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The International VELUX Award jury has selected ten regional winners from the 507 submitted projects, from 211 schools of architecture around the world. The renowned jury was comprised of Anupama Kundoo, Anupama Kundoo architects (IN), John Ronan, John Ronan Architects (US), Rainer Hofmann, Bogevischs Buero (DE), Fuensanta Nieto, Nieto Sobejano Arquitos (ES), and Lotte Kragelund from VELUX A/S (DK), all of whom met for the jury meeting in Copenhagen. 

Hoor Al Qasimi, the President of the Sharjah Architecture Triennial, and its curator Tosin Oshinowo, have announced the title and theme of the 2023 Triennial as "The Beauty of Impermanence: An Architecture of Adaptability". The theme reflects on the issues of scarcity in the Global South, and how this challenge has created a "culture of re-use, re-appropriation, innovation, collaboration and adaptation". Through these differing modes of practice, the event, which will be inaugurated in November 2023, will explore how people can "reorient global conversations to create a more sustainable, resilient, and equitable future".

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In parallel with the restoration works underway at the Notre Dame de Paris cathedral, the city of Paris has launched a design competition to redevelop the cathedral’s surroundings. On June 27, the jury announced the team led by landscape designer Bas Smets as the winner of the competition. The project, planned to start in 2024, will reimagine the square and the underground parking spaces beneath it, including the archeological crypt, the Jean XXIII square located behind the cathedral, the Seine riverbanks, and the adjacent streets. This extensive project aims to bring Parisians back to the heart of Paris and welcome the 12 million visitors coming each year in better conditions.

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The region we know today as the Metropolitan Zone of the Valley of Mexico (ZMVM) has had a continuous and dynamic occupation for more than 4,000 years. Archaeological and anthropological evidence reveals the presence of complex human societies on the banks of the lake basin, starting with Tlatilco and Cuicuilco in the Preclassic period, passing through Teotihuacan in the Classic period, and culminating with the different urban centres of Nahua affiliation in the Postclassic period, with the cities of Mexico Tenochtitlan-Tlatelolco, as well as Texcoco, Azacapotzalco, Iztapalapa and Chalco, among many others, undoubtedly standing out.

How might your persona or act differ if you were to put yourself before society’s expectations and limitations, embracing your queerness and preferences? Looking into the impact of individuality, we talked with Andreas Angelidakis, an architect to who refers to himself as “an architect who doesn’t build”, but views architecture as a site of social interaction, creating works that reflect on the urban culture by mixing ruins, digital media, and psychology to better understand the power of finding different design paths.

This article was originally published on Common Edge.

In the 1960s and 1970s, a series of critiques of the modern city appeared. Jane Jacobs’s attack on those intent on redeveloping New York City was the most immediately impactful, loosening the grip of Robert Moses and his followers, but others had a broader influence on practicing architects and planners. As an observer of San Francisco Bay Region’s cities, I wondered if their books from this period would shed light on current issues of adding density in urban contexts.

Throughout the years, urban settings have been shifting and taking on new forms. Workspaces became more flexible, home-based offices are common and the increasing costs of housing have led to changes in the way dwellings are designed and built; while turning us towards public and communal outdoor areas for leisurely activities and social gatherings. Our shifting lifestyles are therefore shaping a new urban landscape that’s influencing the way we conceive and use these spaces. Despite everything, some smaller and often unrecognized typologies have persisted and remain as necessary as they’d always been.

They are not places of defined function, yet they still host valuable instances within our day-to-day lives. The latter are the Interstitial (or In-between) spaces, that act as buffers to, and link our private spaces to the public and functional buildings or landscapes. They are the hallways, waiting areas, elevators, staircases, entrances, and transitional zones weave our built environment together. 

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