At different periods in history, the human scale and the approach of the building to the sensitive dimension correlated to the body were values pursued by the architects and an object of reflection for the theoretical production of the area. Although it is a virtue that a space can be perceived in a direct relation between the person and the building, there are cases, and more than that, some project scales, that can only be realized from the furthest perspective.
Architecture has been increasingly focusing on adaptive reuse, taking advantage of the opportunity to redesign existing spaces to provide new purposes while also reducing damage to the environment. In this context, recycling warehouses is quite usual and is becoming more popular every day because these spaces often have large open plans which allow many different layouts.
On a clear fall day in 2005, a group of friends and collaborators from the art collective Rebar commandeered an 8-foot-wide by 20-foot-long metered parking space in downtown San Francisco. This two-hour guerilla art installation evolved into Park(ing) Day, a global public art and design activism event that has been celebrated every year since. In 2009, Rebar and other design studios were approached by the City of San Francisco to prototype a more permanent version of Park(ing) Day. In response, we created one of the world’s first parklets in San Francisco (we called our version walklet), and through the diligent efforts of Andres Power in the Mayor’s Office and City Planning, San Francisco’s pioneering parklet program was born.
Office work used to only be done one way. You would sit at a desk all morning, then try not to fall asleep in the afternoon meeting. However, from continent-crossing video chats to team meetings in the park, modern workplaces are using flexible workspaces and practices to lower costs but raise creativity, production, and morale in the workforce.
Employees are now able to choose which working style does the business for them, and product manufacturers are creating simple but ingenious collections of modular, flexible furniture to suit any style and type of workspace including:
Artificial intelligence is transforming how we design and build. By 2050, the effects of AI adoption will be widely felt across all aspects of our daily lives. As the world faces a number of urgent and complex challenges, from the climate crisis to housing, AI has the potential to make the difference between a dystopian future and a livable one. By looking ahead, we're taking stock of what's happening, and in turn, imagining how AI can shape our lives for the better.
The construction industry is known to be one of the most polluting industries on the planet, but we often find it difficult to associate the role of the architect and urban planner with this industry, thus avoiding the responsibility of being involved in one of the most harmful production chains in the world. Therefore, it is imperative to emphasize the importance of questioning not only the materials used in the projects but also the manufacturing systems involved.
Twenty years after the Frank Gehry–designed Guggenheim Abu Dhabi was first announced in 2006, the museum may finally have its grand opening.
‘All of sudden, a robot is coming to my desk,’ says Shakúff founder and creative director Joseph Sidof. The video-equipped automaton can be virtually controlled by existing clients and potential new customers, allowing them to (carefully) navigate around the brand’s Brooklyn showroom and even ask for advice. This kind of robot is more usually on duty in hospitals, making it possible for family members to communicate with isolated Covid-19 patients. Sidof thought they might serve another useful purpose.
The impact that the climate crisis has had on the globe over the last decade is a critical influence on how architects and urban planners design future cities. It’s clear that both at an individual and corporate level, it’s important to take action and protect the earth before the negative impacts change our familiar environments forever- and time is running out fast. When it comes to creating ways to save our cities from “the next big one”, whether it be a hurricane, flood, snowstorm, or fire, the way that we design the preventative infrastructure neglects a significant number of people. Climate change doesn’t just impact the wealthiest places in the world, it actually has greater effects on the most impoverished.
Welcome to the Slow House, Diller and Scofidio’s (now Diller, Scofidio and Renfro) first building commission for Long Island, in NY. The crescent-shaped slug doppelganger, was a pivotal design for the firm — and architecture at large — when it was first revealed in 1990. However, the building was never built, living only through its extensive catalog of models and drawings. In this video, the Slow House is digitally reconstructed, analyzed and explored to discover unique elements lurking in its design that can only be revealed through a first-person experience. From delayed million-dollar views, to CCTV feeds of the water, to dozens of operable plywood doors and shades, the house is truly a machine for viewing. And now, you can view it for yourself.
This article was originally published on Common Edge.
In this week's reprint, author Mark Alan Hewitt talks about models and their importance. "For those of us lucky enough to have grown up during the 1950s and ’60s, models were hot stuff—and not just the kind that statement may bring to mind", he states. Going back to the realistic models of the 70s, similar to today's virtual renderings, this essay retraces their history and the artists that produced them.
Contemporary Egyptian architecture draws from a rich history. As a cradle of civilization, the transcontinental country has influenced diverse building styles and design cultures. Home to some of the earliest urban developments and centralized governments, Egypt is defined by its geography and its multicultural background. Today, its modern architecture must contend with a legacy of building that spans millennia.
In Mendoza, Argentina, the digital fabrication research lab Node 39 FabLab created a frame loom structure made of digitally cut wood to help indigenous people in the central region of the country weave and create their traditional patterns. In the state of Ceará, northeast Brazil, a study entitled "Artífices Digitais" (Digital Artisans) by the Federal University of the State of Ceará used digital fabrication tools, namely 3D printing, to produce digital models, like digital prosthetics, to restore the damaged parts of an altarpiece of the high altar of the Mother Church in the city of Russas.
Every year on August 19th, we celebrate World Photography Day. This year, to encourage our readers who are passionate about this art, we published an open call inviting people – both amateur and professional photographers – to submit their images of architecture and the city.
We received over 400 photographs of buildings, interiors, and public spaces in various locations and contexts, captured by more than 130 participants from all over the world, including India, Brazil, Pakistan, Mozambique, Italy, and the United States. Our editorial team pre-selected 50 photographs and then voted on the 25 most compelling images. Here is the selection, listed in alphabetical order by the names of the authors.
In honor of World Photography Day (August 19 ), Chilean architect Francisco Ibáñez Hantke offers a a perspective of urban transformation and the resulting instability caused by the regenerative processes and the constant real estate speculation that drive it. The photographs center on London, and reveal an exhausting array of construction and demolition and highlight the often blurry line between architecture and urban decay.
After a year-long absence, Milan Design Week has wrapped up yet another year of creativity and innovation. From the 5th to the 10th of September, thousands of design companies displayed their creations to more than 200,000 visitors hailing from different countries, demographics, and industries. And while the design fair gravitated towards the world of interior design, many renowned architects such as Bjarke Ingels, Foster + Partners, and Herzon & de Meuron participated in the week-long exhibition and joined forces with interior and furniture design brands to create signature pieces.
Sex Day is an unofficial holiday created by marketers celebrated on September 6th in Brazil, highlighting one of the greatest taboos in modern society: sexuality. From an architectural and urban point of view, the immorality associated with sexual activities, especially in exchange for payment, deeply impacts our society and also affects the territory.
While sometimes considered morally wrong, sinful, forbidden, and impure, sex, sexuality, and pleasure are all inherent to human physiology. Prostitution is sometimes referred to as "the world's oldest profession," playing a fundamental role in our societies, as well as in our territory, in the spatial organization and dynamics of cities. This practice is at the margins of modern society and therefore has ended up occupying segregated spaces in the cities.
Commercial spaces must be enticing enough to pull people in, and comforting enough to keep them there. It’s this balance that makes the utilization of technical lighting so important to master.
It can be hard for spaces such as hospitality venues, offices, and retail environments to create comfortable, functional, and eye-catching lighting networks. But with venues, companies, and brands fighting harder than ever for the attention of shoppers, buyers, and workers, ensuring they present the perfect combination of ambiance, comfort, and aesthetic, all while staying completely on brand, is even harder than it appears.
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