The surrounding neighborhood consists mostly of apartment blocks that date back from the 70’s. The buildings are large with enough space in-between and plenty of greenery. Because the whole area is built in relatively short period of time and not very long ago, it lacks the typical historic layers of the city center. Here the connection to nature is direct enough, the access to all city-conveniences – fast enough and easy, what makes the area nice to dwell. In spite of that it still lacks history, (memories of) the past and atmosphere.
Office Building B23 is located in the central zone of Novi Beograd. With total area of approximately 57,000 sqm the structure consists of four towers, connected across multi–level atrium spaces with nine panoramic elevators. Modern aesthetics and engineering superiority of business center B23 Office Park become new inspiration to architects and users, placing the new standards related to visual aspects and functionality of the office spaces in Belgrade, as well as in whole South East Europe.
Architects: OFF Location: Belgrade, Serbia Project Area: 57,000 sqm Photographs: Courtesy of OFF Architecture
Construction of Schweger Associated Architects‘ Dubai Pearl is continuing. The groundwork, foundations, basements and lower grounds floors of the four towers which form the central section of Phase 1 of the development is now complete. A total of 3.5 million man hours have so far been spent since work started on site and over 60,000 cubic meter of concrete has been poured on one of the largest construction projects still being developed in the UAE.
After winning the Restricted Competition in 2004 the construction of the new central access to the National Gallery in Prague began in late 2009 and works are ongoing, it will be completed by the end of this year.
“WHATAMI”, winner of the 2011 Young Architect Program at the MAXXI, is beginning to take shape. This summer installation is situated within the exterior spaces of the museum and is the result of a partnership between MoMA’s P.S.1 and the National Museum of the 21st Century Arts in Rome. Simultaneously Interboro Partners‘ “Holding Pattern” will on display at the MoMA in New York andsTARTT’s winning design “WHATAMI” at Zaha Hadid’s MAXXI.
The Pharrell Williams Resource Center is a design that represents the future for youth centers. The treehouse concepts aims to inspire future generations through architecture providing a place where kids can escape and imagine. A unique combination of architect Chad Oppenheim of Oppenheim Architecture + Design and musical impressario Pharrell Williams they are hoping that this youth center will set a new standard for the way the world builds for its future. “We’re creating an environment to house creativity,” said Chad about his design. “Pharrell is a visionary renaissance man, and this center is a reflection of his passion for education and natural design sensibility.” The PWRC is slated for completion by 2013.
The community based winning design for the 2011 Young Architects Program at the P.S.1, “Holding Pattern” by Interboro Partners, shared photographs of the installations canopy raising which took place last Thursday at MoMA. The New York firm, formed by Tobias Armborst, Daniel D’Oca, and Georgeen Theodore, were able to creatively accomplish the design within the Young Architects Program’s budget and program requirements, stretching the funds to essentially serve two purposes; as the materials will be recycled, donating the objects such as ping pong tables, benches, and flood lights, to the community at the end of the installation. ”Holding Pattern” will welcome visitors beginning June 19th.
These two 3-story mixed-use buildings, side-by-side reflecting each other, sit on a narrow thirty-foot lot along Ocean Front walk on world famous Venice Beach. This culturally diverse urban community is a busy commercial pedestrian area, popular with tourists and locals alike.
Zoka Zola is an architecture firm that is interested in high degrees of optimization that are achieved through a series of inventions — similar to the inventions and optimizations leading to human flight from early gliders and flying machines to the airplane — where characteristics, shape and use of each element is in a tight interdependent relationship with every other element. Where every element can be enjoyed on its own while at the same time is an essential part of the entire assembly. These inventions toward optimization contribute to the body of usable strategies in architecture, since each assembly is optimized for a very specific set of circumstances. While this high degree of “optimization” is not yet taken seriously as an architectural objective, they believe it will become an objective of future architects because of the growing awareness of our available resources and their uses, eventually making the terms “efficient” and “optimized” common place. This project develops a series of steps towards optimization through architectural form of a building’s natural ventilation.
In search of the origins of architecture, Laugier presented a primitive hut using the three basic elements of architecture – the post, the lintel and the gable. Semper’s pursuit of the origin resulted in a primitive dwelling that was comprised of four basic qualities – earthwork, hearth, framework/roof, and enclosing membrane. While Laugier’s list of basic elements stemmed from the obsession with disciplinary origins, Semper‘s meditations were a vehicle to essentialize that which was previously seen as superfluous, namely the building enclosure. Semper wanted to put ornament to work. Butterfly House is an exercise in re-working three ubiquitous elements – window, door and roof – until they exceed their functional value and lead the way to new architectural effects. Butterfly House builds upon Laugier’s primitive hut as a model of fitness, updated to reflect a post-bubble economic climate rather than mythical origins, as well as Semper’s interest in the productive capacity of the apparently unnecessary. Our conceptual hut uses a limited quantity of elements to solicit rich qualities and characteristics and uncovers a zone of enchantment between the essential and the excessive.
Architects: BROISSINarchitetcs Location: Coyoacán, Mexico Design Team: Gerardo Broissin, David Suarez, Alejandro Rocha, Enrique Guillen Collaborators: Rodrigo Jiménez, Mauricio Cristóbal, Ruben Zepeda, Luis Muñoz, Erik Guzman, Jose Luis Durán Sara Villanueva, Juan Carlos González, Elizabeth Salinas, Juan Manuel Vargas, Pamela Moreno General contractor: R+A. Coordinación Acoustics: Saad Acústica Scructural engeneer: Ing. Armando Serralde. Ing. Nabor Castillo Landscaping: a10Studio + Entorno Taller de Paisaje Lighting design: Satélite Iluminación Civil works: Macinter Images: BROISSINarchitetcs
The North American competition-winning design for the renovation and expansion of the historic University of Toronto Faculty of Law responds directly to the client’s ambition to create a law school among the finest in the world. Hariri Pontarini Architects proposed a design that would provide both a physical and visual connection to its surrounding landscape.
The main objective behind the design for the new Staten Island Animal Care Center was to create a high quality environment for the animals, staff and visitors. The building is sheathed in a highly insulating, translucent polycarbonate envelope. This provides higher performance in comparison to typical glass and maximizes the benefits of natural light. The roof of the outer perimeter housing the animals is raised above a lower interior roof plane, which covers other shelter functions. This configuration permits the daylight to enter the facility on multiple sides. Natural ventilation is encouraged along the periphery with the use of a passive air ventilation system. A sophisticated mechanical system that uses heat recovery to feed heat gain energy back into the system is incorporated into the design to provide constant fresh air exchange.
Architect: Garrison Architects Location: Staten Island, New York City, New York, USA Project Area: 5,500 sqf Renderings: Courtesy of Garrison Architects
https://www.archdaily.com/121670/in-progress-staten-island-animal-care-center-garrison-architectsChristopher Henry
Architects:Atelier 11 Location: Beijing, China Design Director: Xu Lei Design Team: Ding Liqun, Gao Qinglei, Liu Heng, An Peng Construction Drawing: Xu Lei, An Peng, Gao Qinglei, Ding Liqun, Li Lei, Liu Heng, Zhu Yin, Jin Ding Client: Beijing Shi Ao Co., Ltd. Project area: 51,199 sqm Project year: 2009 – 2011 Photographs: Atelier 11
Architects: ALA ArchitetcsLocation: Kristiansand, Norway Project team: Juho Grönholm, Antti Nousjoki, Janne Teräsvirta, Samuli Woolston and Birger Grönholm with Niklas Mahlberg, Pekka Sivula, Pauliina Rossi, Pauliina Skyttä, Sami Mikonheimo, Jani Koivula,Auvo Lindroos, Aleksi Niemeläinen, Erling Sommerfeldt, Ingrid Kokkonen, Tomi Henttinen, Harri Ahokas, Anniina Koskela Klaus Stolt Collaborators: SMS Arkitekter AS: Erik Sandsmark, Wenche Aabel, Lasse Stamrud, Hanne Alnes (local partner) WSP Multiconsult AS (structural engineering) Arup Acoustics (hall acoustics) Brekke Strand Acoustics (room acoustics) Sweco Grøner (mechanical engineering) Cowi (electrical engineering) TPC (theater technical engineering) Client:Teater og Konserthus for Sørlandet IKSProject area: 24,000 sqm Project year: In construction Photographs: Courtesy of ALA Architects
Construction for the City Green Court, Richard Meier & Partners third building within the Prague 4-Pankrác Master Plan, is underway. Receiving a pre-certification of LEED Platinum, the building’s design is inspired by the language of Czech Cubism simultaneously responding to issues of conservation and sustainability. A completion date of early 2012 is anticipated. The video,
“We are working together to make City Green Court a benchmark for green building design in the Czech Republic,” shared Richard Meier. “This assignment has been particularly challenging as it also meant addressing the historic beauty of Prague and at the same time creating a modern image of the City for its future.”
More renderings and drawings of City Green Court following the break.
Continuing our coverage of the Shenzhen Stock Exchange (SSE), OMA recently shared the latest photographs of the building while under construction. The building, located in the downtown area of Shenzhen, China, is expected to reach completion in April 2011. The SSE, a new headquarters for China’s equivalent of the NASDAQ, is 132,000 sqm of offices, registration and clearing house, accessory area, securities information company, SSE office area, trading floor and technical operations. The floating podium design, which is suspended 36 meters over a public plaza, projects 54 meters from the base of the tower. The building broke ground in November of 2007, Rem Koolhaas along with local government and the officials from the SSE were in attendance. Check out our previous coverage here.
Follow the break for the latest photographs of SSE.
Spring 2011 marks the opening of “Metropol Parasol”, the Redevelopment of Plaza de la Encarnación in Sevilla, designed by J. MAYER H. Architects. After finishing the concrete works in 2008, the parasols are under construction now. Visiting the site at the moment gives an impressive imagination of the final dimension and appearance.
The project becomes the new icon for Sevilla, – a place of identification and to articulate Sevillas role as one of Spains most fascinating cultural destinations. “Metropol Parasol” explores the potential of the Plaza de la Encarnacion to become the new contemporary urban centre. Its role as a unique urban space within the dense fabric of the medieval inner city of Sevilla allows for a great variety of activities such as memory, leisure and commerce. A highly developed infrastructure helps to activate the square, making it an attractive destination for tourists and locals alike.
