As Canada’s most populous location, Toronto has developed into a global powerhouse, both as an economic and cultural hub. This extends to the significant museums and arts facilities across Queen City. With one of the most unique landscapes and ground conditions in the country, Toronto was built on a large ravine system running throughout its urban fabric. Today, the city’s educational, arts, and cultural buildings are thriving.
In a world that increasingly demands more from us, for many people the bath goes beyond a moment of hygiene. It can give you a few minutes to relax after a long day at work and recharge your batteries. Therefore, more and more people are looking for spaces that escape the usual when it comes to bathroom design. Showering can become a pleasurable experience that allows a momentary escape from everyday tasks, as the projects selected below can demonstrate.
Are you sitting comfortably right now? OK, I'll wait a few seconds so that you can adjust your posture and we can continue the text. As much as we all know that our backs should be upright, shoulders back and glutes against the back of the chair, as soon as we stop paying attention, we tend to let our body slide down the chair until our spine takes the shape of a big question mark. This can lead to various posture and circulation problems, chronic pain, and increased fatigue after a long day, week, month, or years of work. But know that you're not alone, and it's not (necessarily) your fault. What elements make a chair comfortable? How can they help you maintain a proper posture for longer? Is it possible to have design and comfort in the same product? In this article we will try to answer these questions and show some examples from the Architonic catalog.
Mauro Gil-Fournier is a PhD architect, researcher, and professor who, after a 15-year career, decided to found Arquitecturas Afectivas: "a community that creates architecture with pleasure, cultivating the affects of people, other beings, and living things."
What is the process for creating affective architectures? Why are they important for the future of architecture? In the following conversation with Mauro, we delve deeper into this concept, which is fundamentally based on "enabling others to design from their truest expression."
Marta Elena Campos Newman is one of the first female architects to graduate from the school of architecture at the Universidad Iberoamericana in Mexico City. From early in her career, she specialized in interior architecture, building a professional legacy that continues to bear fruit today. Furthermore, throughout her career she has collaborated with Mexico's most prominent architecture firms of the second half of the 20th century, while her work as a professor at UNAM's Faculty of Architecture has allowed her to shape entire generations of architecture professionals.
Registration for the 5th Tomie Ohtake Design Award, aimed at university students and recently graduated professionals from all fields, has been extended until February 16. The initiative has established itself as the leading Brazilian design mapping award, welcoming multiple languages due to its transdisciplinary nature and avoiding rigid categories, as it encompasses projects of diverse natures.
If ancient Hellenic sources are to be believed, hanging gardens have existed at least since antiquity when the famous Hanging Gardens of Babylon were described by writers such as Herodotus and Philo of Byzantium. Today, vertical gardens have proliferated alongside the interest in indoor plants and gardens, especially in suitable climates. This trend in architecture reflects a simultaneous uptick in interest toward sustainability and a more pastoral, back-to-nature lifestyle. In the projects listed below, several of the architects mention moving forward from an industrial past—with its concomitant environmental effects—toward a better future, or at least a secluded, fresh, and natural outpost amidst the chaos of modern city life. Indoor gardens, and the visual allure of hanging plants and climbing vines, provide the setting for such a life. These vertical designs simultaneously conserve space and embed the plants within the atmosphere of the house, ensuring the space feels as much like a garden as it does a comfortable home.
The new metaverse platform pax.world, set to launch in early 2023, has announced its collaboration with global architecture offices Grimshaw, HWKN, Farshid Moussavi, and WHY to create “Metaserai,” a vast social and cultural hub envisioned as the core of the new virtual community. The hubs are designed to host virtual cultural, social, and educational events such as concerts, theatre shows, digital art galleries, markets, lectures, parties, and festivals.
The pax.world platform aims to develop into a fully functioning society governed by a Decentralized Autonomous Organization, also known as a DAO. The virtual space will be divided into privately-owned plots of land punctuated by Metaserai communal hubs. These take inspiration from the Caravanserai of the ancient Silk Road, which became hubs for commerce and cultural exchange. Each of the architects is designing their own interpretation of Metaserai.
Of all arts, there is one that is truly capable of embracing architecture, and that is the cinema. The ability to represent spaces, moving in the course of time, brings cinema closer to architecture in a way that goes beyond the limitations of painting, sculpture, music - for a long time considered to be the art closest to ours - and even of dance. Both in cinema and in architecture space is a key subject, and although they deal with it in different ways, they converge by providing a bodily - and not only visual - experience of the built environment.
From the 19th century onwards, with the Industrial Revolution, the growing population, and the ever-more pressing demands for urban space in Europe, the first reflections on the city emerged. More than that, the process of disciplinary structuring of urban design begins as a theory and practice inherent to the new historical moment that was being consolidated and would have its product, concerning cities, as an attribute of the 20th century. Within this disciplinary logic, configured from a social or political demand linked to militaristic pretensions of order and urban control, the 20th century was the stage for the entire development of this industrial society, which had the city as its horizon.
Home spaces filled with clutter and mess can be mentally exhausting, making it impossible to relax with the weight of life visually bearing down on an interior. ‘Tidy space, tidy mind’ as the idiom instructs, and home environments that focus on clean lines – either with a minimalist lifestyle, decluttering, or expansive and well-organized storage systems – cultivate a more meditative mindset. Perhaps, however, the demonization of clutter and these are, characterless spaces it creates, can get a little, well, boring.
So-called ‘clutter’ can still spark joy when given an opportunity, however. So whether they hold treasured memories in photo frames, bookcases of stories not just in print, proud achievements, inspiring equipment, or functional items kept close to hand, open storage elements like shelving, doorless cabinetry, or hanging hooks and pegs can create decorative, textured and, most importantly, personalized surfaces.
Roman aqueducts built more than 2,000 years ago are still in operation. The Pantheon in Rome remains the largest dome made of unreinforced concrete in the world, with a diameter of 43.3 meters. At the same time, it is not unusual to see structures less than a decade old collapsing. Understanding why Roman structures remain standing has been the subject of studies by many researchers around the world. Why, even in hostile environments such as coastlines or seismic zones, do these structures remain intact? Is there some miraculous material or method that has been lost in history? An international group of researchers led by the Massachusetts Institute of Technology (MIT) has shed light on these questions, discovering that these structures had a previously overlooked capacity for self-healing, and the potentially huge environmental impact it can have, to create more durable concrete structures in the future.
A metal façade introduces a visually appealing architectural element on top of a built insulation system, such as a vapor barrier, insulation board, and structural supports. Known for their versatility, durability and elegant, clean finishes, metal claddings can be used for both roofing and walls to deliver a long-lasting and eye-catching finished product made from natural materials such as aluminum, copper, zinc and steel. Regardless of which system is used to fix the panels (concealed clip system or exposed fastener system), a façade can be made from a variety of profiles and colors for unlimited design options.
The interest in co-living is on the rise, a direction emphasized by the merger between the largest co-living operator in the US, Common, and their European equivalent, Habyt. The two companies manage more than 4,000 apartments in the US and 7,000 apartments in Europe and Asia, as reported by The Wall Street Journal. The term co-living refers to a modern form of group housing where residents share communal spaces for socializing, cooking, and gathering, and have access to shared amenities such as cleaning services or dog walking.
At a historical moment when industrialization and urbanization are continuing at a fast and predatory pace, we need to design and produce spaces that can adapt to new realities. Based on this need, concepts that can guide the transformation and production of future cities emerge.
Recent surveys have revealed the average frequency of daily baths in some countries. While in Latin America, led by Brazil, Mexico and Colombia, people take 8 to 12 baths a week, in the vast majority of countries affected, the average is around 6 to 8. Bathing, throughout human history, involves health, religious, spiritual and even social aspects.
Starting in February, Instituto Inhotim will offer free admission on the last Sunday of every month. This promotional initiative is sponsored by B3 (the Brazilian Stock Exchange) and will run through 2024.
The first free-admission Sunday will be February 26. Currently, free admission is offered on the last Friday of every month, except holidays.
Using only natural light to document English cathedrals can turn into a logistical and technical challenge. However, Peter Marlow's photography has resulted in a remarkable series of iconic spiritual sites whose contemplative atmosphere is rarely accessible to others. Looking east with the camera towards the nave as the dawn light streamed through the main window opens a purist and mystical perspective to the time when these sacred structures were erected.
On Saturday, January 14, the latest edition of the Chilean Architecture and Urbanism Biennial opened in the area surrounding La Moneda Palace in Santiago. The theme explored through the exhibitions, lectures, and panel discussions is 'Vulnerable Habitats,' addressing the country's pressing issues surrounding the housing deficit and access to housing, alongside the vulnerability of public spaces, heritage, and the environment in Chilean cities and territories.
On December 29, 2022, the regional governor of the Metropolitan Region, Claudio Orrego, announced an investment of 7.7 billion Chilean pesos (9.4 million USD) for the construction of the Mapocho Pedaleable y Caminable Urban Promenade. The announcement is part of a public space recovery initiative and the master bike path plan promoted by the Chilean capital's regional government.
ZGF Architects, alongside Barcelona-based firms MIRAG and Double Twist, has been selected as the winner of the architectural competition to design a transdisciplinary, net-positive Research Center. The project aims to foster new fields of knowledge and adopt diverse approaches toward achieving planetary well-being. Located on a historic site in Barcelona, the Mercat del Peix Research Center will bring together global experts in experimental sciences, social sciences, and the humanities to address the world's most complex and pressing challenges regarding the future of our planet, including biodiversity loss and the economics and governance of climate change.
Cities are inseparable from fast-paced lifestyles. Rising rents and “not-that-small” apartments characterize urban environments, perpetuating the chase for “bigger, faster, and more”. As economies develop and human needs grow, buildings are erected at alarming rates to rush toward progress. The risks of urban living are gradually being exposed, raising questions about more intentionally-driven actions. One way to return to slower lifestyles is by returning to slow architecture.
Through the “Search History” exhibition at MAXXI Museum in Rome, Lara Lesmes and Fredrik Hellberg, directors of the architecture and art studio Space Popular, set out to explore the work of Also Rossi and to translate his notions of “urban fact” and “analogous city” to the virtual realm. The installation is a reflection on the proliferation of metaverse platforms and the concept of virtual urbanism. The exhibition is part of the fifth edition of Studio Visit, a partnership between Alcantara and the MAXXI Museo nazionale delle arti del XXI secolo, which challenges designers to put forward a personal reinterpretation of the works of the masters in the MAXXI Architecture Collections.
As human beings we cannot live without stories, we need them to fill those gaps in our reality, to live in our imagination those thousands of lives that are different from ours and, in some cases, impossible.
Could we qualify as "good architecture" that which has a story, or several stories, to tell us? That which is a story in itself? Such a subjective question undoubtedly generates different answers, but one possible answer is "yes". And one example is the Brion Tomb project, one of Venetian architect Carlo Scarpa's major masterpieces.
_-18.02.2020-.jpg?1609783836 "Ster House / DELUTION. Image Courtesy of Delution Architect")
