Vincent Callebaut Architectures has envisioned a radical underwater colony for "climate change refugees" 3D printed from recycled materials taken from the ocean's floating garbage patches. This particular proposal of "oceanscrapers" is sited off the shore of Rio de Janeiro. It's aim is to provide a sustainable habitat with 10,000 housing units, office and work space, sea farms, gardens, community orchards and much more, while fostering marine life.
3d Printing: The Latest Architecture and News
3D printing has been used in architectural practice since the 1990s, and while its use for producing design models continues to be adopted, the aesthetics and stylistic potential of its output remain unexplored by many architects. In his book “Digital Craft: 3D Printing for Architectural Design,” Bryan Ratzlaff examines the relationship between the architect, the model and the 3D printer, creating a better understanding of how when integrated, these entities can lead to a refinement in the communication of architectural design with 3D printing.
Wide Open Arts is hosting their annual curated exhibit from January 21-24, 2016. This year the art fair will feature a massive 3D printed city of towers designed by hundreds of individuals from across the world. They are looking for artists, architects and designers to submit 3D designs of contemporary, modern and ancient towers.
Established in 1974 by the AIA Dallas Chapter, the Ken Roberts Memorial Delineation Competition (KRob) is “the world’s longest running architectural drawing competition of its kind”. Named after architect Ken Roberts, famous for his ink perspective drawings, the competition recognizes innovations in both hand-drawn and digital architectural drawing. The winners and shortlist each year serve as an inspiring reference for architects, and showcase the intersection between technology, design and culture.
In 2015, the new award for “Excellence in Architectural 3D Printing” was added, and with a total of 424 entries from 28 countries, this year’s competition was the largest to date. The 2015 jury consisted of Michel Rojkind, Paul Stevenson Oles and John P. Maruszcak. The competition culminated in an awards ceremony and panel discussion at Alto 211 in Dallas. See the winners after the break.
"The debate linked to a more responsive architecture, connected to nature, has been growing since the 1960s," explains Irina Shaklova in her description of her IaaC research project Living Screen. "Notwithstanding this fact, to this day, architecture is somewhat conservative: following the same principles with the belief in rigidity, solidity, and longevity."
While Shaklova's argument does generally ring true, that's not to say that there haven't been important developments at the cutting edge of architecture that integrate building technologies and living systems, including The Living's mycelium-based installation for the 2014 MoMA Young Architect's Program and self-healing concrete made using bacteria. But while both of these remain at the level of research and small-scale experimentation, one of the most impressive exercises in living architecture recently was made with algae - specifically, the Solarleaf facade developed by Arup, Strategic Science Consult of Germany (SSC), and Colt International, which filters Carbon Dioxide from the air to grow algae which is later used as fuel in bioreactors.
With Living Screen, Shaklova presents a variation on this idea that is perhaps less intensively engineered than Solarleaf, offering an algae structure more in tune with her vision against that rigidity, solidity, and longevity.
Sofoklis Giannakopoulos, a researcher at the Institute for Advanced Architecture of Catalonia (IAAC), has designed Pylos, a 3D printer that utilizes a natural, biodegradable, cheap, recyclable and local material that everyone is familiar with: the earth.
In an effort to make 3D printing a “large scale construction approach” even in years of economic and environmental turmoil, Pylos explores the structural potential of soil, a material that has been widely used in vernacular architecture around the world, and particularly in the Global South.
Learn more about the printer after the break.
Guinness World Records has awarded the title of "largest 3D printed structure" to VULCAN, a temporary pavilion designed by the Beijing-based Laboratory for Creative Design (LCD). Made up of 1023 individually printed segments, the structure was 9.08 meters long and 2.88 meters tall, and took 30 days to print and a further 12 days to assemble. The pavilion was on display earlier this month at Beijing Design Week, located in Beijing's Parkview Green retail center.
NASA, who recently confirmed evidence of flowing water on Mars, has deemed SEArch (Space Exploration Architecture) and Clouds AO (Clouds Architecture Office) winners of the 3D Printed Habitat Challenge for Mars. Sponsored by NASA and America Makes, the teams were asked to use indigenous materials and 3D printing techniques to build a habitat for four astronauts on Mars. SEArch and Clouds AO's first prize proposal, ICE HOUSE was awarded $25,000, ahead of 30 other shortlisted practices.
"Recognizing that water is the building block to life, the team used a ‘follow the water’ approach to conceptualize, site and construct their design," said SEArch and Clouds AO. "[Our] proposal stood out as one of the few entries not to bury the habitat beneath regolith, instead mining the anticipated abundance of subsurface ice in the northern regions to create a thin vertical ice shell capable of protecting the interior habitat from radiation while celebrating life above ground."
In manufacturing, the dramatic recent expansion in the capabilities of 3D printing has threatened to revolutionize the way that things are made. In architecture though, while 3D printing has been received with enthusiasm its translation to the increased scale of buildings has been challenging. Most solutions to this problem have focused on increasingly large printers and the incorporation of existing principles of prefabrication - however there is another way. In this article, originally published on Autodesk’s Redshift publication as "4 Ways a Robot or Drone 3D Printer Will Change Architecture and Construction," Zach Mortice looks at four examples of cutting-edge research into 3D printing that utilize robots or drones to navigate architecture's challenging scale.
Buildings simply aren’t made like anything else—that goes for sunglasses, furniture, appliances, and fighter jets. No other production process brings massive amounts of material to one place, constructs one item, and then hauls away the garbage. The inefficiencies are monumental.
Modular construction has promised a great deal of potential to reduce waste. But what if one answer is to do more intricate construction on-site, not less? 3D printers attached to robots and drones are demonstrating that they might have the versatility to finally bring the unruly building process to heel.
Skidmore, Owings & Merrill LLP (SOM) has unveiled their design for the U.S. Department of Energy’s Oak Ridge National Laboratory (ORNL): a 3D-printed building powered by a 3D-printed vehicle developed by ORNL. Dubbed AMIE, the project was developed in collaboration with ORNL, University of Tennessee (UT), Clayton Homes, General Electric, Alcoa, NanoPore and Tru-Design. SOM was able to take the design from concept to completion in less than a year.
Combining mobile power with energy-efficient design and photovoltaic (PV) panels, the AMIE presents possibilities for human shelter off-the-grid. Following previous work by SOM, demonstrating the use of 3D printing for complex, organic geometries, the new building combines structure, insulation, air and moisture barriers, and exterior cladding into one shell.
Foster + Partners has been shortlisted among 30 other finalists in the 3D Printed Habitat Challenge organized by America Makes and NASA. The proposal calls for a 3D printed settlement built by pre-programmed, semi-autonomous robots who use regolith found on Mars' surface to construct dwellings that can house up to four astronauts each.
"The proposal considers multiple aspects of the project from delivery and deployment to construction and operations," says Foster. "The habitat will be delivered in two stages prior to the arrival of the astronauts."
Standing 3 meters (10 feet) tall, Benjamin Dillenburger and Michael Hansmeyer's Arabesque Wall is an object of intimidating intricacy. 3D printed over the course of four days from a 50 Gigabyte file, the piece is a demonstration of the incredible forms achievable with algorithmic design and 3D printing - however with its overwhelming complexity it is also a test of human perception.
"Architecture should surprise, excite, and irritate," explain Dillenburger and Hansmeyer. "As both an intellectual and a phenomenological endeavor, it should address not only the mind, but all the senses - viscerally. It must be judged by the experiences it generates."
From the 2,000-year-old Temple of Baalshamin to the city of Nimrud, ISIS has destroyed countless monuments and relics. Now archaeologists from Harvard and Oxford have teamed up with UNESCO World Heritage and the epigraphical database project at New York University’s Institute for the Study of the Ancient World to launch the Million Image Database Project. Spearheaded by Oxford's Institute for Digital Archaeology (IDA), the campaign plans to "flood" war-torn regions with thousands of 3D cameras so people can scan and (digitally) preserve their region's historical architecture and artifacts.
In the latest of a series of technological developments which are expanding the capabilities of 3D Printing, researchers at MIT's Computer Science and Artificial Intelligence Laboratory (CSAIL) have developed a 3D printer that is capable of handling up to 10 materials simultaneously, and uses a process called "machine vision" to dramatically increase the variety of objects which the printer can produce.
The Solar Bytes pavilion, designed by assistant professor at Kent State University Brian Peters, is a temporary structure which highlights the potential of new techniques available to architecture: robotic arms, 3D printing, smart technologies such as lighting sensors, and solar energy.
Leveraging the strength and range of motion of a robotic arm, the pavilion was printed in three dimensions with an experimental extruder, resulting in a structure composed of 94 unique modules that capture energy during the day, and shine at night. After their initial function, the plastic modules making up the pavilion will be completely crushed and reused in a new structure.
Glass can be molded, formed, blown, plated, sintered and now 3D printed. Neri Oxman and her Mediated Matter Group team has just unveiled their new glass printing platform: G3DP: Additive Manufacturing of Optically Transparent Glass. A collaboration with the Glass Lab at MIT, G3DP is the first of its kind and can 3D print optically transparent glass with stunning precision.
"G3DP is an additive manufacturing platform designed to print optically transparent glass," Oxman told ArchDaily. "The tunability enabled by geometrical and optical variation driven by form, transparency and color variation can drive; limit or control light transmission, reflection and refraction, and therefore carries significant implications for all things glass: aerodynamic building facades optimized for solar gain, geometrically customized and variable thickness lighting devices and so on."
Chinese company ZhuoDa has assembled a two-story home in record speed; the modular house, comprised of six 3D printed modules, was assembled on-site in less than three hours. Likened to LEGO, the prefabricated home was 90 percent built off-site before its components were shipped to its permanent location. As Inhabitat reports, the home only took about 10 days to complete from start to finish.
This article is part of ArchDaily Essentials, a series of articles which give you an overview of architecture's most important topics by connecting together some of our best articles from the past. To find out more about ArchDaily Essentials, click here; or discover all of our articles in the series here.