Launched on October 16, 2018, by the Council of Architecture and Urbanism of Tocantins (CAU/TO), the National Public Architecture Competition No. 001/2018 aimed to select the best Preliminary Architectural Study proposal for its new headquarters. The building will be constructed in block ACNO 11(103N), Conjunto 02, on Pedestrian Street NO-09, Lot 37, in Palmas, Tocantins.
The Municipal Government of São Bernardo do Campo has opened applications for a public selection process with ten vacancies for architects and urban planners. Organized by the Fundação VUNESP, the exam requires candidates to hold a degree in architecture and urban planning and an active professional registration with CAU/SP.
Conéntrico is an International Architecture and Design Festival that proposes to reflect on the city of Logroño (Spain) through the revitalization of undervalued public spaces. Its latest edition, Conéntrico 04, takes place between April 27 and May 1, 2018, in the Historic Center of Logroño. The festival invites visitors to explore the city through installations, exhibitions, meetings, activities, and performances that connect venues, plazas, streets, courtyards, and hidden spaces that usually go unnoticed in daily life. Jairo Rodríguez integrates the greatest number of senses in a sauna in the middle of the courtyard of the Municipal Pilgrims' Hostel.
Yesterday, the Official Association of Architects of Madrid and the COAM Architecture Foundation presented the "Arquitectura de Madrid" mobile app, developed with the support of the Madrid City Council and the Foro de Empresas por Madrid.
This is arguably one of the most important and ambitious initiatives undertaken by COAM in recent years in a clear effort to connect architecture with society. In today's fully digitalized context, this app serves as a useful and powerful tool to promote Madrid's architecture, easily accessible to any citizen, student, professional, or visitor to the Spanish capital.
As part of the activities for Arch Days CDMX and Design Week 2018, two exhibitions titled Proyecta and Utopía opened on October 13 at Espacio CDMX, bringing together projects by renowned Mexican architects around two different conceptual frameworks.
The competition called for proposals to occupy 70,000 square meters of the Ágora Tech Park complex, as well as the design of its first building, spanning approximately 4,000 square meters. It will be built on a 70,000-square-meter block at the Perini Business Park, across from the UFSC campus in northern Santa Catarina.
One of the organizers' goals was to develop the concept of "Human Smart Cities," where technological infrastructure interacts with and positively impacts people's lives. The competition jury consisted of Gustavo Cedroni, Mário Biselli, Roberto Loeb, Emerson Edel, Marcelo Hack, and Danilo Conti. The contract to develop the project has already been signed. This news renews the optimism of any architect who frequently participates in competitions, believing they are the most democratic way to secure relevant and engaging work, even for young firms like Estúdio Módulo. This efficiency demonstrates the client's commitment to bringing the project to life, unlike the vast majority of competitions. The building is scheduled to open on March 28, 2019.
Discover the winning projects below:
Porto Alegre will host the 21st Brazilian Congress of Architects in October 2019. Organized by the Institute of Architects of Brazil, the event will serve as a preparatory meeting for the 27th World Congress of Architects (UIA2020RIO), which will take place in Rio de Janeiro in 2020. The theme of this edition is Space and Democracy.
The Museo Universitario de Ciencias y Arte presents the exhibition De todos, para todos. Diseño y espacio público en la Ciudad de México [Of All, For All: Design and Public Space in Mexico City] from March 3 to April 28, 2018, as part of the cultural program of World Design Capital CDMX 2018.
The exhibition highlights how design practices, across various scales and levels, contribute to open urban public spaces, optimizing their functionality and expanding possibilities for users to enrich their experience.
Paulo Mendes da Rocha is currently the most admired and respected figure in Brazilian architecture. However, his extensive list of works narrowly missed including an intervention project for the work of another master, Oscar Niemeyer. Commissioned in 2015 by São Paulo's previous municipal administration to develop a redesign project for Ibirapuera Park, the proposal by the 2006 Pritzker Prize laureate was shelved in December of last year.
Founded in 2013, David Pompa is a Mexico City-based studio comprising designers, engineers, and makers established in Mexico and Austria. David Pompa grew up in both countries and studied product design in London. The idea of working with Mexican crafts began during a 2009 trip to Oaxaca, where Pompa first saw artisans working with “barro negro” (black clay). This inspired him to begin experimenting with the material, resulting in the studio's first collection. Since then, the studio has remained committed to Mexican culture, describing their work as an ongoing journey to create beautiful, accessible design objects.
Most committed architecture students will agree that as the years of learning go by, a growing urge arises to speak up, express ourselves, and mobilize in different ways to bring the architecture we study in school to life. This spark is further ignited in a country where development is largely controlled by private interests rather than public ones, and where, above all, deep inequality persists amidst vast potential diversity. Outraged, our voices are increasingly being heard as citizens. We are stepping out of the classroom, seeking dialogue, marching more frequently, and carving out new paths to intervene in and transform our social reality. And we realize, or rather, we return to the natural understanding of our political role within architecture.
"Architectural competitions represent the combination of the art of choosing and the craft of being chosen," says Roberto Fernández about an area of our discipline that is widely recognized as an excellent platform for firms and independent professionals to present their ideas as true manifestos. Meanwhile, in academic circles, competitions often serve as tools for formal, conceptual, and graphic experimentation.
These types of commissions undoubtedly inspire not only architecture and urban planning professionals but also the public as a key player in their evaluation. Whether or not these proposals are built, they demonstrate that we must constantly champion innovation, recognizing the immense effort behind these results. With this in mind, we have selected six award-winning projects that reflect the value of architectural competitions in Colombia.
To mark the commemoration of the February 27 earthquake and tsunami, the creation of “Rubble Hospitals” is being promoted, drawing on recent earthquake experiences in Chile and Mexico.
A new guide for creating these spaces was announced in Concepción by Chile's Proyecta Memoria Foundation, coinciding with the anniversary of the February 27 earthquake and tsunami. The guide compiles experiences from earthquakes in Chile and Mexico, while promoting Rubble Hospitals as spaces to safeguard and reuse debris from large-scale seismic events.
The document is the result of three years of work and details memory rescue initiatives during the 2010 and 2015 earthquakes in Chile and the earthquakes in Mexico.
The official results for the National Competition for the Requalification of the Public Space of the Monumental Axis of Maringá have been released. This central urban area lies between Cathedral Square (Praça da Catedral) and the Vila Olímpica sports complex. Totaling approximately 169,000 square meters, the Monumental Axis includes gardens, public spaces, parking areas, and perimeter paving along the building facades. Due to the site's vast scale, proposals had to be presented in seven sectors to facilitate phased bidding and construction. The winning project was designed by a team comprising Pedro Paes Lira, Manoela Muniz Machado, Julia Marini, Laura Figueiredo, and Juliette Tellier from the firm Natureza Urbana, with landscape consulting by Bianca Vasone, Gabriella Ornaghi, and Lilian Dazzi, and engineering consulting by Alexandre Horiye Ferreira and Felipe Macedo Barbosa.
The jury, composed of architects and urban planners Haroldo Pinheiro, José Gilberto Purpur, Mario Figueroa, Orlando Busarello, and Renato Leão Rego, selected the following winners:
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The “Welcome Mother Nature” project, winner of the June 2016 international competition to redesign Madrid's Plaza España, will ultimately not be allowed to alter the position of the Cervantes monument as initially planned.
The Community of Madrid announced at the Local Heritage Commission its intention to fast-track the declaration of the complex as an Asset of Heritage Interest (BIP). Consequently, the project designed by architects Fernando Porras Isla-Fernández, Aranzazu La Casta Muñoa, and Lorenzo Fernández-Ordóñez Hernández will not be allowed to rotate the statue of the Spanish writer to face the Edificio España, as reported by the Spanish newspaper El País.
The Dolmen Collection is based on an exploration of balance between elements of different materialities. This exercise highlights the physical properties of stone and wood, creating tension between the suspended and supporting elements. Designed by Héctor Esrawe, Manuel Bañó, Federico Stefanovich, and Alejandro Ramírez, it comprises a dining table with chairs and a cabinet.
Designed by Rogelio Salmona, the Bogota Museum of Modern Art (MAMBO) appeared on Monday morning with a "For Rent" sign on its facade, drawing the attention of local media outlets like Dinero and La W.
The latter contacted the phone number listed on the sign and spoke with a Carlos Muñoz, an alleged real estate agent who confirmed that "the museum's spaces, totaling 4,200 square meters, have been put up for rent for 120,000,000 pesos a month" (equivalent to approximately 43,200 USD). The alleged agent provided details about the building's program as if marketing any other real estate listing. Furthermore, as the newspaper Dinero confirmed, calls to the MAMBO communications office went to a recorded message confirming that Salmona's building was indeed for rent.
One of the most representative houses by Mexican architect José Díaz Infante that served as an experiment to study urban processes was the 'Earthquake-Resistant House' located at Ámsterdam 270. Also known as 'Kalikosmia,' this house addressed themes that broke with the purist forms common at the time, making it highly controversial. Furthermore, it was the result of an analysis based on the aftermath of the 1985 earthquake in Mexico City.
The Mexican architect defined himself as a "spatial designer," saying, "(...) I am timeless, I am not in history because I am more in science than in style. I do not belong to an era. My work has evolved in accordance with the different structures I have built. I treat each program differently, and in each project, I contribute something that I deny in the next." This was reflected in his career: in addition to being an architect, he collaborated with NASA and studied under Buckminster Fuller. As the designer of major works like the TAPO terminal and the Mexican Stock Exchange, he is today among the forgotten.
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