Recent statistics suggest that if someone lives until they are 80, around 72 of those years will be spent inside buildings. This makes sense if we bear in mind that, when not at home, humans are working, learning or engaging in fun activities mostly in enclosed, built settings. Contemplating current events, however, this number is expected to grow. In an increasingly chaotic and uncertain world, marked by the ongoing effects of climate change and the global pandemic, the desire to stay indoors in a protected, controlled and peaceful environment is stronger than ever. Architects face an important challenge: to create comfortable, productive and healthy interiors with well-regulated parameters, considering factors like indoor air quality, daylighting and biophilic features from the initial stages of design. Of course, this involves choosing materials sensitively and accordingly, whether it be by avoiding certain health-harming components or by integrating non-toxic products that soothe and promote wellness.
Modular Eco-Housing . Image Cortesia de Yvonne Witte
When we talk about technology, we often think of robots, supercomputers, data centers or smartphones. But technology also refers to the invention of the first chipped stone tools or the development of the steam engine, which brought about the first Industrial Revolution. The term comes from the combination of the Greek words techne (art, craft) and logos (word, speech) and is nothing more than the application of knowledge to achieve goals in a specific and reproducible way, for practical purposes. In the construction industry, which moves large amounts of resources and people, more technology means incorporating new methods, tools, automation and software that can improve efficiency. As a historically innovation-resistant industry, the construction sector has a huge impact on the environment due to its carbon emissions and exploitation of raw materials. However, as it turns to the digital world, builders have seen technology as a means to optimize practices and identify, build, and manage their projects.
Irene Roca’s “Appropriating the grid” project is born out of the contemporary ruins of our current construction processes. An exploration of the waste that is generated and the legal complexities of discarding this waste awakened a sense of urgency and creativity in the architect, resulting in a collection that molds and re-formulates construction waste into versatile interior design objects.
https://www.archdaily.com/963957/materials-are-being-produced-according-to-fictitious-demand-in-conversation-with-irene-rocaDaniela Porto
Housing is a fundamental aspect of architecture, providing shelter, which is essential for everyone. In urban environments, addressing the housing challenge is both urgent and complex. Social housing initiatives aim to provide a substantial portion of the population with access to this fundamental architectural concept: a home.
If you’ve been in the profession of architecture long enough, you come to know a certain rarified subset of fellow professionals: Those who call themselves “architects,” who have a degree, and who may even be licensed and members of the AIA, but who do not practice architecture. They simply like being an “architect.”
Wood has played a key role in the history of architecture by adding warmth, versatility, and sustainability to buildings. Today, its use is experiencing a renewed interest, driven both by technological advancements brought about by the use of Cross-Laminated Timber (CLT) and by growing environmental awareness.
The following list is an index of articles, news, and projects published on ArchDaily that cover everything you need to know about the use of wood in architecture, from design strategies and the latest trends to its application in construction works and building materials.
Ancestral, vernacular, minimalist and harmonious. For many, these words have come to define the architecture of Japan, a country that has long served as a source of cultural and technological inspiration for countless societies worldwide. Popular Japanese techniques have reached even the most remote corners of the globe, gaining traction across various fields that range from technical craftsmanship to digital innovation. Within the realm of architecture, the appropriation and reinvention of various materials and construction systems –such as the use of carbonized wood in facades– has been an enduring theme.
As one takes a visual tour through the city, one might spot structures that break the rhythm of finished architectural products. These are buildings encased in grids of metal or wooden sections, sometimes wrapped in colored nets, that communicate a moment of construction, repair, renovation, or demolition. They are called scaffolding systems, temporary structures built in the city to aid in the erection or maintenance of buildings. However, they have evolved to speak their own architectural language. As city-making is a continuous process, scaffolds serve as beacons, proposing silhouettes of the height, shape, or forms of new buildings. They step into the sidewalks, acting as shade or obstructions to the flow of human and vehicular traffic. In contrast to the permanence of architecture, they exhibit a sense of temporality that helps communicate time, the growth of neighborhoods, and the evolution of a city.
The Unhão complex, constructed in Salvador, Brazil in the 17th century, consisted of a sugar mill with a big house, chapel, and slave quarters. At the time, Salvador was one of the largest and most important Brazilian cities, and its port was the site of a large portion of the Portuguese colony's sugar exports, an economy fueled primarily by slave labor. The ensemble drew the attention of Italian-Brazilian architect Lina Bo Bardi at her first visit in 1958, during which she spent some years working and teaching in the city. Following Bo Bardi's decisive contributions, the buildings were restored and became the new home of the Museum of Popular Art and the Popular University. But within the whole complex, the element that draws the most attention for its plasticity, functionality, and symbolism is the helical wooden staircase.
Almost two decades ago, in the downtown corridor of Columbus, Ohio, the century-old landmarked Lazarus Building underwent an extensive renovation to save the department store and restore it to its former glory. Sixty million dollars went into its restoration and transformation into a retail and office complex. During the construction, workers recycled nearly 5,000 pounds of steel, 2,000 pounds of concrete, and significant amounts of carpeting, ceiling tiles, and various wood- keeping 22,000 pounds of debris out of Ohio’s landfills. They also saved more than $25 million dollars by implementing this rigorous recycling process.
Dismantling the system of slave and child labor in the architecture and construction industry does not seem like a simple task, especially on a global scale. However, this is precisely the mission of the Design for Freedom (DFF) initiative, created by CEO and founder of the Grace Farms Foundation, Sharon Prince, along with Bill Menking, professor and editor-in-chief of The Architect's Newspaper.
Through events and freely available tools, Design for Freedom seeks to "raise awareness and inspire responses to halt forced labor in the construction materials supply chain," offering paths to ensure transparency and ethics in the architectural production process.
As every professional in the building industry knows, construction can be a costly and endlessly time-consuming endeavor. Delays are almost more frequent than on-time construction, and can be induced by extensive bureaucratic requirements, weather and other unexpected circumstances, inadequate planning, too few personnel, or a whole host of other causes. Lengthy construction projects can also negatively impact public perception of a project even before it has been built, especially if the projects experience delays or inconvenience those who live or work close to the building site. Moreover, some projects simply need to be built along a faster timeline than is typically feasible for a traditional construction project. Thankfully, there exists a solution for those seeking to drastically reduce construction times: modular construction.
https://www.archdaily.com/949219/why-choose-modular-constructionLilly Cao
House at 9,000 feet, Intermountain Region of the United States. Image Courtesy of MacKay-Lyons Sweetapple Architects
The Canadian Wood Council has announced the winners of the 39th annual Wood Design & Building Awards program. The awards program honors and recognizes the remarkable contributions of architects worldwide who excel in wood design and construction. This year, the program attracted a record 181 nominations from 25 different countries, and 24 winning projects were chosen from the excellent pool of submissions.
Starting from the first sketches of a project, it is essential that the project's design restrictions are well defined. This will guide the project, making it more suitable for its location, owners, and local conditions. Among common restrictions, keeping the project cost low is perhaps the most ubiquitous. We spoke with the VAGA team, an office based in São Paulo, about the challenges and possibilities that working with a tight budget imposes:
Pretentious as it may sound, we can say with certainty that bamboo is one of the most promising materials for the future of the construction industry. Neil Thomas, principal engineer at atelier one, says that if we were to design an ideal building material, it would look a lot like bamboo. This is because it grows very fast, is present in many countries around the world, has a highly efficient cross-section, and has impressive load-bearing strength. But beyond its structural use in its raw form, bamboo is also a material that allows a high level of processing and can be laminated for flooring, fixtures and, as we will see in this article, for Structural Engineered Bamboo (SEB) structures, which are very similar to Engineered Wood. We spoke with Luke D. Schuette, founder and CEO of ReNüTeq Solutions, LLC, a company in St. Louis, Missouri, that has been working with this structural material technology.
Dozens of countries around the world have already banned the use of asbestos in the civil construction sector. Cheap to extract and abundant in nature, it is a natural fiber used to manufacture water tanks, insulation, partitions, tiles and decorative elements. Its properties include great flexibility and high chemical, thermal and electrical resistance, making it a seemingly ideal material. However, there is scientific evidence that links exposure to asbestos to several types of cancer, as well as to asbestosis - when the fibers of the mineral lodge in the pulmonary alveoli, compromising the respiratory capacity. The asbestos case shows how certain construction materials can –suddenly or not– become a distant memory because of their negative impacts. In addition to the effects on health, the use of materials with high energy consumption or made of rare raw materials is currently under pressure, as experts call to reduce their use or to make their manufacturing methods "greener". The penalty? Disappearing in the near future, becoming yet another in the list of banned building materials. In this article, we delve into some of these materials and what their risks are.
Everyone who has ever built anything—a model, a birdhouse, or small pieces of furniture—has a clear sense of the amount of things that can go wrong during the construction process. A screw that is impossible to tighten fully, a warped wooden board, an inattention or a miscalculation that can frustrate plans instantly. When we transport these small inconveniences to a building scale, with countless processes and many different people involved, we know how complex a work can become and how many things can get out of control, taking more and more time and requiring more and more resources to finish. And when we talk about a building that needs to float, be completely self-sufficient, and, after fulfilling its useful life, be completely reused—could you imagine the technical challenges of building something like this?
Plataforma de Mergulho ICEBERG / Bulot+Collins. Image Cortesia de Bulot+Collins
The aquatic environment has always fascinated dreamers and researchers. Around 1960, in the midst of the fierce space race of the Cold War, French explorer Jacques Cousteau developed equipment such as the Aqualung to unravel the depths of the sea, which remained as unexplored as outer space itself. He even stated that in 10 years we could occupy the seabed as “aquanauts” or “oceanautas,” where it would be possible to spend long periods extracting mineral resources and even growing food. Sixty years later, the seabed is still reserved for few, and mankind has been more concerned with plastic in the oceans and rising sea levels than colonizing the ocean floor. But being close to a body of water continues to attract most people. Whether out of interest or in response to risks of flooding and over-population, some have turned to utopian proposals and floating architecture, examples of which have been featured in the ArchDaily project archive. But what are the fundamental differences between building houses on land versus on water, and how do these buildings remain on the surface rather than sinking?
