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There’s no doubt that architects spend a lot of time in front of a desktop, be it virtual or three-dimensional. In fact, although this statistic is not exclusive to architects, the average time a person now spends sitting down per day is 7.7 hours; in the United States the average is an unbelievable 13 hours. Of course this includes time spent on the train, watching a movie on the sofa, or a whole range of other seated activities, but the vast proportion of this time is likely to be spent working by a desk or laptop.

How can you improve the quality of that time, so it’s both well spent and, ideally, minimized? To have a more efficient, productive—and most importantly, more pleasant—time at work, here are 13 ways to improve your physical and digital workspace.

Architecture practice zU-Studio has created a proposal for a floating pavilion in Amsterdam's historic shipyard. Designed atop an old Dortmunder Ship, the project was made to be a sculptural object that creates connections between cultures. The structure is inspired by Richard Serra´s sculpture in Museumplein in Amsterdam. The pavilion aims to create a unique Dutch floating experience that brings art and history together.

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Known as both an architect and an engineer, Pier Luigi Nervi (June 21, 1891 – January 9, 1979) explored the limitations of reinforced concrete by creating a variety of inventive structural projects; in the process, he helped to show the material had a place in architecture movements of the coming years. Nervi began his career in a time of technological revolution, and through his ambition and ability to recognize opportunity in the midst of challenge, he was able to have an impact on several disciplines and cultures.

This article was originally published on Common Edge.

Why don’t architects often consider the ethics of what they do? Thomas Fisher’s new book, The Architecture of Ethics, digs into this topic in great depth and with engaging insight. At the recent AIA convention in Las Vegas, I sat down with Fisher—former dean of the University of Minnesota College of Design, and now a professor in urban design at the school, as well as director of the Minnesota Design Center—to talk about his book and the ethical dimension of designing and building in the context of contemporary practice.

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Chicago-based FGP Atelier and Taller ADG have completed the new Diablos Rojos Baseball Stadium in Mexico City. The monumental project was made to be the country's premier baseball stadium. Working with team owner Alfredo Harp Helú, the project's roof takes the form of a devil’s tail to reference the home team’s devilish name.

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