Architecture in its broadest sense concerns itself with the uprooting of structures that are permanent, cementing themselves within the greater cultural context and history of its humanity, however, where do we place the creation of structures that are designed with the intention to be disassembled. How much meaning and value can these structures hold, knowing they were never designed to last, but to simply take up space for a moment?
In preparation for the Disrupt Symposium, as the conference launch planned for the 1st of May approaches I sat down with Krista Kim a contemporary artist and founder of the Techism movement, whose work explores the concept of digital consciousness. Her interest in digital technology and it’s revolutionary effects on human perception, media, social structures, and communication have led her to work in both digital and physical realms.
All businesses, large or small, have faced unprecedented challenges in the last couple of years – but one of the positive outcomes of the global pandemic is the notion that work can be done wherever you are in the world. And while work has changed, expectations have not. Teams need to work with the same speed, efficiency and security as when they were all within the same four walls. It’s now up to IT to rise to this challenge with the right solutions to meet the new demands of the hybrid workforce. Remote working – and remote collaboration – is here to stay.
Until this Tuesday, May 3rd at 23:59 EST you can submit your work for the second edition of the ArchDaily Architectural Visualization Awards. For us, visualizations have become a powerful tool that has helped us to think without limits about the design of our future cities, buildings, and structures. This is one of the reasons why we decided to launch this competition: to find the best talent from around the world and discover who is setting trends with their work and aesthetics, helping us to visualize the future of architecture.
This week’s curated selection of Best Unbuilt Architecture highlights educational and cultural projects submitted by the ArchDaily community. Through examples from all around the world, the article explores how these spaces of knowledge and discovery are designed to inspire and inform.
Featuring a monolithic museum in Portugal, a digital heritage centre with a media facade in Korea and a mobility research centre in Turkey, the round-up spans various kinds of educational and cultural spaces, as well as different attitudes towards the built or natural environment. The following projects reveal the ideas that shape spaces of knowledge in different contexts, illustrating diverse approaches toward what constitutes an institution of culture.
The 59th International Art Exhibition - La Biennale di Venezia has officially opened its doors to the public on the 23rd of April, 2022. Titled "The Milk of Dreams”. the exhibition is welcoming more than 210 artists from 58 countries, to showcase over a thousand artworks and installations that promote art, science, research, and ecological transition from the environmental humanities.
The Art Gallery of New South Wales expansion designed by SANAA is set to open to the public on December 3rd, 2022. The project, dubbed Sydney Modern Project and first revealed in 2019, is the most significant cultural development in the city in almost five decades since the opening of the Sydney Opera house. The new building designed by SANAA, together with Australian practice Architectus as executive architect, features a series of pavilions of various sizes and gallery volumes cascading towards the harbour. The structure that opens toward its surroundings is designed to provide a backdrop for 21st-century art.
Over the past few years, educational campuses around the world have been confronted with various trends and challenges of change, such as pandemic adaptation, climate crisis, the responsibility for sustainable design and online teaching. Sasaki Architecture, with offices in Boston, Denver and Shanghai, specialises in planning educational campuses around the world. With a broad portfolio of projects at various scales of intervention, recent projects in the United States, China, Mexico and Peru stand out.
As Antoine Picon describes in Architecture and the Virtual Towards a new Materiality? : "An architectural project is indeed a virtual object. It is all the more virtual that it anticipates not a single built realization but an entire range of them. …Whereas the architect used to manipulate static forms, he can now play with geometric flows. Surface and volumes topological deformations acquire a kind of evidence that traditional means of representation did not allow.”
_1.jpg?1651061486 "day view exterior. Image Courtesy of WT Architects")
_1.jpg?1651061427 "interior. Image Courtesy of WT Architects")
.jpg?1651061434 "interior. Image Courtesy of WT Architects")
