The historic Liangzhu Village in Hangzhou, China has a new monumental cultural center by the Japanese architect Tadao Ando. Opened in 2016, the building has become another popular cultural site in the village following the opening of David Chipperfield’s Liangzhu Museum a decade ago.
In his ongoing photo-series "Façades," French photographer Zacharie Gaudrillot-Roy a series of images in which he removes the mass and depth of buildings, and leaves behind the mere fragments of exterior skin. The photos, which resemble deserted Hollywood sets, illustrate roadways, towns, apartment complexes, and other environments without giving away the ideas of anything beyond the superficial image of the facade—leaving much to the imagination.
Having previously assembled sets of images featuring the offices of architecture firms in Dubai, London, Paris, Beijing, Shanghai, Seoul, the Nordic countries, and Barcelona, architectural photographer Marc Goodwin continues the series with an exploration of 17 large and small offices in the Netherlands. Occupying buildings formerly used as offices, banks and old factories, the interior and exterior images capture a glimpse of the lives of these designers and their daily architectural surroundings.
In his ongoing study, Nikola Olic - a Serbian photographer based in Dallas, Texas - focuses on “architectural photography and abstract structural quotes that reimagine their subjects in playful, dimensionless and disorienting ways.” Often isolating elements of a facade, which obscures the viewer's sense of scale and perspective, Olic provides short descriptions of each image, acting as a “demystifying tool” and reminding us of the everyday nature of his subject matter. In the third collection shared with ArchDaily, the photographs are taken in Dallas, Fort Worth, Las Vegas, New York, Los Angeles, Long Beach, and Hong Kong.
In the town of Moukhtara, Mount Lebanon, L.E.FT Architects have transformed a 100-square-meter structure into a symbolic, picturesque mosque. The Amir Shakib Arslan mosque is a rendition of old versus new with a white steel structure overlaid onto an existing building of cross-vaulted masonry. The angular geometry of the steel plates is a result of the structure’s alignment in relation to Mecca.
Lebanese architectural photographer Bahaa Ghoussainy has released a new series of images which accentuate the contrast that lies between the architectural design of the mosque and the traditional representation of Islamic mosques and prayers. The juxtaposition of an Islamic holy place built in a non-Islamic town is translated into the architecture’s design, merging two dissonant styles into one complementary structure.
Architect Kris Provoost, who lives and works in Shanghai, has captured Atelier Deshaus' new Shanghai Modern Art Museum through a series of photographs, displaying both the details of the building as well as its context on the Shanghai riverfront. The Shanghai Modern Art Museum is an adaptive re-use project on the old Laobaidu coal bunker, its industrial exterior kept and re-interpreted into a contemporary architectural project. Provoost captured the beautiful detailing of the project, as well as how it transforms during the cherry blossom season.
With more than 590,000 submissions in 2017, the EyeEm Photography Awards is the world's largest photography competition for discovering new talents.
The 2018 EyeEm Awards feature nine categories, including a category focused on architecture: "The Architect" where we encourage you to submit interesting lines, shapes, and beautiful spaces in architecture.
With its monumental form, swept diagonal lines and elevated concrete walkways, the Issam Fares Institute building at the American University of Beirut by Zaha Hadid Architects emphasizes movement, evoking the speed of contemporary life as it presides over a connecting system of pedestrian walkways. Begun in 2006 and completed in 2014, Hadid’s award-winning concrete and glass building makes a bold statement with its prominent 21-meter, two-story-tall cantilever, which creates a covered courtyard and reduces the footprint of the building to avoid blocking circulation routes. The elevated walkways carry pedestrians through the branches of huge Cypress and Ficus trees, many of which significantly predate the building at 120 to 180 years old.
In celebration of its visitors, the Fondation Louis Vuitton is organising a photography contest on the theme of its architecture, designed by Frank Gehry. The contest is open to all, amateurs and professionals alike. A jury of representatives of the Fondation, led by Frank Gehry, will come together at the end of the contest to choose from 5 to 10 photographs.
When Spanish architect Rafael Moneo won the Pritzker Prize in 1996, the jury identified his ability to see buildings as lasting built entities—their lives extending beyond architectural drawings—as integral to his success. The South Souks, Moneo’s 2009 project in Beirut, Lebanon, indeed responds to a long history and anticipates a lasting future. After the city’s historic souq (outdoor marketplace) was destroyed during the Lebanese Civil War, developer Solidere began rebuilding the commercial area in 1991. As part of the project, Moneo designed an arcaded shopping district that follows the ancient Hellenistic grid and retains original street names.
Appreciated within the industry but often maligned by the general public, brutalism came to define post-war architecture in the UK, as well as many countries around the world. In his 1955 article The New Brutalism, Reyner Banham states it must have “1, Formal legibility of plan; 2, clear exhibition of structure, and 3, valuation of materials for their inherent qualities as found.”
One Kemble Street, a 16-story cylindrical office block originally named "Space House" and designed by George Marsh and Richard Seifert, clearly exhibits all of these characteristics, creating a landmark in the heart of London that remains as striking today as it was upon its completion in 1968. Photographing the Grade-II listed building throughout the day, photographer Ste Murray manages to beautifully capture the building’s essence, celebrating its 50 year anniversary while also highlighting the intrigue of its form in a way that suggests parallels to contrasting ideologies.
Have you ever thought a building looked suspiciously similar to a futuristic tank? Or, perhaps a gothic spire was eerily reminiscent of a matchstick? You’re not alone. Rich McCor, aka paperboy, has been traveling the world since 2015 filling his Instagram account with whimsical photographs of black paper cut-outs that transform often serious works of architecture into playful cartoon-like images.
Taking Christoph Niemann’s surreal account abstractsunday as a starting point, McCor was inspired to disrupt the norms of architecture and embellish the everyday. Though the account originally began while McCor was exploring the UK “it's taken me way beyond London to corners of the world I never thought I'd see,” he says. It’s easy to see why his humorous images of golf ball domes, beach-side creatures, and a pyramid-turned-magic trick have garnered McCor over 350k followers.
In his latest photo series, "Viennametry," Hungarian photographer and printmaker Zsolt Hlinka captures the unexplored voids in Vienna’s patchwork of historical and contemporary architecture. After previously studying the symmetrical corner buildings of grandiose Budapest, Hlinka has moved north to Austria on his quest to find geometry and symmetry within the urban landscape.
In the bustling streets of Seoul, the Dongdaemun Design Plaza by Zaha Hadid Architects has become a landmark for its atypical architecture. A complex yet effortless building, the Design Plaza encapsulates the energy of the cultural hub in Dongdaemun, an area that has itself earned the nickname of the "town that never sleeps" thanks to its late-night fashion market.
Investigating the building's twists and turns, Andres Gallardo has photographed the structure's fluid compositions. Although his photographs display little human presence, the building itself expresses the activity that occurs throughout day and night. Beneath the walkable park on the roof, Dongdaemun Design Plaza includes large global exhibition spaces, a design museum, 24-hour retail stores and a media center, among many other facilities that intertwine across the levels.
From Barcelona to Bejing, Marc Goodwin is capturing architectural workspaces around the world. Goodwin’s latest endeavor: Dubai. Scroll down to get a glimpse of where architects like the ones at RMJM and EDGE work in the “City of Gold.”
The International Workshop RCR is born of a way of understanding Architecture and Landscape from a humanistic spirit. The coexistence in a space and time of different creative disciplines creates synergies for mutual enrichment between the parties.
In his latest photographic collection, Federico Scarchilli captures Cistercian order in the form of Abbazia di Fossanova, Casamari, and Valvisciolo. Simple and utilitarian, Cistercian architecture reflects the transition between the Romanesque and Gothic periods. During this time, many religious authorities felt excessive ornamentation was a distraction to spiritual studies.
The Instagram account @streetview.portraits presents stunning images of people and architecture from Arizona to Kyrgyzstan. At first glance, it seems to be the work of a professional photographer gallivanting across the globe, but the owner of the account is actually Jacqui Kenny, a woman who suffers from agoraphobia and anxiety, capturing these beautiful images through Google Street View.
Through her alternative method of travel, Kenny discovered incredible scenes that displayed the magic of the ordinary: "I found a surprising and unique refuge in the creative possibilities of Google Street View. I began clicking through Google Maps to navigate to faraway countries like Mongolia, Senegal, and Chile. I found remote towns and dusty landscapes, vibrant architectural gems, and anonymous people, all frozen in time. I was intrigued by the strange and expansive parallel universe of Street View, and took screenshots to capture and preserve its hidden, magical realms."