Videos

In this visual essay, Greek filmmaker Yiannis Biliris documents the all-pervasive pall of glass that covers the modern city. The three-and-a-half-minute-long film, produced by Visual Suspect and shot entirely in Hong Kong, captures the vivid reflections seen in the facades of the city’s buildings, as Biliris selectively pans and zooms his camera to instill a strong sense of urgency in the viewer’s mind.

The essay, beautifully haunting in its imagery, might be seen as a reflective commentary on the state of our built environment today. Inspired by Albert Einstein’s general theory of relativity, which states that mass causes a distortion in space and time, it seems to subtly ask if our understanding of reality is warped itself. Describing the video as "a visual essay about perception and knowledge as [a] reflection of our reality," Biliris comments that "mass curves space and time, while the observer has his own perspective."

In his latest video, filmmaker Vincent Hecht takes us inside Toyo Ito's Tama Art University Library. The project is notable for its effortless geometry, with the entire building comprising a series of simple concrete arches which, when combined, create a complex "emergent grid" which allowed for great flexibility in the building's plan. Hecht's video shows how this geometry works in practice, as the elements of the library snake through the building's light, open interior.

This video is part of a conference held every two years by the Rob|Arch Conference series, developed by the Association for Robots in Architecture and related to robotic fabrication in architecture, art, and design.

'Carrara Robotics' was presented in 2014 by Jelle Feringa (Odico) and Lucas Terhall (Hyperbody), and shows a robot that is able to cut through marble with such flexibility and freedom of movement that it generates uniquely beautiful forms. The robot occupies the technology of abrasive cutting and -through a software- it cuts marble, as well as different types of foam, delivering pieces of high geometric complexity as a result.

I really hope that this experiment will become a reference for many other architects, for many other urban planners, for many other public administrators and politicians, in order to implement, improve and multiplicate the realization of forest cities in China and all over the world.

In this video, Stefano Boeri explains the design of the just-announced Lizhou Forest City, which, when completed in 2020, will become the world’s first ground-up city constructed employing the firm’s signature Vertical Forest research.

Boeri explains the evolution of the concept from their first Vertical Forest project in Milan to the Lizhou development, which will accommodate up to 30,000 people in a master plan of environmentally efficient structures covered top-to-bottom in plants and trees, as well as the planning processes required to bring the project to fruition.

Invis Mx2 is a device that allows you to connect screws and bolts easily without leaving any holes. Its cordless screwdriver works through a MiniMag rotary magnetic field, which adapts to any conventional drill, allowing to generate detachable connections with a tensile force of 250 kg per connector.

The system is designed to be applied to wooden elements and ceramic materials, allowing the construction of furniture, railings, coatings, stairs, among others. 

In this animated clip from French film production studio 11h45, penguins have taken over ‘The Iceberg,’ winner of ArchDaily’s 2015 Building of the Year for Best Housing Project. Imagining the building as a literal iceberg, the filmmakers envisioned the designed by SeARCH + CEBRA + JDS + Louis Paillard Architects-designed complex as an antarctic wonderland where penguins could slip, slide and dive down the structure’s sharp rooflines.

In my work as an architect, my idea is to bring out the beauty of a specific place. The sun, the water and the air at that specific place. Thus my architecture will make the place as beautiful as possible. What interests me most is to bring out the beauty of a place. That’s why I spend a long time exploring the moving materials of the specific place.

In this video from the Louisiana Channel, Japanese architect Hiroshi Sambuichi explains his approach to design through observation and reverence for the natural conditions of an existing site, as seen in his recently completed installation, ‘The Water’, currently on display at the Cisterns Museum in Copenhagen, Denmark.

Last month the Norman Foster Foundation, created to promote "interdisciplinary thinking and research to help up-and-coming architects, designers and urbanists to anticipate the future," coincided the opening of its new Madrid-based headquarters with an international conference. Future is Now pulled together a broad collection of professionals—including Sir Jonathan Ive, Marc Newson, Olafur Eliasson, Maya Lin, Alejandro Aravena, and Luis Fernández-Galian—who addressed an audience of 1,800 (including 1,100 students) in the Spanish capital's Royal Theater.

Watch the conference in its entirety, or read a summary, after the break.

A new train station in Cambridge is getting a lot of attention from a surprising audience: mathematicians. Cambridge North Station is clad in aluminum panels with a geometrical cutout design. The architecture firm, Atkins, originally claimed that the pattern was derived from Cambridge alumnus John Conway’s “Game of Life,” but eagle-eyed mathematicians soon realized that was incorrect. As the above video points out, the design is in fact based on a mathematical rule studied by Stephen Wolfram, an Oxford alumnus, much to the dismay of rival university Cambridge. Though the firm’s website still references Conway, a Senior Architectural Designer at Atkins, Quintin Doyle, has since confirmed that it was, in fact, Wolfram’s Rule 30 that they used in the design.

There are so many moves that the architect makes that you don’t understand the moment you see the house… and as those things reveal themselves, it’s always these really beautiful moments because it’s sort of like a poem or a song coming together in a way where it makes sense – you’ve heard it before but you didn’t understand it

In the latest video from their In Residence series, NOWNESS takes a look inside the recently restored Lautner Harpel House, built in 1956 by Los Angeles architect and Frank Lloyd Wright protege John Lautner. After purchasing the house in 2006, design restorer and Resurrection Vintage co-founder Mark Haddawy sought to restore the house to its original conception – a process that required the removal of several ill-conceived additions, including a second story.

Check out the video to see inside the house, and how its individual moments come together to create a signature example of California Modernism.

Almost one year has passed since the music video release of 'Do It Right' by French artist Martin Solveig. Although deprived of a star-studded tennis match on this occasion, over 15 million viewers have been treated to stunning vistas of The Red Wall, a vibrant fortress of color designed by Ricardo Bofill in Calp, Spain.

As well as being an inspiration for hundreds of architects, who have admired its striking color palette and interlocking staircases, The Red Wall succeeded in capturing the imagination of Solveig and the team at Monsieur l'Agent, the French agency who produced the music video.

We can all recognise the great architectural landmarks of Ancient Rome: the Pantheon, the Colosseum, Trajan's Column – but do you know how they originally appeared or, perhaps more interestingly, how they sat within the context of the historic city? In this captivating 14-minute-long virtual fly-through by the Kahn Academy and Smarthistory, a YouTube channel dedicated to historical video essays, the ancient splendor of the Eternal City (at around 320AD) is presented alongside expert commentary.

In #donotsettle’s latest escapade, architect Kris Provoost scrutinizes Perkins+Will’s Shanghai Natural History Museum. The boyishly charming and ever-inquisitive vlogger presents a unique POV tour of the unusual building situated in the middle of the Jing'an Sculpture Park.

Over a soundtrack of slick house music, Provoost offers up tidbits that cannot be gleaned from a photo. As he approaches the structure, he points out topographical aspects, the relationship of the structure to its context, and various construction details. The rapid-fire architectural observations are often punctuated by brief cross-sectional sketches that augment the experiential commentary.

Louis Kahn’s Kimbell Art Museum is a masterclass in natural lighting, with thin-shelled concrete vaults that feature subtle openings to reflect light into the galleries below. While Kahn’s wing of the Fort Worth Museum opened in 1972, in 2013 a second Renzo Piano-designed pavilion was added to the complex. Piano was selected to design the addition because he had worked for Kahn as a budding architect, and the homage to his former mentor is evident in the building’s similar layout and use of translucent glass panels. In this video, architect-photographer Songkai Liu takes viewers on a serene stroll through the museum’s campus. Time-lapses and pans of Kahn’s concrete are juxtaposed with the clean details of Piano’s glass in a soothing exploration of the two complementary projects.

Steven Holl Architects' new Visual Arts Building at the University of Iowa, completed last fall, has already begun to make its impact on the school's social environment, pairing Art Building West (also designed by SHA, in 2006) to create a revitalized Arts Quad with public spaces the whole campus can enjoy.

These two videos give an in-depth look at the new building. In the video above, Steven Holl and Senior Partner Chris McVoy tour the school while providing commentary about their design process, as well as the history of the site and the building's construction. Also check out the video below to see all the spaces in action.

Gensler has "more than 2,700 active clients, work[ing] across the global economy," as their profile attests. In this interview with Fortune, Arthur Gensler—founder of the firm in question and now 81 years of age—offers insight into his own beginnings, as well as to his company's wild success. With a $1.3 billion revenue bracket last year alone, the largest architecture firm in the world have become "best known for designing interiors – everything from the original Apple Stores to headquarters for Facebook and Airbnb." Read the interview in full, here.

[Architecture can] change the life of people and give them a new one right away. This is not a job for normal people to do. This should be the work of God.

The tragedy of architecture is how stupid architects are... we spend too much time trying to convince people to do things they don’t want to do. That really lowers the level of the discussion, I think.

In this video from the Louisiana Channel, Canadian architect Adam Caruso, founding partner of London-based Caruso St John, provides his take on the current climate of the architectural profession and the influences driving his own personal architectural philosophy. With his firm, Caruso has led the design of numerous art institutions, including the 2016 RIBA Stirling Prize winning Newport Street Gallery in London, that respond to “a deeper idea of place, of the history and culture of the place and how you read it today.