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Architects: Dominique Coulon & associés
- Area: 2850 m²
- Year: 2017
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Manufacturers: Sto, Balsan, ERTCM, Zumtobel
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Professionals: Changement à Vue, COLAS, BET G.Jost, Solares Bauen, Batiserf, +20



With nearly 100,000 votes cast during the last two weeks, we are happy to present the winners of the 2018 ArchDaily Building of the Year Awards. This peer-based, crowdsourced architecture award showcases projects chosen by ArchDaily readers who filtered thousands of projects down to the 15 best works featured on ArchDaily in 2017.



This book investigates the development of multi-unit housing typologies that were predominant in a particular city from the 1800s to present day. It emphasises the importance of understanding the direct connection between housing and dwelling in the context of a city, and the manner in which the city is an instructional indication of how a housing typology is embodied.
The case studies presented offer an insight into why a certain housing type flourished in a specific city and the variety span across cities in the world where distinct housing types have prevailed. It also pursues how housing types developed, evolved, and helped define the city, looks into how dwellers inhabited their dwellings, and analyses how the housing typologies correlates in a contemporary context. The typologies studied are back-to-backs in Birmingham; tenements in London; Haussmann Apartment in Paris; tenements in New York; tong lau in Hong Kong; perimeter block, linear block, and block-edge in Berlin; perimeter block and solitaire in Amsterdam; space-enclosing structure in Beijing; micro house in Tokyo, and high-rise in Toronto.
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New York’s most highly anticipated cultural venue, The Shed, is giving visitors the chance to preview some of their innovative programming a year before its planned opening at a temporary pavilion designed by architect Kunlé Adeyemi of NLÉ and artist Tino Sehgal.
To be located at the corner of Tenth Avenue and 30th Street in Manhattan – across the street from the rising Hudson Yards development and future home of the Shed – the pavilion has been designed to accommodate a variety of program types with its reconfigurable structure. Events will include concerts, dance battles, discussion panels and more.


Facebook is closing in on a deal to create a new London headquarters, and will be bringing along the design talents of Frank Gehry, according to reports from The Times and Architects’ Journal.
Described as a “growth space” that will allow the company to expand their European presence, the new headquarters would span four buildings in King’s Cross Central – the same part of the city where Google is building its own 11-story “groundscraper” campus designed by BIG and Heatherwick Studios.

Fans of absurd architecture, over-the-top action, and wrestling-stars-turned-beloved-actors are in for a treat this summer thanks to the recently-announced film Skyscraper. The movie’s central character is “The Pearl,” an imagined 1,067-meter-tall skyscraper in Hong Kong—although apparently some guy named “Dwayne ‘The Rock’ Johnson” also plays a pretty big role with his character Will Sawyer, a former FBI Hostage Rescue operative who lost a leg in the line of duty and now reviews building security for a living.
The plot, as revealed in the trailer and a single-paragraph synopsis on the official website, sees Will Sawyer criticizing the security of the “vertical city” billed as the tallest, most advanced, and safest building in the world. His concerns are immediately shown to be well-founded, as a group of (what are presumably) terrorists set fire to the 96th floor of the building, trapping Sawyer’s family and somehow framing Sawyer for the whole thing. As a result, Sawyer must save his family while running from the law, with the trailer showing a climactic leap from an adjacent crane (we can only assume that Dwayne Johnson doesn’t fit into a ventilation duct). The film has come in for some good-natured ribbing already, with internet jokesters questioning how a 260-pound amputee makes a 15-meter jump off the end of a crane. But of course, closer inspection reveals that these concerns are just the start of the entertaining wackiness of this movie.


Asif Khan's Vantablack pavilion, the world's first super-black building, will open at the PyeongChang 2018 Opening Ceremony on 9 February 2018.
The Olympic pavilion is coated with Vantablack VBx2 carbon nanotubes and illuminated by thousands of tiny white light rods. These rods extend from the structure's parabolic super-black facade and create the illusion of a field of stars suspended in space. Looking at the building will be the closest experience to looking into space from a point on Earth.

2018 should prove to be a pivotal moment in how the design community uses virtual reality to deliver work. With leading firms exploring the introduction of mult capabilities, the technology will experience a breakthrough shift from purely enabling new modes of consumption to one that empowers design.
Today, VR essentially allows designers, clients, and stakeholders to consume models in dynamic new virtual environments. One by one, individuals can put on VR goggles and experience spaces that only exist digitally as others watch, listen to their reactions, and wait their turn. This implementation of VR technology has already strengthened design outcomes by enhancing strong communication throughout the design process, translating to less risk and stronger confidence in the eventual built product for clients.


Each year the Vilcek Foundation selects American immigrant champions of the arts and sciences. This year the 2018 Vilcek Prize in Architecture was awarded to Guatemala-born, and now San Diego-based, professor and architect Teddy Cruz. Cruz uses his past experiences, living in Guatemala during its civil war, to focus his academic and professional career on shaping political and socioeconomic forces.