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Standing 120 meters tall at the corner of West 56th Street and Eleventh Avenue, the first building by Álvaro Siza in New York is nearing completion. Named 611 West 56th Street, the residential condominium will also feature several amenities for its residents, including a swimming pool, a spa, a gym, a children's playroom, and event spaces.

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Because it doesn't include a bathtub, or require doors, screens, or curtains, the walk-in shower often makes bathrooms appear larger, cleaner, and more minimalist. 

However, some precautions must be taken when designing them. Most importantly, the shower cannot be left completely open, even if it appears to be at first glance. Most designs incorporate a tempered glass that prevents water from "bouncing" out of the shower space, subtly closing the area. When this transparent division doesn't have a frame, the appearance of fungi due to accumulation of water and moisture becomes less likely.

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Eduardo Souto de Moura (born 25 July 1952), the Portuguese architect that won the 2011 Pritzker Prize, is known for designs that are formally simple yet serious and at times, dramatic, created through his thoughtful use of colors and materials. His architecture is both versatile and consistent, contextual yet universal, and rarely affected by current trends or styles.

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As part of our monthly topic (travel), we invited several Brazilian and Portuguese architecture firms to suggest buildings and public spaces in their respective cities that are well worth a visit. In Brazil, projects in Brasília, Rio de Janeiro, Olinda, Fortaleza, Belo Horizonte, and Porto Alegre will inspire our readers to get to know the country better—or cross the Atlantic to visit works in the Portuguese cities of Guimarães, Porto, and Lisbon.

One of the most highly regarded architects of his generation, Portugese architect Álvaro Siza (born 25 June 1933) is known for his sculptural works that have been described as "poetic modernism." When he was awarded the Pritzker Prize in 1992, Siza was credited as being a successor of early modernists: the jury citation describes how "his shapes, molded by light, have a deceptive simplicity about them; they are honest."

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