Bolivian Architecture

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Riverside Settlements and the Timeless Dialogue Between Architecture and Nature

Rivers have long been considered as Earth’s arteries, serving as the essence of urban communities as human settlements developed their shelters and crop beds around them. Centuries later, riverside architecture remained vital as these areas expanded beyond residential typologies, and harnessed dynamic mixed-use developments and public functions. As valuable as they may seem though, these landscapes come with the risk of unexpected floods, increased water levels, or complete droughts, which has forced architects to design built environments that are able to respond to these abrupt changes. So how were these settlements built in the past, and how has today’s urban densification and technological advancements influence the way they are built?

Why Freddy Mamani is Leading A New Andean Architecture

The media outbreak for architect Elisabetta Andreoli and artist Ligia D'Andrea’s book "Andean Architecture of Bolivia", which focuses on the work of Freddy Mamani - ex-bricklayer turned engineer and constructor- has become the excuse to talk about everything else related to the highland country of Bolivia.

New Documentary on Freddy Mamani Explores the Connection Between Architecture and Cultural Identity

Soon you will be able to satisfy your wanderlust free from altitude sickness; on Wednesday October 4th, the Architecture Film Festival Rotterdam will see the world premiere of the documentary Cholet: The Work of Freddy Mamani. From director Isaac Niemand comes the story of Bolivia's unlikely architectural phenomenon, and one of ArchDaily’s 2015 leaders in architectural design and conceptualization.

The New Yorker Releases Stunning Portfolio of the Works of Freddy Mamani

Despite not having an office, using a computer or drawing on paper, Bolivian architect Freddy Mamani Silvestre and his firm have completed over 60 projects in El Alto, the highest city in the world. Like most of his clients and fellow citizens, Mamani is an Aymara and his work is typified by its highly detailed, colourful facades, inspired by Aymara dress. In light of his visually exciting, daring work, The New Yorker has released a stunning photo portfolio by Peter Granser, with an introduction by Judith Thurman, showcasing some of Mamani's colourful projects.

Bolivia's Ignored Satellite City is Building Itself a Whole New Identity

La Paz, the historic de-facto capital of Bolivia, is widely renowned for its incredible setting, colonial architecture, and cultural buildings. El Alto, on the other hand, is not. It was, in fact, La Paz's rather dismal satellite city, all low rise brick and commuting. Yet El Alto has become the centre of an entirely new, independently evolved architectural style that is rapidly catching on across South America.