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As the city continues to evolve and transform, dead edges in the cityscape begin to emerge, subsequently reducing the level of activity in our built environment. These 'dead edges' refer to the areas that lack active engagement, they remain empty and deprived of people, since they no longer present themselves as useful or appealing. As the Covid-19 pandemic draws to an ultimate close, the first issue we may face post-pandemic is to revive our urban environment. A kiss of life into a tired and outdated cityscape...

The focal element in creating an active and healthy urban environment is by increasing vitality through placemaking. Creating diverse and interesting places to reside, thrive, and work. Here are five regenerative strategies that animate the cityscape and ultimately produce resilient, attractive, and flexible environments.

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Taiwan's One More residential tower by Spatial Practice has been captured through a series of new photographs by Kris Provoost. The 100 meter tall concrete tower is composed of 53 two-bedroom units with open kitchen and living room views toward the nearby park. The design was made to break from the monotony of the neighboring typical residential typology with simple bands that vary in height.

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Photographer Kris Provoost has captured new images of Herzog & de Meuron's M+ Museum in Hong Kong. Focusing on 20th and 21st century art, design, architecture and moving image, M+ will be the centerpiece of the West Kowloon Cultural District, and a key venue in creating interdisciplinary exchange between the visual arts and the performing arts in Asia.

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Architect and photographer Kris Provoost recently captured new photos of OPEN Architecture's Tsinghua Ocean Center in China. Designed as a laboratory and office building for the newly established deep-ocean research base of Tsinghua University, the project is located at the eastern end of Tsinghua graduate school campus in Shenzhen Xili University Town next to the main campus entrance. Provoost's images reveal details throughout the construction and showcase the project in its larger context.

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Architectural photographer Kris Provoost has published his latest series, on the subject of Steven Holl’s Sliced Porosity Block in Chengdu, China. Designed in 2007, and completed five years later, the scheme sought to break the standard typology of Chinese cities, bringing public interaction to new heights. Six years on from the building’s completion, Provoost captured the building immersed in the daily life of Chengdu citizens.

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