Architecture and Race: The Latest Architecture and News

African architecture has received deserved international attention in the last decade and one of the main responsible for this is, undoubtedly, Diébédo Francis Kéré, 2022 Pritzker Prize Winner. Born in Gando, Burkina Faso, Kéré graduated in architecture at the Technische Universität Berlin, in Germany. Today, he maintains branches of his firm, Kéré Architecture, in both countries, through which he seeks to develop works in the "intersection of utopia and pragmatism", exploring the border between Western architecture and local practice.

Known for involving community in the construction process of its buildings, Kéré and his office have developed works that go beyond the conventional limits of architecture and touch on themes such as local economy, migration, culture and equity. We had the pleasure and privilege of talking with the architect about some of his projects and his broader vision on architecture. Read the full interview below.

A little less than two years after the onset of a global pandemic, inclusion in the architecture profession is unfortunately still a limited conversation. A 2020 survey by the UK’s Architects' Journal revealed a sobering amount of obstacles for Black architects in the UK, and in the United States, prominent Black practitioners such as Mabel O. Wilson of Studio & have questioned the Eurocentric nature of a large amount of architectural study.

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This article was originally published on Common Edge.

New Orleans was designed by its early settlers in 1721 as a Cartesian grid. You know it as the famous French Quarter or Vieux Carré. Such grids are named for the Cartesian coordinate system we learned to use in algebra or geometry class, perpendicular X and Y axes, used to measure units of distance on a plane. The invention of René Descartes (1596–1650), these grids reflect his rationalism, the view that reason, not embodied or empirical experience, is the only source and certain test of knowledge. William Penn used a similar grid in 1682 in selling Philadelphia as an urban paradise where industry would thrive in the newly settled wilderness. And just as the massive buildings of Italian Rationalist (i.e., Fascist) architecture express authoritarian control, so, too, Cartesian grids implicitly say: Someone is in charge here. We’ve got this. Trust us.

When crossing a space, a body carries within it many meanings. The reading that translates into this person-architecture dialogue, and the sensations that arise from it, demonstrate much of the social inequality and violent structures intrinsic to the Western imagination, which privileges the same standard: the white man. Finding a place of rebalancing in which it is possible to create an alternation of power —in race and gender - is a commitment by Erica Malunguinho.

FIRST 500 is a global initiative documenting the achievements of Black women architects, and now the organization has launched a new website. Serving as a digital archive, the website aims to raise awareness about Black women architects and their accomplishments, provide resources for students, practitioners and aspiring architects, and build a community for Black women in the field.

Celebrated on the first Monday of every October, World Architecture Day was set up by the Union International des Architects (UIA) back in 2005 to “remind the world of its collective responsibility for the future of the human habitat”, coinciding with UN-Habitat's World Habitat Day.

This year both organizations have defined themes related to improving the quality of life and reducing the effects of the climate crisis by taking action in the built environment. While the International Union of Architects' 2021 World Architecture Day theme is "Clean Environment for a Healthy World", UN-Habitat's World Habitat Day has announced "Accelerating Urban Action for a Carbon-Free World" as their topic.

“Equity” is a moving target. We who create architecture want our devotion to have a true forum of objective Equity. But motivations are not outcomes. How we judge design inevitably carries the baggage of “Style” and that makes universal equity in design apprehension impossible.

Questioning the new now, especially with the new challenges of Covid-19, around the world, cities are advocating for structural change and collective action. Berlin questions, an annual, multi-day conference and a platform for transdisciplinary dialogue, in its 2021 edition “Metropolis: The New Now”, tackled the immediate present, creating a place for debate. Dedicated to local solutions to global challenges, the event took on a hybrid format, at various locations in Berlin and online, resembling the world we live in.

ArchDaily had the chance to meet up with Lesley Lokko, architect, academic, and novelist at Berlin Questions, to discuss her talk “Africa as the lab for the future”, her visions for the future of architecture education and the future of big cities on a social, cultural and urban level.

Architectural photography has developed into its own art form, and it might be as important as the built work itself. We consume architecture not only physically and spatially in a building but also through photographs. A good image reportage work can give the viewer a feeling of the atmosphere, senses, and design intentions the project may spark, without actually being in the place. Photography is also a way of documenting the project's process, the use of materials, lighting, and architectural elements, and as a result, tell a complete story behind a building.

To celebrate World Photography Day, we've gathered a list of 25 architectural photographers from around the world who are worth knowing - and following on Instagram. These emerging photographers have been selected for their ability to capture architecture each in their own unique ways. Get to know them!

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Madame Architect, the platform dedicated to the built environment and to the empowerment, advancement, and visibility of the women who work in it, has just reached a milestone, publishing over 250 interviews with the females who shape our world. “Designed to break the architect’s mold”, the website was founded 3 years ago by Julia Gamolina, an architect that shaped her own path in the field, becoming Director of Strategy at Trahan Architects, focusing on the business, its development, growth, and evolution.

Archdaily's Christele Harrouk had the chance to speak to Julia Gamolina, Founder, Editor-in-Chief of Madame Architect, and one of Professional Women in Construction's "20 Under 40", to discuss her career choices, the online magazine, the business of architecture and communication.

The Kuwait Pavilion at the Venice Architecture Biennale 2021 tackles notions of discovery, interpretation, and projection of the hinterland, contextualizing the nation’s imminent growth. The exhibition titled Space Wars and curated by curators Asaiel Al Saeed, Aseel AlYaqoub, Saphiya Abu Al-Maati, and Yousef Awaad brings the hinterland within the architectural discourse, highlighting the nation’s functional staging ground.

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The Luxembourg Pavilion at the 17th Architecture Biennale reflects on how the pandemic has brought a series of dualities to the spotlight, challenging the understanding of the relationships established between architecture and land, interior and exterior, home and work or the built environment and nature. In light of these issues, the exhibition titled Homes for Luxembourg, designed by Sara Noel Costa de Araujo (Studio SNCDA) and featuring contributions to the architecture publication Accattone explores ideas of modular, reversible living while also illustrating a model of repurposing land to build new forms of togetherness.

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Germane Barnes has won the 2021 Wheelwright Prize from Harvard University Graduate School of Design. The $100,000 prize will fund two years of travel and research for Barnes’s proposal Anatomical Transformations in Classical Architecture, an examination of classical Roman and Italian architecture through the lens of non-white constructors. Barnes will study how spaces have been transformed through the material contributions of the African Diaspora while creating new possibilities within investigations of Blackness.

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This article was originally published on Common Edge as "Five Women Architects Revitalize a Giant Public-Housing Project in Rome."

Corviale is one of Italy’s biggest postwar public housing projects and, arguably, one of the most controversial. Both revered and abhorred, the complex remains a pilgrimage site for architectural schools from around the world. Il Serpentone (The Big Snake), as it is affectionately called, stretches nearly a kilometer in a straight line, a monolithic, brutalist building that hovers over the countryside on the outskirts of Rome. But there is nothing sinuous about a construction made up of 750,000 square meters of reinforced concrete condensed into 60 hectares. This hulking horizontal skyscraper is formed by twin structures, each 30 meters high, connected through labyrinths of elongated hallways, external corridors, and inner courtyards. Divided into five housing units, each with its own entrance and staircase, it contains 1,200 apartments and houses up to 6,000 people.

Entitled “A Roof for Silence”, the Lebanese Pavilion at the 17th International Architecture Exhibition – La Biennale di Venezia, will investigate the question of living together, tackling the issue of coexistence through a questioning of the spaces of silence, and by putting into dialogue architecture, painting, music, poetry, video and photography. Curated by Hala Wardé, founder of HW architecture, in collaboration with Etel Adnan and Fouad Elkoury, the national pavilion will be on display at the Magazzino del Sale (Zattere), from May 22nd to November 21st, 2021.

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Chilean architects Ricardo Azócar and Carolina Catrón founded their architectural and urban planning firm in Concepción, Chile in 2015. In a short time afterward, their project “Two Towers and a Trail” was awarded the Obra Revelación del CA-CCP Prize in 2016 and was recognized in the Young Architects of Latin America Collateral Event at the Bienal of Venice in 2018; their monographic text “Catalejo” won first place out of the Publications category at the 2018 Biennale of Costa Rica. In November 2020, ArchDaily recognized them among the best emerging architectural practices of the year.

We sat down with Azócar and Catrón to discuss their current interests and motivations, their collaborative processes, their career trajectory, their upcoming projects, and their predictions about the future of architecture in their native Chile. 

Videos

The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.

A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.

This week David and Marina are joined by Marion Weiss, architect and co-founder of Weiss/Manfredi. Marion discusses her childhood interests in the arts, architecture, and landscape design, how her office was formed and its design process, working with clients on large cultural projects, how architecture can have a social impact beyond its physical footprint, and more. Enjoy!

Beautiful design is grounded in functional, accessible and healthy environments. For designers Mariné Maroukian, Kristina Singiser, and Adeleh Nejati at HMC Architects, equity and wellness go hand-in-hand. Each of these three women are leaders in their community and in practice, championing new ways to address local needs and create positive impact.

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