This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

The first house ever built in the United States made entirely out of only concrete and glass is no longer standing. It was demolished in 1999, but that doesn’t mean we can’t visit it virtually to witness what it would have been like to be inside. This video and link below focuses on a single house — the Lincoln House — designed by Mary Otis Stevens to resurrect and explore. It uses the program Enscape to walk through the building and resurrect the experience of what it would have been like to be inside. The video offers a timeline to contextualize the role of the house in the career of the architect and the evolution of Brutalism in Architecture, an analysis of the building, and initial reactions to walking through the building for the first time. What magic and other lessons are lurking in the design, hidden until we could experience it?

What does it take to build a smart city from nothing? Or maybe the better question is, what does it take to build a smart city from nothing and make it successful? For over a decade, architects and urban planners worked hand in hand to create Songdo, a brand new business district that sought to represent South Korean advancements in technology and infrastructure. Songdo was once a model for how we would live in cities of the future- but now, the reality of what this smart city quickly became has us rethinking how the combination of technology and community might have gone wrong.

This article was originally published on Common Edge.

Stefan Fuchs & Raphael Dillhof interview Adam Nathaniel Furman and discuss the role and importance of facades in today's urban fabric, "in the context of a broader range of social, economic, and political issues". Part of a more in-depth study examining the role of facades in the 21st century, this discussion also raises the question of why buildings always embody the values of their creators.

The relationship between mental health and architects, particularly architecture students, is not a new concern. In a world where stress is one of the greatest challenges of the century—affecting over 90% of the global population according to the World Health Organization (WHO)—the field of architecture and its practices, both academic and professional, have normalized stress and anxiety as intrinsic to the profession. However, recent student surveys reveal deep dissatisfaction with this reality, which has only been exacerbated by the pandemic. Is it time, therefore, to reassess institutional practices and push for a cultural shift?

Criticism of academia in architecture is a persistent issue, raising various questions about how the discipline is taught and learned. This debate gained significant momentum during the pandemic, when traditional education made a massive leap toward 100% online learning, changing how we experience the spaces and platforms that guide higher education students. Yet this shift is not exclusive to universities; professional practices have also had to reinvent their working methods and their participation in international events and exhibitions to reflect on the relationship between academia and professional practice.

Aquariums are built to reshape expectation. Giving visitors a new vantage point to observe freshwater and marine life, these structures range in scale from simple exhibits to elaborate public aquaria. With a diversity of programming, they often include facilities for rehabilitation and conservation, as well as educational spaces to support learning and discovery. Today, modern aquariums offer glimpses into aquatic life both above water and below the surface.

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Natural or artificial, lighting is one of the most important elements in architecture, directly affecting our perception of spaces. It is capable of defining volumes, enhancing colors, textures, and therefore, contributing to the overall relationship between dimension, proportion, and contrasts. One of the many challenges of architecture is to shape spaces based on light and shade, and sometimes natural light is not enough, requiring additional light sources to be installed and controlled.

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Although holograms have been a possibility for decades—the first hologram was developed in the early 1960’s following the development of laser technology—many might still associate them more with science fiction, the term conjuring up images of high-tech superhero gadgets and spaceships in the distant future. Yet as we inch closer to the reality of a hyper-technologized future, and a variety of industries—including architecture and construction— begin to embrace new forms of increasingly advanced technology, holography, too, has a chance of completely reshaping the way we conceptualize and experience architecture. While it is impossible to predict exactly how holographic technology will be used in the future, below, we list several examples of existing projects that use holograms and other types of holography to create atmospheric environments, fantastical scenes, and practical visualizations. These examples move beyond the use of holograms to visualize structures and sites during the design phase; they utilize holography to shape the completed architectural space itself, completely altering the sensory and spatial experience of their environment.

In this week's piece by Metropolis, author Kelly Beamon explores in her original article "the patriotism associated with pitched roofs and shares how architects are reimagining this staple of suburban house styles". According to its definition, a gable roof is a classic roof shape, usually in cold or temperate climates, consisting of two roof sections sloping in opposite directions and placed such that the highest, horizontal edges meet to form the roof ridge. Emblematic of the US, this article discusses its return to the urban fabric.

Platform lifts. Swedish manufacturer ARITCO shows how architects can integrate them into residential properties without them looking like an afterthought – but rather a serious design statement.

The 17th Venice Architecture Biennale invited architects to ponder the question “How will we live together”, eliciting a variety of answers, readings and interpretations. The International Exhibition unfolding in Giardini, the Arsenale and Forte Maghera presents 112 participants in the competition, coming from 46 countries, whose contributions are organized into five scales: Among Diverse Beings, As New Households, As Emerging Communities, Across Borders, and As One Planet. Answering “How will we live together as a community? “ is Chilean office ELEMENTAL and Archdaily met in Venice with Alejandro Aravena to discuss the idea behind the project KOYAÜWE, which creates a space that recovers the tradition of parleys, as a means to address the historical Chilean-Mapuche conflict.

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For this month, The Dirt and author Jared Green share with us a study about urban heat islands, exploring new approaches that have been designed to both reduce urban temperatures and help communities adapt to a hotter world, In three cities: New York City, Copenhagen, and Abu Dhabi.

The new Atelier collection from Italian manufacturer of porcelain-stoneware tiles Casalgrande Padana shows the power of softer colour tones.

Videos

A circular economy is an economic system aimed at eliminating waste and the continual use of resources. Looking beyond the current take-make-waste extractive industrial model, a circular economy aims to redefine growth, focusing on positive society-wide benefits. It entails gradually decoupling economic activity from the consumption of finite resources and designing waste out of the system. Underpinned by a transition to renewable energy sources, the circular model builds economic, natural, and social capital.

It is based on three principles:

• Design out waste and pollution.
• Keep products and materials in use.
• Regenerate natural systems.

Historically, "cyclopean" referred to a building technique that superimposed large stone blocks together without any mortar. This allowed for a diverse array of structures across various civilizations, including defensive walls, talayots, navetas, nuraghes, temples, tombs, and forts. Nowadays, the term applies to any ancient structure consisting of large stones superimposed to form a polygonal shape.

Vladimir Belogolovsky speaks with Antoine Predock about the soon-to-be-built Bahías, a community of 13 houses in Costa Rica, inspired by a vision of manmade foliage.

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Videos

"Albañilas, construyendo sin patrones" (Women Masons, Building Without Bosses) is a short documentary released on May 5, 2021, produced by the Front of Organizations in Struggle #FOL. Active in more than ten Argentine provinces, the film gathers the deeply personal testimonies of Brenda, Natalia, Claudia, Isabel, Nora, Ana, and Moni, who share how they took up the bricklaying trade to construct the #FOL community hall.

Architecture and automation are two concepts that in the modern era of design and technological advancements go hand in hand- or do they? On one end, there’s a slight fear that “robots will replace designers”, making the profession more automated, and less creative. On the other, technology has made the practice of architecture more efficient in terms of process and cost. How far will technology take us, and will your job ever be lost to technology? The short answer is, probably not.

As the business landscape continues to change and evolve, engineering firms will need to work smarter and faster than ever before to keep up. 

The 17th Venice Architecture Biennale is currently unfolding, revealing a wide range of answers to the question "How will we live together". With 60 national pavilions, numerous contributions of invited architects from all around the world and several collateral events, this year's edition restates the Biennale's role as a platform for inquiry, exploration, and disruptive thinking in architecture. Curator Hashim Sarkis' original statement called upon architects "to imagine spaces in which we can generously live together." Recent circumstances have made the question even more relevant, prompting a holistic re-evaluation of how the world as a collective can face changes and challenges of an unprecedented scale from the disrupting role of technology, to inequality, mass migration and climate change. The following national contributions reflect on "how will we live together" amidst climate change, exploring ideas for a more sustainable future.

Three years after OMA was selected by the Jersey City Redevelopment Agency (JCRA) to design a new museum in Journal Square, the city’s downtown hub, it was revealed this morning that the building would be home to none other than the Pompidou Center’s first North American satellite: The Centre Pompidou × Jersey City.

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The Coronavirus pandemic demanded new needs and significant changes in our lives: in relationships, at work, in consumption habits, in increasing inequality. Indeed, the theme of workspaces came up in a historical moment when people saw their own freedoms limited for the first time in the postmodern era.

Most people were forced to work from home, and since the beginning of quarantine, reflection on the future of workspaces has become inevitable. Some interesting data show that the Coronavirus only boosted a practice that had been consolidating for years in some countries. According to the Global Workplace Analytics e FlexJobs, between 2005 and 2015, the number of professionals in the United States who do at least 50% of their work from home or elsewhere outside their offices grew by 115%, and today that number reaches 4.7 million, 3.4% of the strength of the job.

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With over 56 million inhabitants spread across nine states, Brazil's Northeast region features a coastline of approximately three thousand kilometers, stretching from the Parnaíba Delta in Piauí to the south of Bahia. Internationally renowned for its beaches—which truly live up to their reputation—the region is as culturally diverse as it is geographically vast, showcasing rich cultural expressions, of which architecture is an integral part.

In this article, we celebrate the most ubiquitous of architectural typologies—the house—through examples built in the states of Alagoas, Bahia, Ceará, Pernambuco, Piauí, Rio Grande do Norte, and Sergipe. These projects demonstrate exquisite care regarding their surroundings and material choices, while also defying stereotypes and clichés often associated with architecture in northeastern Brazil. 

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In many ways, observing rural areas and their communities can offer valuable lessons for implementing sustainable dynamics in cities. By studying ecovillages specifically, key aspects of the relationship between humans and the biosphere become clear—particularly in a space of central importance to all of them: the kitchen.

In Western capitalist culture, the dichotomy between nature and humanity is stark. Humans shape their identity as something external to nature, and more often than not, superior to it. As a result of this conceptual rupture, spatial divides also emerge. The city is seen as a human product, where residents must seek out remnants of nature in parks or plazas to connect with it. "Voids" of human occupation, such as forests, are viewed as gaps—spaces that humanity has yet to transform.