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No País dos Arquitectos is a podcast created by Sara Nunes, who also runs the architectural film production company Building Pictures. The podcast aims to profile the professionals, projects, and stories behind Portugal's leading contemporary architecture. With just over 10 million inhabitants, Portugal is a highly compelling country in this professional field, producing an architectural output that far exceeds its population and territorial scale.

In this episode of the fifth season, Sara talks with architect Fátima Fernandes of the firm Cannatà & Fernandes about the ESAP - Porto Higher School of Arts. Listen to the conversation and read part of the interview below.

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Four years after receiving the archive of Espírito Santo-born architect Paulo Mendes da Rocha, Portugal's Casa da Arquitectura is opening two exhibitions dedicated to the Brazilian winner of the Pritzker Prize (2006) and the Golden Lion at the Venice Biennale (2016). The larger of the two, featuring 138 original drawings, dozens of photographs, and other documents, is dedicated to the architect's built work and seeks to expand the notion of geography that runs through Mendes da Rocha's production.

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No País dos Arquitectos is a podcast created by Sara Nunes, who also runs the architectural film production company Building Pictures. The podcast aims to profile the professionals, projects, and stories behind landmark contemporary Portuguese architecture. With just over 10 million inhabitants, Portugal is a highly compelling country in this professional field, producing architecture that punches far above its weight relative to its population and territorial scale.

In this episode of the fifth season, Sara talks with architect Paulo Moreira about the Kapalanga School in Luanda, Angola. Listen to the conversation and read an excerpt of the interview below.

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Despite the initially slow and arduous process of molding glass into shape, mankind has used the material for thousands of years. According to archaeological evidence, the first human-made glass tools and jewelry were found in Eastern Mesopotamia and Egypt around 3500BC — and after the invention of the blowpipe in Syria in the 1st century BC and the Western Industrial Revolution made mass production easier, the material's signature traits of transparency and durability could finally be applied on a large scale in architecture and design.

Fast forward to the present day, and the use of glass for building facades and windows is well documented. But what about once we move inside? By treating glass for different levels of transparency, cleverly positioning it within a room, or employing its reflective surface to their advantage, interiors can benefit just as much from the material as exteriors.

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