Ma Yansong, principal partner of MAD Architects, have revealed his latest artwork "Flow" at the recently opened 8th Echigo-Tsumari Art Triennale. Taking place this summer in Japan, the installation reinvents part of the “Tunnel of Light” artwork that was completed back in 2018. Through a series of immersive platforms, the architects abstracted and captured the spirit of the Kiyotsu River, providing visitors with an immersive and dynamic spatial experience. The Triennale hopes to improve the local economy through art, and promote a more harmonious relationship between human and nature.
The outbreak of COVID-19 has caused an estimated 900 million people around the world to remain at home. Among them are architects and designers who have been asked to work remotely to prevent the virus from spreading through the workplace. For many architects, this is undoubtedly a new territory. However, for ArchDaily, it is not, and we can assure you that it is possible not only to work from home, but to use this time to greatly enhance your skills, knowledge, and development as an architect.
MAD Architects has unveiled images of their proposed panoramic viewpoint for the Fenix Warehouse in Rotterdam, commissioned by the Droom en Daad Foundation. The scheme represents MAD’s first public cultural project in Europe, which sees them tasked with uncovering the forgotten history of what was once one of the biggest warehouses in the world.
The viewpoint is to form part of a restoration project of the historic warehouse itself, to be led by Rotterdam-based Bureau Polderman. The scheme is situated on the site of one of the oldest Chinatowns in Europe, on the southern banks of the port of Rotterdam.
Four years after winning a competition to rebuild 71 Via Boncompagni in the heart of Rome, MAD Architects has been awarded approval and will now enter the implementation phase of their first European project. This approval will allow the Chinese practice to transform an incongruous 1970s commercial courtyard building into a 145-unit residential complex that reutilizes the building’s “bookshelf” structure by stripping away its facade and inserting new living quarters, giving it an entirely new look and function.
This year’s title of “Best Tall Building Worldwide” has been awarded to One Central Park, in Sydney, Australia. The award, presented by the Council on Tall Buildings and Urban Habitat (CTBUH), was chosen after a year long selection process across 88 entries in four regions. Senior representatives of each of these four winners presented at the CTBUH Awards Symposium on November 6th at the Illinois Institute of Technology, Chicago, and the winner was announced at the Awards Dinner following the Symposium. Read on after the break to learn more about the winning building.
The President of the People's Republic of China, Xi Jinping, has reportedly called for an end to the "weird buildings" being built in China, and particularly in the nation's capital, Beijing. In a two hour speech at a literary symposium in Beijing last week, Mr Xi expressed his views that art should serve the people and be morally inspiring, identifying architectural projects such as OMA's CCTV Headquarters as the kind of building that should no longer be constructed in Beijing.
With China's construction boom being one of the most talked about features of today's architecture scene - and many a Western practice relying on their extravagant projects to prop up their studios - the Chinese leader's comments have the potential to affect the landscape of architectural practice worldwide. But what is behind these sentiments? Read on after the break to find out.
I look into myself, trying to express myself. I think sometimes maybe you have an idea from a dream. It sounds ridiculous but you draw something out of your dream. Where does this dream come from? It must somehow relate to some situation. So what I'm interested in is to keep discovering what is really inside of me. I'm not a genius that from the first moment I already know what I want. - Ma Yansong -
Beixinqiao district, in Beijing, is changing fast: the ancient urban tissue is being demolished as new high-rises are growing.Located in this environment, Ma Yansong’s office sits within an old and anonymous construction. In contrast to its exterior, the inside is characterized by wood, white walls and plants that transform the place into a sophisticated environment.International young architects are busy modeling new organic-shaped buildings on the other side of the world; meanwhile a golden fish swims in the eternal loop of the “fish tank” in the centre of the room.
In the following interview, Ma Yansong explains contemporary cities as environments that are out-of-scale with nature. He believes a new approach must be used, one that breaks the monotonous “chessboard” of contemporary Urban China and re-establishes the balance between human beings and the natural world.
Ma Yansong of MAD recently presented a 600,000 square meter urban design proposal for the city of Nanjing titled, "Shanshui Experiment Complex," at the 2013 Bi-City Biennale of Urbanism / Architecture in Shenzhen, China. The concept takes into account the culture, nature and history of Nanjing while reconsidering the methodology in which Chinese cities are built.
LocationHarbin Xiangfang Cultural Center, Zhujiang Road, Xiangfang, Haerbin, Heilongjiang, China, 150090
DirectorsMa Yansong, Dang Qun, Yosuke Hayano
As a continuation to his “Shan-Shui City” concept, which envisions a “city of mountains and water,” Ma Yansong of MAD Architects has proposed an interpretation of China’s ancient natural philosophy in the contemporary city: the Chaoyang Park project. Situated in the world’s second largest city park and surrounded by a typical Chinese business district, the Chaoyang Park project seeks to infuse the “vigorous Shan-Shui culture” with a new urban typology that unites architecture and nature as a single entity.
Displayed earlier this month in a Qing Dynasty courtyard garden at Wu Hao in Beijing, Ma Yansong's 'Shanshui City exhibition featured more than twenty architectural models and works of art that are scattered around the ancient courtyard. Among rocks, screen walls, bamboo groves, pools of water and beneath the sky, the scale of each piece varies and collectively they form a futuristic utopian urban landscape. The newly issued book "Shanshui City" - released simultaneously with the exhibition - is an important turning point for Ma Yansong's ten years of architectural practice and theory. More images and information on the exhibition after the break.