This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

Certain materials offer a wide range of applications, and wood is undoubtedly one of them. This noble material can assume various roles: structurally in tectonics, as floor cladding in finishes, or even as a functional and decorative element in furniture design. Depending on its application, wood tells a different narrative. In facade design, its integration imparts a distinct character; indeed, beyond contributing to the building's identity and aesthetics, it also plays a crucial role in its functionality.

When discussing wood facades, screens and timber batten patterns are recurring elements. Through this approach—in contrast to modular systems—customizable combinations can be created for each project, conveying a unique artisanal beauty tailored to the intended design. Furthermore, wood offers outstanding characteristics in terms of sustainability, solar control, weather resistance, and energy efficiency. Together, these qualities allow the facade to function as a dynamic interface between interior and exterior, mediating light, shadow, and views.

Negotiating height differences comfortably and using space efficiently is the primary function of stairs. Their invention is not attributed to a single individual or specific civilization; rather, they evolved independently across various cultures throughout history. The earliest evidence of staircases is found in ancient Mesopotamia, Egypt, and the Indus Valley Civilization, with notable examples including the Mesopotamian ziggurats and the Great Pyramid of Giza. The Greeks and Romans further refined the design, and during the medieval period, spiral staircases became common in castles for defensive purposes. The Renaissance introduced even more elaborate and decorative examples crafted from stone, marble, and, later, iron and steel. In modern times, innovations in concrete and precast components emerged, reflecting advancements in materials and engineering. Floating staircases, for example, have become a major trend by visually expanding spaces and enhancing natural light within an environment. They are characterized by an elegant, minimalist design where the treads appear to float in midair without visible support, anchored to a single wall.

The global commitment to net-zero emissions and climate change mitigation presents a monumental challenge for the construction sector—an industry that currently accounts for nearly 40% of global CO₂ emissions, a figure projected to continue rising. Adopting sustainable practices is crucial to improving environmental conditions, with primary objectives including optimizing thermal comfort and reducing energy consumption in buildings. How can we achieve this if not through collective learning and knowledge sharing among different professionals and workers in the sector?

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Certain materials offer a wide range of uses, and wood is one of them. This noble material can take on various roles: structurally in tectonics, as flooring in finishes, or even as functional and decorative elements in furniture. Depending on its application, wood adopts a distinct narrative. In facade design, its integration lends a unique character, as it not only contributes to the building's identity and aesthetics but also plays a crucial role in its functionality.

When discussing facades and wood, screens and timber batten patterns are recurring elements. Through this concept—in contrast to modular systems—highly customizable combinations can be created for each project, conveying a unique, artisanal beauty tailored to the intended design. Furthermore, wood offers remarkable qualities in terms of sustainability, solar control, weather resistance, and energy efficiency. Together, these qualities allow the facade to function as a dynamic interface between interior and exterior, also mediating between light and shadow, as well as views.

Public lighting plays a fundamental role in modern cities and has evolved considerably throughout history. In Ancient Greece and Rome, rudimentary methods such as torches and oil lamps illuminated some streets. During the Middle Ages, castles and European city streets used oil lanterns and, later, candles. A significant breakthrough came with the invention of the gas lamp in the late 18th century, first used for public lighting in London in 1807, which improved street visibility and helped reduce crime. Thomas Edison’s invention of the electric lamp in 1879 revolutionized public lighting, and incandescent lamps began replacing gas, providing more efficient and safer illumination.

The Architectural Association Visiting School (AAVS) Rio de Janeiro workshop interrogated
tectonics within Rio's post-colonial, urban, and tropical context. Each year, the workshop questions, celebrates, and experiments with a characteristic element of local architecture.

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In an era where we spend most of our time indoors, contemporary architecture offers an innovative approach: dissolving the barriers between inside and outside. This fusion, now an iconic feature of many current projects, reflects a growing desire to live in harmony with nature, promoting a synergy that transcends walls and restores the human connection to the natural environment. Large windows framing landscapes and the use of biophilic design principles blur the boundaries between interior and exterior, creating flexible, light-filled spaces where nature is incorporated into the architectural design. This integration stems from meticulous design choices made possible by technological advances—such as high-performance glazing and smart systems—that enable this connection without sacrificing comfort or energy efficiency.

Austria has announced Koncesija / Konzession / Concession(e) as its contribution to the 20th International Architecture Exhibition – La Biennale di Venezia. Curated by architects Adna Babahmetović and Ajna Babahmetović together with curator Sebastian Höglinger, the project proposes temporarily granting the Austrian Pavilion to Bosnia and Herzegovina through a cooperative concession. Selected through Austria's open competition process, the pavilion examines questions of national representation, diplomacy, and architectural exchange by responding to the absence of a Bosnian national pavilion in the Giardini, where the Biennale's historic national pavilions are located.

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Videos

The accelerating rise of a homogenized, worldwide aesthetic is forcing creators to confront a critical reality: design trends are effortlessly transcending geography, but local identity is paying the price. The fifth episode of the Room For Dreams podcast tackles a head-on investigation into whether a boundaryless market is quietly erasing design diversity. Recorded live at Milan Design Week 2026 in cooperation with INDX|GLOBAL, host Claire Broadka of designboom sits down with Sachi Gupta, Shilpi Sonar, Krithika Subrahmanian, and Sumit Dhawan to map out the reality of the borderless creator.

Snøhetta's Shanghai Grand Opera House has entered its final construction phase. Preparations are underway for the building's official opening on October 17, 2026, kicking off a performance season featuring 82 performances across 47 acclaimed productions. Snøhetta's spiralling design for the new cultural venue was selected via an international competition in 2016. In 2019, the architecture firm, along with East China Architectural Design & Research Institute (ECADI), Theatre Projects, and Nagata Acoustics, was formally commissioned to deliver the building from concept to completion. The project was originally set to be completed in 2025, as part of a broader cultural master plan aimed at reinforcing Shanghai's role as an international centre of culture and innovation.

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In November 2022, Augusta Park celebrated its first anniversary of reopening to the public. The park reached maximum capacity on its opening day and, today, has welcomed over 1.5 million visitors. The site went through a long journey before reaching consolidation. The nearly 50-year struggle for the park deserves to be highlighted, and public participation in its creation must be recorded and shared so it can inspire new campaigns for public spaces across the city.

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Italian architect Vittorio Gregotti frequently asserted that “creating the place” is the primordial architectural act, its very origin, since simply placing a stone on the ground already marks the beginning of the “modifications” that will transform a site into architecture. Driven by this urge for transformation, we see ideas materialize into relationships and concepts that often bring the genius loci to the fore through a phenomenological approach, establishing an intimate connection between architecture and context, redefining places, and reaffirming the human connection to the world.

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The built environment has historically served humans as a mechanism of environmental control. Through our intellectual capacities and ability to organize, we have used buildings to actively influence and terraform the immediate context in which they are inserted, often treating geography, water, and ecosystems as resources to be extracted and managed. However, more and more, architecture is transitioning from exploiting physical and biological matter to actively collaborating with it. This shift demands that architects explore how buildings and their materials grow, transform, decay, and persist beyond human timelines. This thinking also serves as a starting point for the profession to reflect on how it influences the natural world, as well as the non-human species around it, creating networks and connections between humans, buildings, living organisms, and natural environments.

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Although there are records of latrines dating back to 3100 BCE, the first flush toilet was invented in 1596 by Englishman John Harington. He produced two units: one for himself and another for Queen Elizabeth I.

The idea did not catch on at the time, and it was only in 1775 that Scotsman Alexander Cumming patented the modern toilet, designed to connect to a sewage system. In 1885, another Englishman, Thomas Twyford, created the first porcelain toilet, replacing the wooden models that preceded it.

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The era when Le Corbusier's Modulor—the perfect man—was the only one “allowed” to occupy our cities and architecture is long gone. Decades ago, it became clear that environments were being designed as ideological representations that failed to reflect actual demand and its rich diversity of social class, gender, race, age group, and sexual orientation, among other factors. Planning and design were often disguised as “neutral” concepts, while in reality they reproduced the perspective of a middle-class white man. Ultimately, the time has come for the city to move past this flawed assumption of universal appropriation and instead materialize in its spaces the specific needs of every citizen.

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The year was 1969. Lina Bo Bardi wandered through the São Paulo neighborhood of Bixiga, which at the time resembled a war zone. The clearings and piles of rubble were the result of a violent urbanization cutting through the region in the shape of São Paulo's East-West expressway complex.

Against this backdrop, Lina collected personal objects found in the debris, picking up "the most sordid items," as Zé Celso, director and creator of Teatro Oficina, stated in an interview. There was a clear reason for this undertaking: to compose the set for the play In the Jungle of Cities (Na selva das cidades), designed by the architect herself. In it, a stage shaped like a boxing ring was fashioned from the rubble of the demolitions taking place around the theater. The play was divided into 11 rounds, in each of which an institution is destroyed until the ring itself is demolished. At the end, the actors remove even the theater floor to reach the bare earth.

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Environmental issues have been the defining theme in architecture for several years now. The imminent scarcity of natural resources and growing awareness of the environmental damage caused by the construction industry have forced the profession to take a stand and develop solutions that mitigate its impact on the planet. While developing new technologies that enable more sustainable materials is essential, this impetus can—and must—originate at the very beginning of architectural practice: the design phase.

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What is the city? It is the opposite of the forest. The opposite of nature. The city is an artificialized, humanized territory. The city is a territory designed exclusively for humans. Humans have excluded all possibilities of other life forms in the city. Any other life that attempts to exist in the city is destroyed. If it does exist, it is thanks to the force of the organic, not because humans want it to.

I was raised in a house with a dirt floor, where I walked barefoot. Chickens and other animals lived with us inside the house. When a chicken left its droppings on the dirt floor, the wet part of the waste was absorbed by the earth. We would pick up the solid part and throw it in the backyard to use as fertilizer. To city people, this is horrifying. Step on chicken droppings? Impossible! There must be perfectly smooth ceramic tile to spot any other life, any other living being that might be there, to disinfect it and kill every microorganism. To kill even what cannot be seen. To walk barefoot, the floor must be disinfected: ceramic tiles were created because humans cannot step on the earth. Shoes were created because humans cannot step on the earth. Because the earth is the original yearning.

Have you ever considered the possibility of a world with no more people experiencing homelessness? The United States did, and countries like Canada, Spain, Portugal, France, and Denmark followed suit, incorporating the Housing First methodology into their national strategies to address the issue.

The formula consists of providing exactly what they lack: housing and connection. The results are consistent and, moreover, beneficial to public coffers. In Brazil, Projeto RUAS is testing the model and seeking resources to expand it. The NGO's goal is to understand how it adapts to our reality and, in the future, propose it to public authorities.

Neuroarchitecture and environmental psychology are two fields based on the relationship between the physical environment and human behavior, yet they employ distinct approaches and practical applications. Learn about the differences between these fields and their practical applications in architectural and design projects.

There is a growing public perception that the number of people experiencing homelessness has been rising in Brazil. To better understand this issue, the Brazilian Observatory of Public Policies on the Homeless Population, established under the Polos de Cidadania Program at the Federal University of Minas Gerais, compiled data from thousands of municipalities in a historical series spanning from 2012 to 2021. Unfortunately, the data indicates that this crisis is indeed worsening across the country.

Sloping terrains, hillsides, and mountains present challenges for architects and engineers alike, but they also offer the potential to create unique homes that embrace their context. Following a careful study of the topography, soil, drainage, and access to power and water systems, designing how to integrate the house with the landscape, establishing its aesthetic, and, above all, ensuring a safe and welcoming environment is the responsibility of the architects.

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The web series Atemporal ‑ A arquitetura permanece features a compilation of nine episodes depicting the various architectural movements that have shaped the history of Curitiba. Launched in 2020, the project spans from the earliest architectural impacts on the city during the colonial era and the influence of immigrants, to Eclectic architecture, Art Deco, and the first glimpses of Modernism, culminating in a denser vertical growth and an internationally recognized urban plan.

For many architects, the most instinctive way to put an idea onto paper is through drawing. From quick napkin sketches during a coffee break to elaborate diagrams systematizing architectural solutions, drawings are essential, recurring tools in the design process. Yet, lines alone cannot always convey a concept with the desired clarity.

Sounds, smells, feelings, and sensations are rarely captured through drawing alone. Human figures cannot always convey the scale of certain elements, requiring the aid of more precise numerical dimensions. Annotations and labels are commonly used to define spaces and specify architectural elements, and when a phone or calculator is out of reach, drawings may also share paper space with quick calculations. There are many situations where writing is combined with lines to create a hybrid communication tool, where the subjectivity or abstraction of drawing is grounded by the assertiveness of words and numbers.

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