As part of our 2018 Venice Architecture Biennale coverage we present the proposal for the Swiss Pavilion. Below, the participants describe their contribution in their own words.

The Swiss Arts Council Pro Helvetia is delighted to announce the presentation of «Svizzera 240: House Tour» at the Swiss Pavilion at the 16th International Architecture Exhibition – La Biennale di Venezia. The exhibition focuses on the unfurnished interior of contemporary housing by celebrating a peculiar form of architectural representation — the «house tour».

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As part of our 2018 Venice Architecture Biennale coverage we present the proposal for the Japan Pavilion. Below, the participants describe their contribution in their own words.

In the 20th century, the industrialization of society raised productivity and brought us convenient life with economic growth. However, the change has made us adapt our lives into an industrial network and created the barrier between people and environmental resources. One of the main roles of the 21st-century architecture is to break the barrier and to realize higher accessibility to resources.

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Videos

Since 2015, the tribal community of Apetina in the south Suriname jungle have added a women’s center and seven chicken coops to their village, and there are plans underway to realize a high school, elevated treehouses for ecotourism, a visitor center, housing projects, chicken coops, and more.

Paul Spaltman is the one-man operation behind the designs of these structures, but “everything started with these nice renders made in Lumion," he explains. "It wasn’t enough to show 2D drawings or simply tell them what the project was going to be. When they saw the actual 3D renders, it helped them believe the project was possible. They already had the design. They could see the construction and that the entire project was, more or less, thought out. They could see that the project wasn’t just a dream, but one step further.”

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UNStudio, in collaboration with Buro Happold Engineering, has won an international competition for the design of a new bridge spanning the River Danube in the Hungarian capital of Budapest. Their scheme will serve as a blueprint for the "Galvani Bridge" connecting South Buda and Csepel, balancing graceful aesthetics with strong performance.

The competition for the bridge was conceived with the goal of decreasing the 600,000-strong daily traffic load on existing bridges across the Danube by 40,000. As well as easing traffic congestion, the bridge is intended to embody a liveable, loveable, healthy image of 21st-century Budapest.

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The Royal Institute of British Architects (RIBA) has announced the winners for its 2018 Awards for International Excellence, and the 2018 International Emerging Architect. The 20 schemes were chosen from the entries for the RIBA International Prize, the winner of which will be announced in November 2018.

The 20 winners of the Awards for International Excellence hail from 16 countries, ranging from large urban infrastructure schemes, cultural destinations and educational buildings to civic spaces, private homes, and places of worship. The schemes also form a longlist for the RIBA International Prize 2018, which will be narrowed to four buildings in September 2018, and ultimately a winner in November.

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In China's newly emerging constellation of famed architects, few firms elicit the sense of surprise caused by the work of Atelier Deshaus. With projects ranging from awe-inspiring to humble, their work does not adhere to any stylistic rules, but all of their projects exude an enigmatic aura. In this interview, the latest in Vladimir Belogolovsky’s “City of Ideas” series, principals Liu Yichun and Chen Yifeng discuss the role of identity in their work and how they try to connect their buildings to the landscape.

Vladimir Belogolovsky: Is it true that you each design different projects in the studio? Why is that?

Liu Yichun: This has been true since 2010. Before that we always designed everything together. We used to have endless discussions and too many disagreements and arguments. That’s why we decided to pursue two parallel paths. This approach led to greater efficiency and it helped us to formulate clearer ideas of our independent views of architecture. It also helps us to diversify our work and to avoid forming one recognizable style.

Chen Yifeng: It is important for us to express our solutions differently, even though, fundamentally, we are working in one direction and pursuing one family of ideas.

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