Interviews: The Latest Architecture and News

Form4 Architecture’s project, Innovation Curve Technology Park, has been honored by the Green Good Design Awards presented by The European Centre for Architecture, Art, Design, and Urban Studies, in collaboration with The Chicago Athenaeum’s Museum for Architecture and Design.

The project, which recently broke ground in Palo Alto, California, “celebrates the creative process of invention” through its sweeping metal curves, which represent the highs and lows of exploratory research and development. The tall, two-story curves “rise to represent the crescendo of the creative spark and pragmatic analysis of ideas, and descend to transition into long, horizontal bands symbolizing the implementation phase of invention.”

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MOB Architects’ project Liaisons has been shortlisted for the 2016 World Architecture Festival in the Future Projects \ Residential category and has won the Residential category for the 2016 AR MIPIM Future Projects Awards.

Designed for the MOLEWA (Mount Lu World of Architecture) competition, Liaisons is a residential project in Ruichang, China near the “Flower Ocean Garden,” one of the world’s largest flower theme parks.

Inspired by the concept of blooming, the project centers on introducing a flourishing essence to the neighborhood by analyzing floral and vegetal properties in pixels and converting them into patterns, which are applied in arrangements and spatial organization principles.

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An innovative new housing model dubbed ReGen Villages (short for regenerative) has been developed in response to some of the world's most pressing environmental, social and economic issues. Helmed by Dutch holding firm ReGen Villages B.V. and Copenhagen-based architecture firm EFFEKT, the new model facilitates off-the-grid, self-sustaining communal neighborhoods that can be deployed across the globe. The first project site will be in Almere, the Netherlands, with work starting this year.

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Form4 Architecture has won first place at the International Design Awards for its project, Sea Song, which additionally was honored by the Green Good Design Awards presented by The European Centre for Architecture, Art, Design, and Urban Studies, in collaboration with The Chicago Athenaeum’s Museum for Architecture and Design.

Bridges and Highways infrastructure development have rapidly escalated in recent years in Asia Pacific, constituting 60% of the global market. Demand is largely driven by the availability of government road building funds, urbanization growth, and the need to replace or repair aging infrastructure. The Engineering and Maintenance components play a vital role in bridges & highways development as they are key to overall safety, project management and delivery of bridge and highway project and on a larger scale, a reflection of the country’s infrastructure plans and reputation.

Year on year, we are seeing Asia drastically outperforming all other regions in Skyscraper construction. For example, in 2015, 81 of the 106 completions were constructed in Asia.

A direct consequence of Asia’s Economy Growth, Rapid Urbanization and a Tremendous Appetite to build the Smartest, Most Asthetic and Tallest Buildings in the world, going forward it looks like it is no different as another record breaking year of skyscrapers completion is expected to take place in Asia.

Architecture Research Office and FilzFelt have teamed up to create ARO Block, a series of modular acoustic tiles that provide sound control in a customizable, easy-to-install system. Generated from remnant material of FilzFelt’s CNC cut products, which are often times small, ARO Block not only creates distinct felt tile patterns but also prevents leftover fabric from going to waste.

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New-York-based studio Architensions has released the design for its shortlisted project, Rising Ryde, for the Ryde Civic Center in Sydney, Australia. In an effort to embrace local communities and contexts, the project is conceived as a hill-shaped building covered in local vegetation and it aims to prioritize people through its complex system of social connections and interactions with nature.

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The AA School of Architecture’s DRL Masters Program has developed a thesis project, entitled Growing Systems, which explores adaptable building systems using methods of robotic fabrication and generative special printing within the context of housing.

Centered on a new method of structural 3D vertical extrusion, the project combines the precision of prefabricated elements with the adaptability of on-site fabrication, in response to the flux and dynamism of cities. The method becomes a system of elasticity that can accommodate site parameters, as well as future adjustments.

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A photo posted by Miami Red Square Holdings (@miamiredsquareofficial) on Aug 2, 2016 at 10:34am PDT

Florida is a state in denial. Miami is in the midst of one of the largest building booms in the region's history. Dense crane canopies pepper the city's skyline as they soar over forthcoming white, gold, and aqua clad "high end" residential and hotel towers. This massive stream of investment dollars is downright paradoxical considering the impending calamity that surrounds Southern Florida: The National Oceanic and Atmospheric Administration predicts that the sea level could likely increase almost 35 inches (0.89 meters) by mid-century. If current trends continue, that number is anticipated to rise to up to 80 inches (2.0 meters) by the year 2100, threatening the habitability of the entire metro area.

Given that harrowing scenario, Miami is either refusing to acknowledge the inevitable, or desperately trying to become relevant enough to be saved—not that saving the city is actually feasible. The region sits on extremely porous limestone which pretty much rules out the option of a Netherlands style sea wall. If the Atlantic couldn’t make any horizontal inroads, the rising tide would simply bubble up from below. Miami’s pancake topography doesn’t stand a chance.

Firms Lyons and m3architecture have been selected to design the Sustainable Futures Building at the St Lucia campus of the University of Queensland.

The new building will house the School of Chemical Engineering, and is intended to amplify the University’s profile as a hub of chemical engineering leadership in Australia, the Asia-Pacific region, and a global stage.

London-based design firm Caventou has designed a series of “stained glass” everyday objects that turn daylight into electricity, even indoors.

Integrated with solar cells, Current Table and Current Window are both independent, intelligent power sources that function normally as household items.

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Far from the common dismissal of Margot Krasojevic’s work as (in her own words) “parametric futurist crap,” her work has always revolved around concepts of sustainability. As she explained to ArchDaily last year, she aims to focus on the ways that sustainable technology “will affect not just an architectural language but create a cross disciplinary dialogue and superimpose a typology in light of the ever-evolving technological era.” For the second project in a series of three proposals for the city of Belgrade Serbia, the architect is proposing a “Trolleybus Garden” that functions as a waiting shelter and park while simultaneously harnessing kinetic movement to produce electricity.

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Hou de Sousa (Nancy Hou and Josh de Sousa) has completed construction on Raise/Raze and Sticks, two competition winners for temporary installations in Washington, DC and New York, respectively.

Through Raise/Raze, the firm reused plastic balls from Snarkitecture’s “The Beach” at the National Building Museum to create an installation in DC’s Dupont Underground, a contemporary arts and culture space repurposed from an abandoned trolley station. Raise/Raze opened on April 30, and closed on June 1.

Located at the Socrates Sculpture Park in Queens, New York, Sticks is a multi-purpose pavilion space made of standard dimension lumber and accented with scrap wood found on-site. The pavilion opened on July 9, and will close December 31.

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The Architectural and Environmental Design (AED) is created to be a platform for all early career researchers, practitioners and students from all around the world, helping them to share ideas, and to expand networks for scholars.

This article was originally published on Autodesk's Redshift publication as "Energy Efficiency in Historic Buildings: Why a Theater Company Chose Resurrection (Not Demolition)."

For a ruined Civil War-era warehouse in Brooklyn, there may have been no better organization than an avant-garde theater group to think creatively about its future.

Situated in the shadow of the Brooklyn Bridge in the popular Dumbo neighborhood, the 1860 tobacco warehouse was crumbling and forgotten when St. Ann’s, a 36-year-old theater company that began life in another Brooklyn church, sought to renovate it for its first permanent home. Attaining energy efficiency in historic buildings is not just possible—it can be the most sustainable and aesthetic choice.

St. Ann’s, led by artistic director Susan Feldman, hired a building team that included Marvel Architects; BuroHappold Engineering; and Charcoalblue, a theater, lighting, and acoustics consultancy. The resulting 25,000-square-foot complex, St. Ann’s Warehouse, includes two versatile and changeable performance spaces, lobby and event areas, and a triangular garden (designed by landscape architects Michael Van Valkenburgh Associates).

Studio Symbiosis Architects is amidst the construction process for Punjab Kesari Headquarters, an 18,000 square meter office space in Delhi NCR, India.

Designed as a fusion of traditional Indian architecture and contemporary office space, the main objective of the project is “to reduce heat gain and optimize façade opening ratio, ensuing no artificial lighting is required on a typical day.”

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Architecture and Urban Planning firm group8asia has won third prize in the Seoul Metropolitan Government competition for the design of Nodeul Island with its sustainable project Seoul Green Dot.

Nodeul Dream Island leads with the idea of Neverland in mind, and is designed as “a utopia where nature and serenity are abundant.” Here, it is hoped that environmental economy, and socially sustainable practices can be utilized to create a space to transform the dense urban fabric.