The use of earth-based materials appears in two practices throughout history: in the construction of buildings and – far less commonly known or conclusively understood – in certain dietary consumption patterns. To put it simply – soil, the most important nutrient collector on earth, can be used for both building and for eating.
Liam Young is a speculative architect, product designer, and director who operates in the spaces between design, fiction, and futures. Young specializes in designing environments for the film and television industry, harboring the belief that creating imaginary worlds grants us the ability to connect emotionally to the ideas and challenges of our future.
Following the centuries of colonization, globalization, and never-ending economic extraction and expansionism, humans have remade the world from the scale of the cell to the tectonic plate. Young suggests in a TED Talk, “What if we radically reversed this planetary sprawl? What if we, as humans, reached a global consensus to retreat from our vast network of cities and entangled supply chains into one hyper-dense metropolis housing the entirety of the earth’s population?"
Few architectural typologies have the power to invoke a sense of being dual-natured quite as the modernist swimming pool can. The design of pools themselves implies that there are moments of activity both above and below the water. Above, and in the more obvious and visible sense, pools act as a space for leisure and athletic training. But underneath the surface, swimming pools have a long-standing history of acting as symbols of surveillance, death, and social conditions associated with an economic class.
Historic art movements and their visual characteristics have considerably paved the way for modern day architecture. For years, architects have been borrowing techniques and stylistic approaches to create their own architectural compositions, merging both disciplines together. Cubism, one of the most influential styles of the twentieth century, and heavily criticized for its experimentation with its non-representational art approach, is perhaps the most significant architecture inspiration. Just as the radical art movement rejected the then-rooted concept that art should mimic nature, architects found themselves following suit and designing structures that borrow Cubism’s avant-gardist features, creating buildings that, to this day, stand as iconic landmarks of the practice.
The current architectural production faces several paradigms and one of them is aesthetic. In a scenario of constant uncertainty, buildings with projections, holograms, or completely automatic ones that science fiction has shown so much, seem more and more distant from reality. Nowadays, the search for greater identification with the built space has been amplified instead of idealizing the new for the new. Therefore, looking at the past has presented different perspectives and it is in this scope that perhaps we can imagine a new futuristic aesthetic.
An ancient Indian folktale narrates the story of a demigod, Hiranyakashipu, who was granted a boon of indestructibility. He wished for his death to never be brought about by any weapon, human or animal, not at day or night, and neither inside nor outside his residence. To cease his wrathful ways, Lord Vishnu took the form of a half-human-half-animal to slay the demigod at twilight at the threshold of his house.
Threshold architectural spaces have always held deep cultural meaning to the people of India. In-between spaces are found in the midst of daily activities as courtyards, stairways, and verandas. The entrance to the house is revered by Indians of all social backgrounds. Throughout the country’s varied landscape, transitional entry spaces are flanked by distinctive front verandas that merge the street with the house.
This article was originally published on Common Edge.
Despite its dazzling collection of masterpieces, London’s National Gallery has been cursed with a series of ill-advised architectural schemes over its two-century existence. Only once have its leaders made a truly inspired and visionary choice: in the mid-1980s, the gallery held a competition, won by Venturi, Rauch and Scott Brown (VRSB) of Philadelphia, to build a special collections building.
The addition was constructed from 1988 to 1991, using funds donated by the Sainsbury family as a gift to the nation and was immediately hailed as one of the finest buildings of its type erected in the 20th century. It has remained popular with Londoners and has served well as an expansion of William Wilkins’s undistinguished classical building ever since. Experts on the work of Robert Venturi, John Rauch, and Denise Scott Brown consider it one of their masterpieces. Apparently, the National Gallery has a different opinion.
No city is like New York. As an amalgam of different cultures, it is one of the most diverse in the world. New York is also facing social and environmental challenges that range from the need for new housing and transportation demands, to rising sea levels and storm surges. As the global pandemic further underlined the importance of design in shaping public life, city officials and planners are looking at a range of approaches and models for urban development and renewed growth.
Window displays are the means of communication with the customers, the transition layer between the street and the store. From its emergence in the 2nd century, in the Roman Empire, until today, many changes have taken place until we reach the current windows, which not only display products, but also the identity of brands. Here is what to consider when designing a showcase.
As the largest city in the United States, New York City is one of the most diverse and vibrant cities in the world, recognized by many as the center for global media, culture, fashion art, and finance. The city was founded in 1624 by settlers from the Dutch Republic and has since grown into “the city that never sleeps”.
While almost every style of architecture exists in New York City, the metropolis is most well known for its skyscrapers, both in historical styles such as Neoclassical and Art Deco and in their varied contemporary expressions. The first building to bring the world's tallest title to New York was the New York World Building, in 1890. Later, New York City was home to the world's tallest building for 75 continuous years, starting with the Park Row Building in 1899.
An empty wall is not always a breath of air, at times it can give a cold feeling of missing something. And that is why it presents itself as a space to be occupied to bring more originality and greater character to your space. The question is: how can we intervene in it? Below, we have gathered some ideas from various projects to inspire you.
Skyscrapers are an unmissable characteristic of contemporary settlements. From São Paolo to New York, from Seoul to Dubai – these towering structures are a ubiquitous part of the urban fabric. The conventional image one has of these structures is of curtain-walled facades, but in Yemen – an ancient example goes against this trend. Central Yemen is home to the city of Shibam, surrounded by a fortified wall. It’s also home to a dazzling example of architectural ingenuity – tower houses that date back to the 16th century, stretching up to seven stories high.
The need to rapidly adapt to climate change has rightfully taken center stage. But the connections between climate change and stormwater management are often overlooked. Climate change impacts the hydrological cycle by increasing water scarcity and the frequency and intensity of flooding while contaminating waterways. Better managing stormwater is key to managing water resources and protecting our safety and the health of our environment.
Imagine explaining to someone 25 years ago what the professions of social media manager, uber driver, or drone operator are all about in 2020. Technology combined with population demands, resource scarcity, urbanization and other factors have created a number of new jobs and radically changed others. Research claims that 65% of children entering elementary school today will end up working in jobs that don't yet exist.
Over the years, interior design has evolved according to the needs that arise, but above all according to the experiences it seeks to evoke in the user. In the last two years we have witnessed a radical change and a special interest in this subject because the pandemic forced us to pay specific attention to the configuration of the places we inhabit. This brought about much more holistic designs that seek to address the wellbeing of the user, combining colours, sensory experiences, technology and natural elements that promote health.
