The Royal Institute of British Architects (RIBA) has announced six winners for its RIBA South East Awards, which recognize architectural excellence in the regions of Kent, Surrey, East Sussex, West Sussex and the Channel Islands. These winners will be considered for a RIBA National Award, which will be announced on June 23. Winners of the National Award will then be eligible for the RIBA Stirling Prize later in the year.
A total of 68 buildings have been shortlisted for the 2016 RIBA London Awards, including projects from John McAslan + Partners, dRMM Architects, Níall McLaughlin Architects, Eric Parry Architects and Rogers Stirk Harbour. All shortlisted buildings will now be visited and carefully assessed by one of four regional juries, and regional winners will be considered for a RIBA National Award. The shortlist for the RIBA Stirling Prize - given to the UK's best building of this year - will be composed of the winners of the RIBA National Award.
See a complete list of shortlisted buildings after the break.
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Concrete has long had a close relationship with the earth; as the favorite material for the creation of building foundations, one of its most common uses is effectively as a more reliable replacement for soil. In the twentieth century, concrete’s ability to transform our interaction with the ground was taken to the next step. As architects and engineers explored the opportunities offered by a combination of reinforced concrete and the modernist mindset, multiple attempts were made to replace the ground in a more dramatic way: by creating a new ground, separated from the earth itself. Most widespread among these plans was the engineer’s elevated highway which emerged worldwide, and the most relevant to architects the “streets in the sky” embodied by developments such as the Smithsons’ Robin Hood Gardens. Newcastle-upon-Tyne offers a city-wide example of this theory, embarking on an ambitious plan to become the “Brasilia of the North” by creating an elevated network of pedestrian routes entirely separated from the automobiles below - though the project was abandoned in the 1970s with only small sections implemented.
After Modernism’s dramatic fall from grace in the 1970s and 80s, this project to reinterpret the ground with concrete was largely forgotten. Of course architects still used concrete in their designs, but they were content with a purely traditional relationship to the ground: their buildings were discrete entities which sat upon the earth, and nothing more. However, as explored at length in Stan Allen and Marc McQuade’s 2011 book Landform Building: Architecture's New Terrain, recent years have shown architects willing to work upon the ground once again, in new and exciting ways. In the years since Landform Building’s publication, this trend has only intensified, as demonstrated by the following three projects.
The Royal Institute of British Architects (RIBA) have revealed that Dame Zaha Hadid will receive the 2016 Royal Gold Medal — the first sole woman to be awarded the UK's highest honour for architects in her own right. Previous female winners (Sheila O’Donnell in 2015, Patty Hopkins in 1994, and Ray Eames in 1979) were each recognised alongside their husbands and practice partners.
Given in recognition of a lifetime’s work, the RIBA Royal Gold Medal is approved personally by Her Majesty The Queen and is awarded to those who have had a significant influence "either directly or indirectly on the advancement of architecture." Other notable Royal Gold Medallists include Frank Gehry (2000), Lord Norman Foster, Baron of Thames Bank (1983), Ludwig Mies van der Rohe (1959), Le Corbusier (1953), and Frank Lloyd Wright (1941). The medallists' names are engraved into the marble wall at the RIBA's headquarters in London.
According to the Architects' Journal Jonathan Woolf, "the much-respected architect and academic" born and based in London, has died aged 54. His practice, Jonathan Woolf Architects, was established in 1990 and has completed more than thirty-five projects in Europe and Africa. Woolf was also a prolific educator, having taught at the British universities of Bath, Kingston (from which he received an honorary doctorate earlier this year), the Scott Sutherland School of Architecture, and the Architectural Association.
A total of 68 buildings have been shortlisted for RIBA London 2015 Awards, featuring buildings by AHMM, dRMM, John McAslan + Partners and Grimshaw, to Níall McLaughlin Architects, Eric Parry Architects, and Rogers Stirk Harbour. Winning projects from last year included three Stirling Prize shortlisted projects, as well as another by Haworth Tompkins who ultimately took the prize in 2014 for the Everyman Theatre in Liverpool. All shortlisted buildings will now be assessed by a regional jury. Regional winners will then be considered for a RIBA National Award in recognition of their architectural excellence, the results of which will place some projects in the running for the 2015 RIBA Stirling Prize.
See the complete list of shortlisted projects after the break.
In the wake of her selection as the recipient of the Julius Shulman Institute Excellence in Photography Award for 2015, Hélène Binet's work will be exhibited at the Woodbury University Hollywood (WUHO) Gallery in Los Angeles, California. The exhibition, entitled Hélène Binet: Fragments of Light, will be open from February 28, 2015 to March 29, 2015, showcasing the highlights of the artist's career as a renowned architectural photographer. The exhibition will be initiated with an opening reception and award ceremony on February 28, 2015 to honor Binet for her achievements.
The question of whether the traditional museum survive in the digital age has been bounced around since the dawn of digital art and archiving. In an article for The Independent, Christopher Beanland examines the issue of a global "museum boom" (especially in China where a new one opens every day), and how this is having an undoubtedly positive impact on people's quality of life. For Beanland, it's curious that "we don't splash out on council houses or universities or hospitals any more – but we do build museums and galleries." Perhaps it's because they are "a reliquary for our collective memories" and "a triumph of our collective will" or, in most cases, because they employ excellent PR and branding strategies. He notes that "despite being swamped by possessions, we've changed our views towards those things. In the second half of the 20th century, people defined themselves by what they had. But today people increasingly define themselves by what they do."
We will be publishing Nikos Salingaros’ book, Unified Architectural Theory, in a series of installments, making it digitally, freely available for students and architects around the world. The following chapter outlines architecture’s connection to biology, and how biology influences our perception of form. If you missed them, make sure to read the previous installments here.
The idea of a biological connection to architecture has been used in turn by traditional architects, modernists, postmodernists, deconstructivists, and naturally, the “organic form” architects. One might say that architecture’s proposed link to biology is used to support any architectural style whatsoever. When it is applied so generally, then the biological connection loses its value, or at least becomes so confused as to be meaningless. Is there a way to clear up the resulting contradiction and confusion?
Zaha Hadid’s Heydar Aliyev Center has beaten out seven shortlisted designs to win London Design Museum’s Designs of the Year Awards. The shortlisted proposals - from a portable eye examination kit to Volkswagen’s XL1 CAR - will remain on view at the museum through August 25.
Not only is Ms. Hadid the first woman recipient in the Awards' seven year history, but the center is the first architecture project to be lauded: "It's beautiful, it's inspiring, it's the clear vision of a singular genius and we thought it was a remarkable piece of work," jury member Ekow Eshun noted.
Other nominated architecture projects included: NLE Architects' Makoko Floating School, The Turbulences FRAC Centre by Jakob + Macfarlane Architects, and the interior remodeling of the St. Moritz Church by John Pawson. See more stunning images of the Heydar Aliyev Center here.
The Royal Institute of British Architects (RIBA) has announced the 44 buildings in the UK and 12 EU projects to win 2014 RIBA National Awards. The list includes instantly recognizable projects such as The Shard by Renzo Piano and Mecanoo's Library of Birmingham, but also rewards plenty of well-crafted smaller projects, for example Lens House by Alison Brooks Architects.
From this list of National winners, the RIBA will select the shortlist for the RIBA Stirling Prize, which will be revealed next month. See the full list of winners after the break.
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