Two sister Middle Eastern media companies have commissioned REX to design a conjoined headquarters that references traditional Arab iconography. The result, two ultra-thin, stone-clad towers that are shielded from the Middle East’s “unrelenting sun” by an array of retractable sunshades whose shape was inspired by the Arab Mashrabiya pattern.
Measuring nearly 15 meters in diameter, these sunshades can be quickly deployed, transforming the building’s glass facade into a “blossoming” shaded tower within minutes.
“The headquarters’ instantaneous transformation forges a new kind of powerful iconography, one that rejects the tired—and ephemeral—pursuit of being the tallest,” described REX.
Sasanbell has been chosen to design the UK's "most sustainable facility:" the £200 million Aberdeen Exhibition & Conference Centre (AECC). The Glasgow-based company will provide a new home for the city's existing exhibition and conference center, which will be redeveloped by Cooper Cromar, freeing up space for future development and providing a sizable venue that can accommodate "large and popular events."
It is rare to find an architectural project whose history makes such strange bedfellows as the New York State Pavilion: a master architect and millions of exhibition patrons, roller skaters and rock stars, stray cats and Iron Man [1]. For three hours on April 22, in honor of the fifty year anniversary of the 1964-65 New York World’s Fair, the city of Queens will open the long shuttered gates to Philip Johnson’s most futuristic work.