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Videos

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A post shared by Franky Lam (@frankylamchops) on Apr 16, 2018 at 5:02am PDT

UK-based design studio NEWSUBSTANCE has debuted at the Coachella Valley Music & Art Festival with a seven-floor pavilion taking visitors on an “ever-changing journey of light, color and perspective.” The 75-foot-high (23-meter-high) pavilion named “Spectra” consists of a spiral form featuring an observation deck at its peak, projecting a rainbow band of color.

The dazzling color scheme is produced by the separation of light waves by their varying degrees of refraction, embodying the lively spirit of the Coachella festival. Through this manipulation of the physical properties of light, Spectra is capable of producing over 16 million colors.

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On Saturday in Santiago, Chile, the Prix Versailles Committee announced the continental winners of its annual awards celebrating built commercial architecture.

Ten winning projects in Central America, the South and the Caribbean and twelve in North America are awarded in four categories: stores, shopping malls, hotels and restaurants. In May, built projects in Africa and Asia will be awarded in Algiers and Beijing. The European winners will be announced in Paris.

Check a gallery of the continental winners projects, below.

Continental Winners Central America, the South and the Caribbean:

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Italian artist Edoardo Tresoldi, known for his majestic wire mesh sculptures, has unveiled his biggest artwork to date for the Coachella Valley Music and Arts Festival in Indio, California. Titled “Etherea,” the site-specific installation represents the culmination of Tresoldi's research in the music field, realized as three transparent structures taking inspiration from Neoclassical and Baroque architecture.

The Italian artist has established a reputation for wire mesh sculptures, having been named by Forbes as one of the 30 most influential European artists. The Etherea sculpture represents the artist’s investigation into architecture as a tool for contemplation, a “dedicated space where the sky and clouds are narrated through the language of classical architecture.”

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Sand is the most-consumed natural resource in the world after water and air. Modern cities are built out of it. In the construction industry alone, it is estimated that 25 billion tons of sand and gravel are used every year. That may sound a lot, but it’s not a surprising figure when you consider how everything you’re surrounded with is probably made of the stuff.

But it’s running out.

This is a scary fact to think about once you realize that sand is required to make both concrete and asphalt, not to mention every single window on this planet. The United Nations Environment Programme found out that from 2011 to 2013, China alone used more cement than the United States had used in the entire 20th century and in 2012, the world used enough concrete to build a wall around the equator that would be 89 feet high and 89 feet thick (27 by 27 meters).

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The project inscribed inside a gasholder in St. Petersburg, aims to transform an industrial area into an educational and scientific center with a large projection screen. The fun part? It is located in a large geodesic dome.

The geometric model is made up of mainly with wood and metal links for a light and resistant construction.

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In 1961, the architect Louis I. Kahn was commissioned by the Fine Arts Foundation to design and develop a large arts complex in central Fort Wayne, Indiana. The ambitious Fine Art Center, now known as the Arts United Center, would cater to the community of 180,000 by providing space for an orchestra, theatre, school, gallery, and much more. As a Lincoln Center in miniature, the developers had hoped to update and upgrade the city through new civic architecture. However, due to budget constraints, only a fraction of the overall scheme was completed. It is one of Kahn’s lesser-known projects that spanned over a decade, and his only building in the Midwest.

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