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Chicago-based STLarchitects revealed their design for the former Chicago Spire site. The competition brief called for two towers: one supporting a mixture of apartments and condominiums and the other strictly for condominium use. Their design focused on "Chicago’s architectural character and essential virtues... thus iconic, innovative, and flexible.
Anticipation builds as preparations are underway for the 2018 Greenbuild International Conference & Expo, happening Nov. 14-16 at McCormick Place in Chicago, Illinois.
When architects were asked to re-imagine Chicago’s neglected buildings for an exhibition, Dirk Lohan designed a revitalization plan for Louis Sullivan'sPilgrim Baptist Church. Soon Sullivan’s landmark building will become the nation’s first National Museum of Gospel Music, complete with a cafe, retail store, event space, research and listening library, and a 350-seat auditorium.
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Capilla de Palmira (Chapel of Palmira) Lomas de Cuernavaca, Morelos, Mexico, 1958 – 1959
This exhibition roots Félix Candela (1910-1997) as one of the most prolific architects of the 20th century in his advanced geometric designs and lasting influence in contemporary architecture. It originated through the research of scholar Juan Ignacio del Cueto and is curated by the architectural theorist and designer Alexander Eisenschmidt. The exhibition spotlights Félix Candela’s Concrete Shells through photographs, architectural models, and plans, as well as archival material from his time as a professor at the School of Architecture at the University of Illinois at Chicago from 1971 to 1978.
Amanda Williams, Flamin’ Red Hots from Color(ed) Theory Suite, 2014–16. Courtesy of the artist/ McCormick Gallery
The Museum of Contemporary Art Chicago presents the first-ever museum exhibition of breakout Chicago artist Amanda Williams, featuring a new addition to her highly acclaimed project, Color(ed) Theory, which debuted at the first Chicago Architecture Biennial. The bright, monochromatic houses painted as part of Color(ed) Theory bring attention to the overwhelming number of vacancies on Chicago’s South Side, reflecting Williams’ perspective that architecture serves as a microcosm for larger social issues. Together with new works such as A Dream or Substance, a Beamer, a Necklace or Freedom? -- where Williams invited Englewood-based collaborators to gild a room in imitation gold leaf in the same proportion of a Chicago lot, and then sealed off the room with just a small gap for viewing the gleaming interior -- Williams’ solo debut creates an experience that comments on race, class, and urban space. Chicago Works: Amanda Williamsis organized by MCA Curatorial Assistant Grace Deveney and is on view from July 18 to December 31, 2017.