Artfully dancing together to the beat of their own drum, the familiar look of the New York skyline has now been broken up by an eye-catching pair of skyscrapers on the banks of the East River. The dual copper-clad residential towers are reminiscent of a couple dancing, leaning back slightly and linked together by a bridge with a metallic reflecting finish half-way up the tower. The glass for the 100-meter-high skybridge for this extraordinary project was created by the Swiss specialists Glas Trösch which developed a complex, double-insulating glass with an internally laminated, metallic web to give a glossy finish.
The design of the American Copper Buildings overcame the challenges posed by development and zoning plans, which helped to determine the layout and architectural volumes. This makes the end result all the more impressive: New York firm SHoP Architects has created a distinctive building complex for developer JDS that stands out both in its material choice and shape—even in a city as architecturally distinctive as New York. The central design element is the Skybridge, which goes beyond a purely aesthetic function as it links the utilities of both towers and is integrated into the structure’s static design.
Getting around a city of millions is a miracle of design, engineering and cooperation. In conversation, on foot, by bus, train, bike and ferry, Van Alen’s weeklong Spring Festival this June invites participants to experience and consider the present and future of urban mobility.
When we think of public housing architecture in the United States, we often think of boxes: big, brick buildings without much aesthetic character. But the implications of standardized, florescent-lit high-rises can be far more than aesthetic for the people who live there. Geographer Rashad Shabazz, for one, recalls in his book Spatializing Blackness how the housing project in Chicago where he grew up—replete with chain link fencing, video surveillance, and metal detectors—felt more like a prison than a home. Accounts of isolation, confinement, and poor maintenance are echoed by public housing residents nationwide.
Have you ever dreamed of crossing from Midtown Manhattan to Brooklyn in just a few leisurely steps? These lofty ambitions are made possible on the New York City Carpet from South African studio Shift Perspective. Not literally though, unfortunately.
In an industry-affiliated overshadowed by the so-called ‘starchitects’, do we really know who is dominating in the field of architecture? Often it is found that for most of the projects bearing the big names, there are the firms assuming the roles of “executive architect” that work behind the scenes to enable the high-profile buildings to get through planning and construction.
To give us insight into which architecture practices actually have the most impact across in New York City, The Real Deal have compiled a list of the 30 firms with the highest square footage of new buildings across the five boroughs over a six-year period from the 1st of January 2012 until the 31st of January 2018. There are of course many of the firms that you would expect, although as you will see there are also a few that have gone under the radar so far and may be worth watching out for in the future...
A speculative project, the “New York Super Slender” created by RB Systems, is a futuristic skyscraper that presents a potential new tower typology. With ever-diminishing land space in major cities and a vastly growing population, the project rises to the challenge of optimizing occupancy in a constrained and dense city center.
Construction is moving along quickly on The Eleventh, BIG’s twisting residential towers located near Chelsea Piers on New York City’s High Line park.
A new rendering released of the project shows the design in its final form (developed through a series of iterations), standing out even amongst notable neighbors including Frank Gehry’s IAC Building, Jean Nouvel’s 100 11th Avenue and Foster + Partners’ 551 West 21st Street.