing a financial institution of a high urban city destroyed. Maybe at that moment we found ourselves second-guessing the security of our society and our government, of the stability of our ever-expanding cities, of the soundness of our buildings. But a decade later cities are still thriving: growing and rebuilding. Senator Daniel Patrick Moynihan predicted that our attitudes toward the value of urban development would remain unchanged, and he may have been right. So have we, as law-makers, designers and inhabitants of the urban environment learned from what ten years ago was considered a failure in our cities and government agencies? ArchDaily had the pleasure of interviewing Mr. Patrick Phillips, CEO of the Urban Land Institute (ULI), an international organization devoted to the responsible use of land and in creating sustainable thriving communities worldwide.
Earlier in the week, we shared a video ofCook+Fox’s Bank of America Tower at One Bryant Park. Recently, we’ve heard some talk of a new skyscraper that may be making an appearance in the skyline. Situated on the site of the former Drake Hotel at the corner of 57th Street and Park Avenue, the project is the work of California developer CIM, Harry Macklowe and Rafael Viñoly [although it is not designed by RVA]. Macklowe demolished the old hotel and the zoning allows new development to surpass a soaring 1,000 feet! Although all is speculative, Curbed.com reported that the tower may reach 1,420 feet! At that height, the tower will become the second tallest in the city – passing the Empire State and the Bank of America building – and, get this, it will even beat the height of One World Trade [if you don’t count the 400 ft antenna]! Remember all the controversy surrounding Nouvel’s Torre Verre for Midtown? We wonder what this project will stir up with its bland aesthetics and its crazy height. Just to give you an idea of the project, we found these images on Curbed.com and as the site reports, “WNY user STR did some modeling of the Vinoly structure, and another commenter credits the drawings as ‘not official renderings, just rough sketches based on descriptions from some people who have been privy to the design process.’ ” What do you think of the plans for the new Drake Hotel site?
The Gowanus Canal is one of America’s most polluted waterways, and its location in the New York Harbor made it one of the many places that were effected by flooding as a result of Hurricane Irene. If that isn’t enough to think about, last year the EPA declared the Gowanus Canal as a Superfund site, “As a result of years of discharges, storm water runoff, sewer outflows and industrial pollutants, the Gowanus Canal has become one of the nation’s most extensively contaminated water bodies. Contaminants include PCBs, coal tar wastes, heavy metals and volatile organics. The contamination poses a threat to the nearby residents who use the canal for fishing and recreation.”
Rising Currents, an exhibit that was featured at the MoMA just last year, was a cohesive showcase of five projects tackling the lingering truth that within a few years, the waterfront of the New York harbor will drastically change. We highlighted Zone 0 earlier this week, comprised of ARO and dlandstudio, they specifically took a look at the lower Manhattan landscape, proposing to develop a new soft and hard infrastructure solution paved with a mesh of cast concrete and engineered soil and salt tolerant plants.
Zone 4, or Oyster-Tecture by Kate Orff, dealt directly with the highly polluted Gowanus Canal. We shared with you Orff’s TEDTalk on Oyster-Tecture back in Februrary, and feel like it is a subject worth revisiting. Eastern oysters being her focus, she shares how the oyster can improve water quality as a natural bio filter. Blending urbanism and ecology she proposes an oyster reef for the Gowanus Canal and Governors Island, an accessible idea that can be implemented immediately. A further description about Zone 4 Oyster-Tecture following the break.
In the wake of Hurricane Irene it only seemed appropriate to take a second look at Rising Current, an exhibit that was featured at the MoMA just last year. To give you a refresher, the exhibit was a cohesive showcase of five projects tackling the lingering truth that within a few years, the waterfront of the New York harbor will drastically change.
Team Zero, comprised of ARO and dlandstudio, specifically took a look at the lower Manhattan landscape, proposing to develop a new soft and hard infrastructure solution paved with a mesh of cast concrete and engineered soil and salt tolerant plants. This would create greenways that act as absorptive sponges for rainwater. The porous green streets address daily tidal flows and storm surges with 3 interrelated high performance systems (network of parks, wetlands and tidal salt marshes). These systems stop sewage overflow, block higher sea levels and mitigate storm surge.
Rising Current provided an emphasis on how to re-think the city, relevant before, and even more pressing now after the flooding from the hurricane. Let’s hope that the ideas for solutions that were generated from the exhibit can now be considered for implementation. More about Rising Currents and Team Zero’s solution following the break.
As part of an upcoming exhibition, they are developing a New York Archive of Sacred Spaces in Profane Buildings and they need your help. This is an open call for contributions that explain either a story or the memory of a visit, a sketch of a known space, a photograph of a street sign, a location in a map, anything that might help us construct the most comprehensive guide to the sacred unknown of New York. To participate, you are encouraged to submit any material at their website.
More information on the exhibition after the break.
