Ascension Paysagère, designed by Dutch office MVRDV, is a mixed-use development that combines residential, commercial, and community spaces in the French city of Rennes. It stands out from its surroundings through a series of stepped terraces inspired by geological formations such as gorges and mountain ranges, with terraces designed to provide a variety of living and communal spaces, as well as tree-lined gardens and public squares. To amplify the effects desired by the designers, the chosen ceramic tile resembles the rock colors of the region, and changes its appearance with every change in climate, reflecting the environment and the light.
The search for the fundamental particle has been driving curious minds for much longer than we imagine. Leucippus and Democritus, Greek philosophers from the 5th century B.C., were the first to propose that the entire universe was made up of particles called atoms, indivisible and colliding against each other in an infinite void. Since then much has been studied about how dynamics actually take place at the atomic level (neutrons, protons and electrons), and there is still much to be discovered. Understanding the Higgs boson, for example, may even lead to a new understanding of the origin of the universe and life, since it can explain how elementary particles have mass. Moving from atomic abstraction to the world as we know it is a fascinating thing. It was this plunge into the particle –the smallest known part of the universe– which inspired the new collection by the Italian company Fiandre Architectural Surfaces, which produces ceramic pieces for spaces.
The terms critical regionalism, popularized by theorist Kenneth Frampton, proposed an architecture that embraced global influences, albeit firmly rooted in its context. That is, an approach defined by climate, topography and tectonics as a form of resistance to the placidity of modern architecture and the ornamentation of postmodernism. Bringing familiar elements to a particular location can allow the building to be better accepted and incorporated into the local context. This was the case of the New Maitland Hospital, which incorporated a large brick panel next to the main façade, as a reference to the community's traditional symbols.
Ceramic fragments and figures found at the Neolithic site of Mureybet, in Syria's Middle Euphrates valley, indicate that clay and fire work date back to the 7th millennium BC. This means that dealing with ceramics is one of the oldest activities in human history. More than 9,000 years later, ceramic, and all its derivatives, has become one of the most used materials in construction, being used at different times, from structure to finishes.
Arcadia Cinema / DW9. Image Courtesy of Iris Ceramica Group
In the context of the pandemic, where several businesses were forced to close temporarily, movie theaters across the world were among the most affected. Fast forward more than two years later, and the lingering effects of COVID-19 are still present, marking a turning point in the traditional cinema experience. But even as attendance is still not close to pre-pandemic levels, certain segments of moviegoers are enjoying the benefits of the giant screen, comfortable seats, massive speaker systems and theater snacks.
Flooring can either make or break a space. With the proper design, it can enhance a room’s design, mark a good first impression and positively impact user experience. However, because floors must withstand damaging conditions such as exposure to moisture and heat, constant foot traffic and heavy furniture movement, it is only natural for them to degrade over time. As a result, renovating floors is crucial to maintain interiors in a good state, especially those with a lot of use.
While selecting a new material to replace the old surface, building owners, architects and designers must consider many key factors, such as comfort, durability and aesthetics. But when it comes to buildings where daily functions are carried out and thus cannot be closed for long periods of time – like supermarkets, offices and restaurants –, speed of installation often becomes the top priority. Ultimately, as the old saying goes, “time is money.”
Puerto Vallarta ensuite bathroom / Studio Utkan Gunerkan. Image Courtesy of Studio Utkan Gunerkan
Even though white minimalism remains the norm, retro trends are making a serious comeback in modern bathroom designs, with homeowners incorporating pops of color, classic fixtures, and patterned surfaces. Despite often being static and traditional spaces in homes, bathrooms have certainly undergone significant transformations throughout the years. While those of the outspoken 1970s brought vibrant colors like avocado green and mustard yellow, the ‘80s introduced ceramic tiles in more muted, pastel shades. On the other hand, this century has set the ideal on white and marbled surfaces, slick gloss finishes, and silver fixtures. However, even as this all-white look continues to be the protagonist, bold retro enhancements are reviving and blending in with contemporary elements to create elegant, yet lively atmospheres with a strong character.
A rock like marble is usually light in color when formed through a process involving the heat and pressure of limestone. Carrara marble, for example, became famous for having good workability for sculptures, but also for its extremely uniform appearance. Under skillful hands, rough stone could become works of art such as Michelangelo's Pietá or David, among many others. But if during the rock formation process there are impurities such as clay minerals and iron oxides, the resulting stone may acquire bluish, gray, pink and black hues. Something that would make its use in a sculpture unfeasible can be seen as the real beauty of the piece, and how the passage of time was printed on it. Likewise, it is very difficult to predict exactly how zinc or copper will oxidize over time, and its patina effect takes on beautiful greenish, reddish or grayish tones, depending on the conditions to which they were exposed.
Admiring the unpredictability of materials and observing the beauty of the unexpected can bring surprising results to architectural projects. Through constant research, Apavisa has been able to develop modular ceramic pieces that combine strength and versatility, reproducing in detail the materials that our environment gives us. The strength of stone and metal with their oxidative processes, the roughness and timelessness of cement or the beauty of marble with its different veins, shades and patterns.
Square, rectangular, hexagonal, matte, shiny. It's hard to think of a more versatile flooring material than tiles. They're also known for their high durability, ease of maintenance and installation, and are among the most common choices for covering floors and walls, whether wet or not. Following are 10 common questions about ceramic tiles, and their answers:
Sculptor and jewelry designer, Cydney Ross explores the architectural passage of time through unconventional ceramics and mixed media. By over-firing, freezing, and thawing her materials, she simulates the swaying, slumping, and even collapsing of structure.
3D printing itself is no longer a new technology, but that hasn’t stopped researchers and innovators around the world from coming up with new applications and opportunities. Some experiments with new materials have been driven by sustainability concerns and others are simply the result of imagination and creativity. Others have chosen to invest their time utilizing more traditional materials in new ways. Materials, however, are just the beginning. Researchers have developed new processes that allow the creation of objects that were previously impossible to print and, on a larger scale, new building typologies are being tested - including a Mars habitat!
Inspired by two of the oldest techniques in architecture, fluting, and reeding, Brooklyn-based GRT Architects have developed a series of modular concrete pieces that update the Greek tradition, varying its classic composition.
Uniting the material intelligence of vernacular crafts with the precision and flexibility provided by the new digital design and manufacturing technologies, the Robotic Fabrication LAB of The Faculty of Architecture of HKU has developed the CeramicINformation Pavilion, with the objective of finding suitable levels of automation to be used for emerging and transitioning economies.
Part of an evolving series, each of its 1,000 components is unique and relates specifically to its neighboring units. The elements are constructed through 3D printing and are made of terracotta brick, a material commonly used in modern Chinese construction.
Now in its sixth year, CONNECT highlights innovative design programs at universities throughout the country. Students, under the supervision of university faculty, have the opportunity to design environments that incorporate seating and lighting installations, with the intention of offering an intimate area on the show floor where attendees can sit, relax and "connect." Exhibits will be located throughout the show floor, providing SOFA CHICAGO's international audience an opportunity to experience the innovation and creativity of future designers.
UNStudio, working in collaboration with Werner Sobek, have unveiled their designs for the Wasl Tower, a 300-meter tall skyscraper in Dubai. Centrally located along the main thoroughfare that connects the Emirates north to south, the Wasl Tower sits directly opposite the Burj Khalifa and, once completed, will feature one of the world’s tallest ceramic facades. Inspired by the movement of the city, the 300-meter supertall building takes on a "contrapposto" form, responding to the Sheikh Zayed Road along which it is sited.
Developed by researchers and students from the Faculty of Architecture at HKU and supported by Sino Group, the 'Ceramic Constellation Pavilion' is built on a wooden structure that supports a series of "walls" formed by about 2,000 clay bricks. Each of these individual components is unique and has been manufactured using robotic technology and 3D printing, allowing to generate different types of transparency and opacity in their different faces.
From 15th to 23rd July 2017, a ten-day interfaculty summer school will take place in Vignola (province of Modena) Italy, in a Renaissance palace by Giacomo Barozzi. The workshop aims to connect architectural heritage with 21st-century manufacturing processes through experimental practices and invites international students of architecture, design, and engineering to take part.
