A border city can be classified as an urban agglomeration close to the boundary of two countries, states, or regions. Nowadays, as our cities are rapidly expanding and our transportation modes continually upgrading, the boundary between cities and rural areas has been constantly pushed and redefined.
Architecture is a long-standing profession, one that has produced the iconic landmarks we admire around the world, monuments which we revere around the world, and played a part in establishing the organisation of the cities we live in today. This description, however, is architecture in the traditional sense - and there are numerous examples of individuals and firms who have strayed away from traditional architectural practice, either through delving into adjacent fields or 'disrupting' the field with the harnessing of new technologies.
A small shelter for people experiencing homelessness has been designed in Ecuador. Combining a sleeping space and a kiosk, the structure features four wheels, allowing it to be moved as needed.
The project, named “El Ambulantito,” was designed by the firm Natura Futura Arquitectura. The emergency shelter model consists of foldable components. “El Ambulantito was born from a reality we witness every day. A temporary shelter and production device for people who are homeless or in transit from one city to another, it prompts reflection and awareness while public policies address the issue,” the architecture firm explains.
Brazil ranks among the world's most biodiverse nations. Boasting the highest number of plant species on Earth—more than half of which are endemic—it hosts between 15% and 20% of the planet's biological diversity. Given the vast scale and diversity of its ecosystems, the wide range of ecosystem services they provide, and the current level of environmental degradation, a deep, collective reflection on how to safeguard this biological wealth has become critical.
Brazil's rapid urbanization process has radically transformed the landscape, putting pressure on ecosystems while channelizing and burying water bodies. The prevailing model of fast-paced urban growth has created unsustainable cities with a low quality of life, profoundly altering natural flows and processes, and producing environments marked by high levels of inequality and social, ecological, and economic vulnerability. In addition to the severe challenges of air, water, soil, and noise pollution faced by Brazilian cities, there is also a profound disconnection between people and nature. This disconnect is closely tied to sedentary lifestyles and poor dietary habits, ultimately leading to physical and mental health issues that impact the well-being of the urban population.
Today, worldbuilding is an important part of creative thinking in a wide array of activites. From successful film franchises, to video games, and to comics, worldbuilding is what draws in audiences and allows multi-part productions to cohere around a shared setting. Of course, architecture factors into this too, it is the creative and technical discipline concerned with building the world, after all. This video breaks down how worldbuilding applies to architecture and focuses on comics as a case study to explore the opportunities in its consideration. Lastly, the video includes an interview with the designer of the exhibition ‘Chicago Comics’ currently on display at the Museum of Contemporary Art. Thomas Kelley discusses how worldbuilding factored into the relationship between architecture and comics in the design of the show with regards to scale, entry sequences, and color.
The development of cities has historically been a slow-moving process. In the everchanging urban landscape that faces the pushes and pulls of a variety of social, economic, and financial factors, it’s been hard to pinpoint just one main reason over another why each city has evolved over time into the way that we experience it today. And as designers and planners speculate about what the future of our cities should be, sometimes the reason that our cities look and operate in the way that they do has come down to a few famous battles between individuals with competing schools of thought.
The renowned Mexican architect Miguel Ángel Aragonés presented ten years of research materialized in his most recent project entitled "Casa PI" whose acronym translates to a new "intelligent prefabricated" construction project. Patented in Switzerland, this system seeks to break the housing paradigm from an integral design that combines the structure of the house with the furniture and new automation technologies in architecture.
This article was originally published on Common Edge.
In this week's reprint, author Jacob DiCrescenzo explores the Emotional Experience of architecture, after having tackled in a previous article the so-called "feeling architecture", focusing on the psychology and emotion of the built environment. Arguing that "architecture is a deeply emotional experience", DiCrescenzo talks also about the benefits of neuroscience-informed design.
This article by Pablo DeSoto was originally published in the 27th issue of the Dearq journal on July 1, 2020 (DOI: https://doi.org/10.18389/dearq27.2020.07). It is presented here as part of a joint collaboration to contribute to the dissemination of research, analysis, and opinions developed by the national and international academic community on architecture, urban issues, and related fields.
The ceiling is an important element in architecture and interior design, combining functionality with aesthetics through different materials that add layers of texture and color, providing quality and comfort in interior spaces as well as a protective surface for other building systems.
Now that we are halfway through the year, what better time to prioritize your reading list? Whether you’re interested in the history of interior design, the relationship between architecture and health, or learning more about the 20th century’s forgotten architects, Metropolis editors have selected a variety of current and forthcoming titles that will be sure to get you through 2021.
Looking through interior images of houses, we often see grand bedrooms with an influx of natural lighting. We see inviting open-space living rooms, lush terraces, and kitchens with high-end equipment and refined finishes. But what we don't see is that behind these sleek walls are small neglected bedrooms without proper ventilation, natural lighting, or space to move around, dedicated to those who cater to the entire household.
The disparate spatial configuration and "colonial" approach to the living conditions of servants and foreign laborers have existed long before the rise of congested cities and micro-apartments. Household owners, or at least a good sum of them, have always felt that domestic workers needed and deserved less space to reside in, not just in terms of spatial area, but in terms of necessary living conditions for a better, more comfortable life.
What do Katuma, Hagadera, Dagahaley, Zaatari or Ifo bring to mind? They are truly beautiful names, and could easily belong to Italo Calvino's 55 invisible cities.
But they are not invisible cities, they are informal settlements in Kenya and Jordan, home to between 66,000 and 190,000 refugees, mostly from bordering countries, supposedly temporary camps that half a century later are still with us today. Generally lacking in infrastructure, some have schools and hospitals, and Zaatari even has a circus academy, but for most of the people who live there, they are the only cities they have ever known.
There is an architecture of the migrant. It is survivalist, built with what is available, made as quickly as possible, with safety as its core value. Americans romanticize that architecture as “Colonial”: simple timber buildings, with symmetric beginnings, infinite additions, and adaptations. But “Colonial” architecture is not what was built first by the immigrants to a fully foreign land 400 years ago. Like all migrant housing, time made it temporary and forgotten.
Whether applied as cladding to steel or timber frame structures or to structures built by traditional means, sheet metal offers an array of advantages as a building material, thanks to its low cost, ease of maintenance, and versatility.
Costa Rica’s new modern homes are built to float above the landscape. This wave of elevated housing is designed to minimize environmental impact while working with varied terrain. Aiming to become a carbon-neutral country, Costa Rica is transforming its housing market as it experiences a growing demand for more residential buildings.
Estudio Planta, led by Irene Joselevich and Ana Rascovsky, proposes a new way of living for older adults. Located near the northern access to the Autonomous City of Buenos Aires, the project is set in the Florida Oeste neighborhood, proposing the construction of an architectural complex designed for the senior population. The goal is to provide a gathering space, a laboratory of ideas, and ultimately, a space for personal development to strengthen community bonds through a variety of activities on the path to enjoying the second half of life.
Bringing the weather inside is usually the opposite of what you want from a building envelope. However, new research from the University of Oregon, described in an article by The Washington Post, aims to show the physical and psychological benefits of letting nature inside. Signs of nature and change are both beneficial to our well-being, yet we don’t always have access to them when inside buildings—and humans are now spending 90% of our lives inside. But even in an urban setting, where nature may be hard to come by, there’s no escaping the weather. When researchers found ways to bring things like wind and dappled reflections of the sun inside, they found that exposure to these natural movements lowered heart rates, while being less distracting than similar artificially generated movements.
By now, green buildings are a familiar concept, but the article in The Washington Post proposes moving beyond green buildings as we know them today. While green building can be great in new construction, that excludes a lot of existing buildings that could and should also benefit from an intervention of nature. Ideally, buildings should actively demonstrate their relationship with nature, moving beyond simply “doing no harm.”
.jpg?1626777875 "Drawing by Tings Chak for the How to Make Space exhibition (2016). Image © Tings Chak")
.jpg?1503108285 "© Alejandro Arango")
