In a year marked by physical distance, social networks have gained an even greater dimension in the ways of relating to people and getting informed. Our channel on Instagram has surpassed its number of reach and brought to the public the best of what we publish on our page: projects, articles, interviews, and news from the world of architecture, inspiring new ideas and tools for a better future to our cities.
Understanding the relationship between body and space is fundamental to offer the many different experiences that architecture can provide. To reflect on the distinctive scales that encompass the work of an architect, from buildings to furniture, we interviewed Marcelo Ferraz, co-founder of Brasil Arquitetura and Marcenaria Baraúna. His outlook and experience illustrate how the body and its symbolism are crucial when designing a project regardless of its scale.
Approaching the context of widening political divides and growing economic inequalities. A new spatial contract. Learning how will we live together. These thoughts brought by Hashim Sarkis, curator of the 17th International Architecture Exhibition of Venice Biennale 2021, may raise important questions about how architecture crosses and materializes social and political conflicts. To understand a more decentralized point of view, which indicates possibilities other than those dictated by normative mindsets, we interviewed Tainá de Paula, a Brazilian architect and community mobilizer in poor suburban areas.
Nowadays, architecture museums, galleries, publishing houses, foundations, and experimental laboratories all have rooms to show their backstage, bringing about debates and proposals of the future of architecture. This is all part of Future Architecture Rooms, a project launched early this week on the Future Architecture Platform which showcases a collection of online spaces, each hosted by one institution and one member of the platform. We talked with the concept curator, Anastassia Smirnova (SVESMI) to better understand how the idea behind this project emerged, and what innovations it can present in the way of working on exhibitions and architecture.
Inspired by vernacular architecture, Kathryn Larsen is a bio-based designer working with seaweed. Throughout her career, she has been doing an intensive investigation into eel-grass, a material that has been used for centuries around the world. Larsen wants to apply all the benefits of this material (rot resistance, fire resistance, non-toxic, insulation characteristics comparable to mineral wool, and its ability to create carbon negative buildings) into prefabrication development and other technologies that enable the creation of new cladding and other elements, such as insulation batt and acoustic panels.
During the latest Design Indaba Festival, we had the chance to interview Kathryn. Read the interview and learn more about her work below.
Gerson Castelo Branco is a self-taught architect from the state of Piauí in Brazil. His architecture is a collection of references and experiences that he describes as "an expression of freedom," the Paraqueira.
Warehouses, whether industrial or rural, are a type of building that can easily be found all around the world. Some of these shelters are century-old and have probably been built to store products or to accommodate factories. However, due to urban phenomena and new technologies, many of them stopped operating as they were originally used to and started to spark interest in several businesses whose aim was to re-adapt these structures to meet new purposes.
We've recently passed the halfway point of 2020, and to date, we've published hundreds of residential projects featuring distinct ways of living on ArchDaily. In a year marked by the worst health crisis that humanity has experienced in the last century, the Covid-19 pandemic, the house has gained new meanings and values, reiterating that no matter how diverse its program, a home's purpose is to shelter its inhabitants.
What would all the built environments be without its users? This question may make it easier to understand that not only do architecture and urbanism sustain themselves as physical spaces, but they also gain meaning mainly through the human and non-human movements and bonds, that - together with the architectural or spontaneous traces that make up the urban landscape - provoke the sensations that each individual feels in a unique way.
Besides thermal, acoustic and luminous comfort, colors are factors that influence the sensation we feel when in an environment and become a strong device to influence the user's behavior.
50 years ago Clarice Lispector already pointed out how difficult it was to unveil Brasilia: "the two architects did not think of building beautiful, it would be easy; they raised their amazement, and left the amazement unexplained". This year the capital turned 60, and still remains intriguing for scholars, students, and anyone who allows themselves to explore it better. In order to understand the daily life that exists there, we invited six professionals- in the field of architecture and urbanism - who live in the city, to share their visions with us and bring a few more layers that help to build an interpretation of utopia and reality that Brasília currently represents.
Netflix isn't just a great service for relaxing or procrastinating—it can also be a great learning tool for architecture and urbanism. That is why we have put together seven tips—including both series and documentaries—for architecture-related viewing that, in addition to being entertaining, can help broaden your knowledge.
Introducing elements of nature - such as water, vegetation, natural light, stones or even the use of wood - into interior design can provide richer and more complex compositions in the built environment. In these landscaping projects, the textures, silhouettes and, especially, the generated sensations, can establish new relationships of well-being and comfort for the user.
Designing small spaces is a challenge that is common for architects because of the increase in urban densities and smaller spaces dedicated to homes and apartments. For Portuguese architects, dealing with the small scale and its details is something already established in their project thinking, given the way they transform the compartmentalized plans of secular buildings through rehabilitation and refurbishment that provide a contemporary and functional atmosphere to their inhabitants. We gathered ten projects, using photographs and plans, as a few examples of this Portuguese talent.
Yesterday Yvonne Farrell and Shelley McNamara, co-founders of Grafton Architects, received the 2020 Pritzker Prize. The first women to be jointly recognized for the award also received the Royal Gold Medal 2020 from RIBA earlier this year.