Few countries showcase living history like China. From the iconic Forbidden City to diverse landscapes and building styles, China has a rich cultural and architectural legacy. As the world’s largest construction market, the country continues to invest in new projects. At the same time, this rapid urbanization and accelerated development is juxtaposed with ancient building sites intertwined with layers of history and collective memory.
Today, reusing and adapting existing spatial resources is regarded around the world as an important contribution to sustainable development, and new challenges are thus also emerging at the margins of classic building tasks due to the changing assessments regarding whether to preserve or demolish. Xu Tiantian’s projects in the quarries of Jinyun combine aspects of landscape planning, interior design, artistic installations, and social planning with an economic revitalization of the rural area. In this way, a ruined and exploited landscape becomes a sign of departure with which a new sustainable coexistence can be linked to a narrative about the history of the location.
The immensity of China leads to the diversity of customs and climatic conditions. Each area has its own unique materials, construction methods, and climate adaptation measures. The regional characteristics of Chinese architecture are generally preserved in rural buildings. But we cannot overlook how contemporary technology may considerably improve the living and use conditions of rural buildings. What is the best way to create a balance between classic or inherent technology and new ones? How would the construction of rural architecture provide inspiration for the development of Chinese architectural cultural symbols?
2022 Pritzker Architecture Prize winner Diébédo Francis Kéré reported the great solutions of Burkina Faso. Kéré insists to build comfortable buildings at a reasonable price; to make users happy and inspire them to dream of a better life. The pride of the local culture is reinforced by the use of local materials and traditional techniques. And then Kéré‘s works in other countries show cultural emblems of Burkina Faso, which are the consequence of his own cultural accumulation.
Constrained by a lack of transportation and resources, vernacular architecture has started adapting the distinct strategy of utilizing local materials. By analyzing projects which have successfully incorporated these features into their design, this article gives an overview of how traditional materials, such as tiles, metal, rocks, bamboo, wooden sticks, timber, rammed earth and bricks are being transformed through vernacular architecture in China.
Countries that are part of the so-called “global south” have undergone many transformations in their cities and urban contexts in recent years due to the economic and social challenges they face. Urban growth, sustainable development, quality of life and health in emerging cities, and the development of their own cultural identity have been some of the issues that local architecture had to incorporate.
Young architects have understood the importance of making an architecture that is deeply rooted in their own territory while giving this architecture a clear local identity. By generating new typologies and using their own resources and materials, they have presented innovative, site-specific, and, above all, solutions with a new fresh focus towards what represents them as creators of this architecture.
