architectural classics: The Latest Architecture and News

In the architecture world, there are a handful of persistent debates that arise time and time again: the challenges of being a woman in the field of architecture is one of them, for example; the problems of a culture of long hours and hard work is another. But one of the most enduring arguments in architecture - especially in the academic sphere - is the battle between hand drawing and computer aided design. Both schools have their famous proponents: Michael Graves, for example, was known as a huge talent with a pencil and paper, and came to the defense of drawing in articles for the New York Times, among others. Patrik Schumacher, on the other hand, is famous for his commitment to the capabilities of the computer.

To advance this heated conversation, two weeks ago we reached out to our readers to provide their thoughts on this topic in an attempt to get a broad cross-section of opinions from architects from all walks of life. Read some of the best responses after the break.

Completed October 23, 2003, The Walt Disney Concert Hall celebrates its tenth anniversary today. Home to the LA Philharmonic, it has received wide acclaim for its excellent acoustics and distinctive architecture. In the decade since its opening, the hall's sweeping, metallic surfaces have become associated with Frank Gehry’s signature style.

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The Odate Dome in the Akita Prefecture of Japan was completed by Toyo Ito in June 1997. The project is another example of the architect's impressive canon, making use of cutting edge technology and bringing architecture closer to people. Seemingly floating a few meters above the ground, the dome leaves space for the people to flow in comfortably, while the use of wood is itself a way of bringing nature into architecture while adopting the latest technological advancements.

Toyo Ito was commissioned for this building by his older sister after her husband sadly lost his battle with cancer in the 1970s. Having lived for a number of years in a high-rise apartment, she and her two young daughters wished to move to a site which had more connection to the ground; as luck would have it, the site next to Ito's own house was being sold at the time.

Known for his conceptual designs, Japanese architect Toyo Ito is arguably one of the world’s most innovative architects. He began his architectural career with a project for his sister in 1976 called “The U House,” located in the center of Tokyo. The U House contained windows on the inside facing a courtyard instead of the typical outward-facing windows. This was Ito’s first experimentation with the ways that light enters buildings, and he expanded this idea to an even greater extent in his next project: the Silver Hut in Nakano, Tokyo.

Read about the Silver Hut after the break.

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The Tower of Winds is a project largely indicative of Toyo Ito's approach to architecture, particularly his belief in the importance of technology and its vital role in the future of architecture. The project not only embraces technology and involves it in a dialogue with the city, but also establishes a direct symbolic relationship between nature and the installation.

Text description provided by the architects. How might these units accommodating 110 entirely different families be conceived as a community? Riken Yamamoto gave that question a great deal of thought. The result was this arrangement of buildings organized around a central space. It was based on the idea of threshold. The open space in the center of the site cannot be accessed except through the units. The units serve as gates to the central open space.

Text description provided by the architects. Gazebo is my own house in Yokohama. I always wake up around 6:30 in the morning. I feed the goldfish and clean the cat litter box. I make juice with apples, oranges and cabbage. I can see the rooftop of the house across the alley when I feed the goldfish because the goldfish bowl is on the fourth-floor terrace

Text description provided by the architects. The original clients, Mr. and Mrs. Ishii, he was a sculptor and she was a painter. This was to be used as an atelier. They wanted to invite people over from time to time for concerts. They were acquaintances (or should I call them comrades) from the days of student protests. 

Text description provided by the architects. After making a few basic requests, Mr. Yamakawa had very little to say. He wanted a spacious terrace--a place that was like a living room where he could also take his meals and relax the whole day long. The villa would be used mainly as a summer retreat; it would not be used in winter.

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A collage of materials amongst the trunks of countless birch trees in the Finnish landscape, the Villa Mairea built by Alvar Aalto in 1939 is a significant dwelling that marks a transition from traditional to modern architecture. Built as a guest house and rural retreat for Harry and Maire Gullichsen, Aalto was given permission to experiment with his thoughts and styles, which becomes clear when studying the strangely cohesive residence.