The construction of the Rita Maria Bus Terminal, the winning design of a national architectural competition, dates back to the late 1970s, coinciding with the construction of the South Bay Landfill (Aterro da Baía Sul) on Santa Catarina Island, in Florianópolis. The landfill, with landscaping by Roberto Burle Marx, was part of a contemporary strategy to modernize the city's road network.
This article was originally published on Common Edge.
Recently I visited Pittsburgh for a fascinating hand-drawing conference at Carnegie Mellon’s superb school of architecture, which to my knowledge is not among the top 10 in U.S. News and World Report. I wonder why? The curriculum is cutting-edge, the faculty world-renowned, and the students well-grounded and talented. More people of color are in the design community at CMU than at Princeton, SCI-Arc, or Harvard.
On Avenida Corrientes, the Teatro Municipal General San Martín (TGSM) rises between party walls in the heart of downtown Buenos Aires. Designed by Mario Roberto Álvarez and Macedonio Oscar Ruiz in 1954, this building comes to address an artistic and cultural issue common to the large cities of America. It stands as one of Argentina's most important theaters, providing spaces for theatrical and cinematic performances as well as art exhibitions. Spanning 30,000 square meters, it constitutes a theater complex alongside the General San Martín Cultural Center, operating independently.
The Climat de France is a French colonial social housing project in Algeria designed by Fernand Pouillon and currently renamed Oued Koriche. Located approximately 8km west of the country’s capital, Algiers, it was built from 1954 to 1957, right in the middle of the Algerian War of Independence. The project has several buildings with different scales. Its most prominent structure is a large rectangular building that houses 3000 dwellings, along with a spacious interior square similar to a Roman forum and exterior windows inspired by the mosaics found in Islamic architecture.
This social housing scheme has a complex history, involving the integration of Algerians into the French lifestyle, the use of modern architecture to challenge traditional Muslim ways of living, and the transformation of its collective square into a site of protest and rebellion.
This article was originally published on Common Edge.
It has been about 200 years since the École des Beaux-Arts in Paris created an academic discipline—and thus the profession—of architecture. The central role of the architect as the defining agent of creation transcended the Master Builder, a role that defined those who designed buildings not as experts or celebrities but as stewards of building traditions.
Perhaps without even looking for it, Cora Kavanagh would leave one of the most emblematic buildings of rationalist architecture in Argentina. Inaugurated in January 1936, with its almost 120 meters of height, the Kavanagh Building stands in front of the ravine of Plaza San Martín, located in the central neighborhood of Retiro in the Autonomous City of Buenos Aires.
"Cora Kavanagh and her Building" is the title of Marcelo Nougués' new book that gathers the entire story, revealing everything from her building and her travels to her art collection and the different houses she lived in during a period of almost 50 years. In collaboration with Díaz Ortiz Ediciones, this 572-page printed volume compiles texts, photographs, and documents from the author's collection and also showcases selected images and illustrations from extensive research. Discover a part of this story below.
What is good architecture? More than two thousand years ago, Vitruvius would have answered that good architecture is that which contemplates three basic principles: firmitas (firmness), utilitas (utility), and venustas (beauty), as he described in his treatise De Architectura, and probably no one would have questioned it. Today, this broad question is capable of eliciting hundreds of answers, all personal and subjective, which have to do with the experience of each person.
Located in the city of Viña del Mar, Chile, the Conjunto Habitacional 7 Hermanas (7 Sisters Housing Complex) stands out among the urban landscape of Viña del Mar for its architectural qualities, colors, materials, and magnitude. When you look up, you can see between the leafy ravine that overlooks the Quinta Vergara urban park, the group of buildings located in the Forestal sector, which take over the slope and the plateau of the hill, crowning itself as one of the most important works of modern architecture in the region of Valparaíso.
The Teniente General Castiñeiras building stands on a triangular plot of land in the heart of Buenos Aires, one of the most emblematic of the city's modern architecture. Better known as the SOMISA Building, its origin was the result of a design competition for the design of the new headquarters of the Sociedad Mixta Siderúrgica Argentina company. The first prize was won by MRA+A, Mario Roberto Álvarez & Associates, and its construction began around 1966, with the works completed in 1977.
Within South America, different dates have been established to pay tribute to and honour the career, life and work of architecture professionals. While in Uruguay it is celebrated every 27th of November in relation to the creation of the first Faculty of Architecture, in Brazil every 15th of December in homage to the birth of Oscar Niemeyer or in Chile every 4th of August for the founding of the College of Architects, the Argentine Federation of Architects' Associations (FADEA) kept the 1st of July to commemorate the Day of the Argentinean Architect, respecting the establishment of the International Day of Architecture, established by the International Union of Architects (UIA) in 1985.
The Petroperú building, jointly designed by architects Walter Weberhofer and Daniel Arana Ríos, was the result of a state competition held by the military government of Velasco Alvarado in the early 1970s. The building, strategically located in the capital of Peru, within the prosperous district of San Isidro, was designed to house the recently created state company in charge of the whole petroleum process of the country (Petroperú S.A.). The monumental building, built and inaugurated in 1973, became the symbol of the newly installed regime.
Completed October 23, 2003, The Walt Disney Concert Hall celebrates its tenth anniversary today. Home to the LA Philharmonic, it has received wide acclaim for its excellent acoustics and distinctive architecture. In the decade since its opening, the hall's sweeping, metallic surfaces have become associated with Frank Gehry’s signature style.
In the commune of Bazoches-sur-Guyonnes, about 40 kilometers southwest of Paris, sits one of the most important private houses designed by Alvar Aalto: Maison Louis Carré. The client, Louis Carré, was a prominent French art dealer who was also very interested in architecture. He desired a house that would be able to accommodate many guests for art viewings, but also incorporated a private component. He commissioned Aalto to design his house in 1956, and Louis Carré and his wife, Olga, were able to move into their new home three years later.
In 1956, preparations had begun for the 1958 World’s Fair in Brussels. This was to be the first World’s Fair held since the end of World War II, the concept behind the Expo was to celebrate the rejuvenation of civilization from the destruction of war through the use of technology. This World Fair is best known for the musical advances that was combined with architecture, creating a gestalt through an experiential encounter where body meets sound and space.
A collage of materials amongst the trunks of countless birch trees in the Finnish landscape, the Villa Mairea built by Alvar Aalto in 1939 is a significant dwelling that marks a transition from traditional to modern architecture. Built as a guest house and rural retreat for Harry and Maire Gullichsen, Aalto was given permission to experiment with his thoughts and styles, which becomes clear when studying the strangely cohesive residence.
