Is there a future for our cities if we do not adopt a sustainable way of life? For some time, urban sustainability has been approached more from the perspective of climate change than from a holistic vision that integrates society and how we live as a community.
What new ways of living are we experiencing amidst today's social, economic, and ecological shifts? We must bring to the table the various reference cases emerging around the world to understand the latest trends in how we inhabit our cities.
Recycling and reusing in civil engineering is extremely important, especially when considering the amounts of waste production and energy consumption involved in the processes related to the construction site. Creating construction elements by re-designing the role of old objects or materials represents an objective approach to upcycling, as a path towards a more sustainable and responsible future.
The resurrection of the street-level shop is possible: people remain analog. Image: Rovena Rosa/Agência Brasil
An ideal address implies convenience, meeting basic needs for goods and services within a short walk. Breakfast at the base of the building, a quick run to the pharmacy, pulling a cart overflowing with fruit, heading down on Saturday for a haircut, walking the dog in the corner plaza. The health of a city depends on the presence of people walking in public spaces, fostering a sense of community, safety, civility, and the capacity to meet basic consumption needs. And the street-level storefront along this walk is a vital catalyst.
https://www.archdaily.com/1132460/the-death-of-street-shops-and-its-impact-on-citiesFabiano de Marco
Yesterday marked the opening of the seventh International Festival of Urban Interventions in Lima, Peru. The opening day featured a series of events at the Lugar de la Memoria, aiming to shape the agenda, stimulate public debate, and highlight diverse efforts from multiple fronts striving to build a better city for everyone.
https://www.archdaily.com/1132137/fiiu-7-urban-intervention-festival-opens-in-limaDiego Vivas
Charles-Édouard Jeanneret-Gris, better known as Le Corbusier, is one of the leading figures and great masters of the Modern Movement. Directed by Gerardo Panero, the feature-length documentary “Plan for Buenos Aires” explores the architect's attempts to shape the layout of the city of Buenos Aires with his ideas.
Global management consultancy McKinsey & Company in 2016 noted that the construction industry was ripe for disruption. Considered one of the world’s largest sectors, the forced advancement and adoption of innovative technologies have allowed the engineering and construction (E&C) industry to persevere in the last two years. In fact, a more recent report, also from McKinsey, noted that the construction industry is more likely to emerge from the pandemic leaner, more digitised, and with a greater eye toward sustainability.
MVRDV has begun construction on Skanderbeg Building, officially known as Tirana’s Rock, a mixed-use project that is sculpted into the shape of Albania’s national hero. The building is wrapped in curved balconies that form the shape of Skanderbeg's head, serving as an iconic landmark at the Skanderbeg Square in the center of Tirana. Once complete, the project will be one the world’s largest buildings that doubles as a figurative sculpture, celebrating the country’s cultural history while giving the Albanian capital a unique identity.
ICLEI Circulars has launched a new practical Equitable Transitions Guidebook to help cities make sure that their urban development projects are equitable for all groups of citizens. The guidebook is based on multiple case studies from cities worldwide under the Urban Transitions Alliance project. The guide’s purpose is to provide insights, recommendations, and tools for city practitioners to understand better and unpack what social equity means at the local level. The publication is free to download.
Fotografías de la escenografía en la serie Gordita Chronicles. Image Cortesía de Amy Wheeler
Amy Lee Wheeler is the production designer for "Gordita Chronicles", an HBO series that tells the story of a girl and her family from the Dominican Republic who immigrates to Miami in 1985, after the country's political and economic instability. Upon arrival, the "American dream" brings them an unpleasant surprise after discovering a materialistic city concerned about social status.
How was the home where she lived and the school where she studied? How was the office where her father worked? These were some of the spaces that Amy Lee Wheeler had to design and set with furniture and colors of iconic vintage styles, drawing inspiration not only from old movies, books, and catalogs but also from personal photographs. The construction of the set in Puerto Rico and the ongoing pandemic presented unique and unprecedented challenges, so ArchDaily interviewed her to learn about the work process behind the scenes.
Was there ever a time when architects felt properly valued? Probably not. Certainly not since the profession became dependent on the business of America, which is business. With economic growth as the country’s prime directive through the 20th century, architects—as members of the construction industry—played their part. How? By designing buildings of all kinds that were lighter, cheaper, and quicker to erect. Architects’ values might have been social, artistic, even cosmic, but their value to society has been primarily economic.
Concrete can be found in almost any type of construction around the world. But how is it made?
During manufacturing, once in contact with water, concrete’s main ingredient, cement, binds to any aggregates present and goes through a number of complex chemical reactions. That eventually turns it into concrete, a material that is very durable and easy to work with. Despite this reliable durability, concrete can go through a number of internal processes that can lead to serious structural concerns. One of these is alkali-silica reaction (ASR), which can cause cracks in concrete and even put structures in danger of collapse over time.
Architecture is born from materials. Between structure, light, movement, and comfort, materials profoundly shape our experiences. But materials also change over time, new ones are created, and a wide range of assemblies and construction techniques are introduced. Increasingly, architects and designers are looking into the possibilities of composite materials made with natural elements.
Atkins has revealed the final design of Nairobi’s new Central Railway Station and public realm. The project extends the historic station building, one of the city’s first stone structures, to raise its capacity to over 30,000 passengers per hour. The new additions take inspiration from the past, referencing the “Boma,” a community enclosure rooted in the heritage of central African culture. Built for flexibility and adaptability, the new station aims to become a key functional facility within the city, providing its citizens with amenities, landscape, and respite.
Convivir en la Amazonía en el Siglo XXI: Guía de Planificación y Diseño Urbano para las ciudades en la selva baja peruana. Image Cortesía de Belen Desmaison
Addressing the universe of the world's largest tropical forest, the book 'Living in the Amazon in the 21st Century: A Guide to Urban Planning and Design for Cities in the Peruvian lowland rainforest', has been selected as a finalist in the category of publications at the 12th Ibero-American Biennial of Architecture and Urbanism. The issue, published in 2019 as part of the PUCP Architecture Publications, in the framework of the CASA (Self-Sustainable Amazonian Cities) project of the Climate Resilient Cities initiative of IDRC, FFLA and CDKN, focuses its research on the department of Loreto, presenting itself as "a guide for architecture and urban design, for settlements in the Amazon forest, including the social processes to be considered".
As part of an initiative for Tequila José Cuervo, Rojkind Arquitectos presents its new and first project of the metaverse under the name "Metadestilería" (Metadistillery) which is based on a design exercise that responds to the function of objects with respect to human needs within specific contexts with the challenge of creating unique experiences through objects and architecture.
Never not en vogue: Philippe Starck’s Ghost chair by Kartell, the Snoopy lamp by Achille Castiglioni for Flos, Patricia Urquiola’s Husk Chair by B&B Italia, the iconic Zanotta Mezzadro stool by Castiglioni, Eero Saarinen’s Tulip table as part of the Pedestal Collection for Knoll International and Max Bill’s Ulmer stool, produced by wg form
Sustainability is on everyone's lips these days – but mostly with a view to the future and the question of how it is possible to use fewer resources, produce more sustainably and reduce waste. However, sustainability can also be lived with a view to the past or the present – namely with a domestic environment that consists of durable furniture designs that outlast trends and never go out of fashion. In the third part of our series on design icons, we put Philippe Starck, Eero Saarinen, Achille Castiglioni, Patricia Urquiola and Max Bill in the spotlight with their evergreen furniture icons, which can be found on architonic.com.
We say that with confidence knowing the city’s demographics (nearly 80 percent African-American and with one of the highest poverty rates in the United States) present unique challenges to providing economic opportunity. And we say that with certainty knowing that a pernicious history of redlining, loan discrimination, and other inequities has denied Detroit’s Black majority the kind of power and say-so in design and economic development that would produce more favorable outcomes.
Architectural works from around the world are the primary inspiration for Erika Moreno, the creator of HUAJJE, a digital illustration project. The project was born in 2019, a year after Moreno completed her architecture degree in Tijuana. “The project started by accident; my only goal in making these drawings was to learn how to use more Photoshop tools—it was a personal challenge.” To document her process, she decided to open an Instagram account, which has since fostered an organic community that shares and supports her work. This has encouraged her to overcome her fears and even host workshops on the subject in various formats.
As part of the DAAily Bar Live Talks, ArchDaily's Founder and Editor-in-Chief David Basulto had the chance to talk with Carlo Ratti, director of MIT's Senseable Lab and founder of innovation studio Carlo Ratti Associati about this multidisciplinary approach, the blurred boundaries of the profession and his recent projects.
Construction has begun at 126 East 57th street, a project designed by architecture office ODA, with interiors designed by Gambellini Sheppard. On 57th street, a copper mirrored gateway leads residents through the 6-story atrium and toward the 28-story residential tower. The site spans the width of a city block from 56th to 57th street and the proposed tower measures 175,000 square feet, complete with private outdoor terraces for every unit, as the pixelated cast-in-place concrete façade recesses at irregular intervals.
Biophilic design is capable of improving the well-being of those who use a space through reconnection with nature. When this practice is implemented in offices and workshops, this property translates into many benefits. After all, in addition to the emotional qualities that vegetation can bring, it has the ability to filter noise, lighting and allow for a milder climate, with results in team productivity and more optimized services.
Doreen Adengo, Ugandan architect and trailblazer, passed away on July the 22nd of this year, after battling a long-term illness. She founded Adengo Architecture, a studio based out of her home city of Kampala. A designer who studied in the United States, worked in firms in New York, Washington, and London, and was teaching at Uganda Martyrs University – her legacy is nothing short of extraordinary. It is a legacy that spans disciplines and geographies – but a legacy, too, that is deeply rooted in the context of Africa, Uganda, and Kampala.
In 1969, ‘The Architects' Resistance’, a collective of students from Yale University, Columbia University, and the Massachusetts Institute of Technology (MIT), published a manifesto titled ‘Architecture: whom does it serve?’
With this manifesto, the group sought to place the practice of architecture in a broader economic, social and environmental context than the one taught in their university lecture rooms. In just two and a half pages, we find a powerful call to reclaim a more social and ecologically conscious architecture. It unambiguously denounces the role architecture played during those years as a practice in service to those in power while adding that “the architect's submission to the system begins with the belief that they possess special skills and knowledge that are inaccessible to the general public.”
Wolf Point East Building / Pappageorge Haymes. Image Courtesy of Graphisoft
Considered the second most requested skill (behind field experience) in the industry and used by a growing number of design professionals, Building Information Modeling (BIM) has proved to be the present of architecture. But with constant new features and exciting improvements, it is also very much the future. For decades, the revolutionary software has established itself as a powerful tool with a long list of invaluable capabilities: detecting errors, reducing costs and material waste, mitigating risks, optimizing workflows and, above all, allowing for seamless, multi-disciplinary collaboration.
