The layout of interior spaces has been in constant evolution since the very first residential project. For many years, functionality dictated how they're are organized, but soon after, cultural, social, and economical changes influenced the way people design their living space, bringing about the spacious and versatile open floor plan. A lot has been written - and critiqued - about the open floor plan: who introduced it, how it was developed, its benefits, and/or lack thereof. During the past couple of decades, open floor plans were perhaps among the most requested interior design concepts, but today, architects are leaning towards the opposite.
House in Kashiwa / Yamazaki Kentaro Design Workshop. Image Courtesy of Naoomi Kurozumi Architectural Photographic Office
Similar to a chameleon that changes color to blend in with its environment, architecture must constantly evolve and adapt to changing demands. A few decades ago, homes used to be associated solely with private life and rest, while workspaces were exclusively designed for just that: work. It was common for each use to be separated into its own room, making enclosed, rigid spaces the standard norm for architects to follow. That is, of course, until new living and working patterns blurred these boundaries to respond to contemporary trends.
Will Artificial Intelligence replace architects in their roles? In the May 2023 edition of Building magazine, Thomas Lane suggests that AI has the potential to automate up to 37% of the tasks typically carried out by architects and engineers. This automation, though, is likely to target routine and less creative tasks, allowing professionals to concentrate on more strategic and imaginative aspects of their work.
Just as Revit and 3D software did not replace architects but only transformed their workflows, the same principle holds for AI tools. AI is poised to bring about new tasks, such as AI management, alongside existing responsibilities, signaling a shift in how architects work.
Oana Stănescu is a Romanian architect, designer, writer, and educator, based in New York and Berlin, with a diverse portfolio of interventions around the world. Selected as part of 2023 New Practices by ArchDaily, the young architect recognizes the value of architecture as a discipline, but nevertheless acknowledges that architecture cannot single-handedly resolve the complex challenges of our world. “Architecture is most powerful when recognized as part of a larger system, rather than being solely self-serving”, she adds in her conversation with ArchDaily’s Managing Editor, Christele Harrouk. In this way, Oana views architecture as a key player in a broader context, working to address significant societal issues.
With several ongoing projects, from the rehabilitation of an existing industrial infrastructure in Romania, to an integrated house within its natural environment in Canada, Oana’s creative process is centered on a commitment to serve people. Watch the full interview and discover below key insights from the conversation.
Modular Eco-Housing . Image Cortesia de Yvonne Witte
When we talk about technology, we often think of robots, supercomputers, data centers or smartphones. But technology also refers to the invention of the first chipped stone tools or the development of the steam engine, which brought about the first Industrial Revolution. The term comes from the combination of the Greek words techne (art, craft) and logos (word, speech) and is nothing more than the application of knowledge to achieve goals in a specific and reproducible way, for practical purposes. In the construction industry, which moves large amounts of resources and people, more technology means incorporating new methods, tools, automation and software that can improve efficiency. As a historically innovation-resistant industry, the construction sector has a huge impact on the environment due to its carbon emissions and exploitation of raw materials. However, as it turns to the digital world, builders have seen technology as a means to optimize practices and identify, build, and manage their projects.
Inspiring applications of the MEM collection in architectural settings inspired by AI. Image Courtesy of Dornbracht
In addition to contributing to the functionality of the space, bathroom fittings underlie the overall aesthetics of a chosen design style. Within their technical features –as well as the possible materials, finishes, and styles–, fittings play a role in both the visual appeal of a space, while also focusing on comfort and user experience. This is part of Dornbracht's continuous re-imagination of bathrooms as living spaces, in which the brand seeks to create innovative solutions based on proportion, precision, progressiveness, performance, and personality.
Among Dornbracht’s series, the MEM collection includes a complete selection of minimalist bathroom fittings for washstands, showers, and tubs. In collaboration with ethical design brand Nature Squared and Italian craft manufacturer Glass Design, the collection’s original design has been enriched with versatile new features for customizing bathrooms. These features are created through the combination of high-quality materials with sustainable craftsmanship and the incorporation of futuristic artistic crystal glass.
When designing and building an island getaway paradise there are certain creature comforts expected by even the most back-to-basics visitor, to find peace and comfort in an inaccessible environment – like food, shelter, clean water, and a way to contact the mainland – but doing so requires a careful balance between making these least-visited places on Earth both habitable and hospitable, without destroying them or their serenity in the process.
As the realm of interior design continues to evolve with new technologies, "living walls" have emerged as an innovative new concept. The new ArtMorph luminous wall panel is a one-of-a-kind product that deftly combines lighting and display technology with the added benefit of a unique texture selection. Its adaptability and customizable solutions allow it to blend into an array of environments, opening up possibilities for interiors that elevate visual storytelling, going beyond the constraints of traditional design.
At ArchDaily, we face the constant challenge of staying up-to-date with what's new, while also not forgetting the valuable learnings from the past.
This is why on every journey we take when developing a new article for you, especially on new materials and construction system, we must ask ourselves: Has this been done before? How was it made? What's new in what we are presenting? How do we connect innovation with what we already know, with the essence of architecture?
https://www.archdaily.com/1009689/the-supporters-newsletter-issue-number-5ArchDaily Team
The architecture and construction industry has undergone a transformation with the integration of various digital tools, now indispensable to the design process. The welcoming of technologies has effectively streamlined operations, enhanced efficiency, and elevated design quality. This digital shift, however, has resulted in a digital divide that goes beyond accessibility to tools and software. It also encompasses the crucial aspect of integrating traditional and indigenous communities into the urban development landscape. Can advancing technology support the growth of vernacular architecture? Can indigenous building practices find a place in the vision for a digitalized future?
Nowadays, the term “utopia” is used to describe an idea that seems unattainable —at least in the contemporary context— intrinsically related to philosophical, scientific, urbanistic, and architectural concepts, among others. The close connection between utopias and architecture is evident, as this discipline is often associated with imagination. Some notable examples include “The Unreliable Utopia of Auroville's Architecture” and “The City in Space: A Utopia”by Ricardo Bofill. In this context, architects and designers alike use design as a means to develop innovative and disruptive ideas through various elements.
Although considered an idealized concept that does not exist, some designers have ventured into exploring the notion of utopia. AXOR, in conjunction with the Valencia-based design studio Masquespacio, has turned the page by conceiving and bringing to reality a new bathroom concept for a unique hotel suite that embodies their vision of personal luxury. Titled “Utopian Dream”, this design response blends vibrant colors with unexpected details, a combination that this duo defines as a mystic experience above the clouds.
https://www.archdaily.com/1007798/balancing-neoclassical-and-futuristic-design-the-utopian-dream-bathroom-conceptEnrique Tovar
In light of the looming climate crisis and the pursuit of sustainability, the concepts of revival and reuse have emerged as crucial strategies in the quest for decarbonization in the architecture industry. These principles preach that creating new structures may be sustainable but encourage architects to minimize their ecological footprint by reactivating and recycling existing resources. This year specifically, innovative projects in line with these themes were displayed as part of the 18th International Architecture Exhibition – La Biennale di Venezia. This world-renowned event’s core purpose is to serve as a platform for architects, designers, and thinkers to collectively reimagine sustainability, decarbonization, resource conservation, and the industry's future.
Implemented as a means to take full advantage of space, built-in furniture has grown in popularity as well as ingenuity as designers tackle the needs and tastes of a wide range of users. It's ability to adapt and integrate into architectural spaces allows it, through a variety of configurations and materials, to fulfill various functions; however, this poses an interesting question. Is it truly the furniture that adapts to our living spaces? Could it not itself become the protagonist and creator of the spaces that we project?
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design discuss one of the ways they begin projects with new clients with their Project Starter Service. Embarking on a project can be daunting for those unfamiliar with the architecture, design, and construction industry. The initial onboarding phase—prior to the contract being awarded—also poses challenges for architects and professionals. In this episode, they discuss one way to have a smoother start for everyone that establishes a strong foundation for the project to build on.
https://www.archdaily.com/1007951/the-second-studio-podcast-overcoming-the-challenges-of-new-projectsThe Second Studio Podcast
Renovation of a Village House / unparelld’arquitectes. Image
Perhaps one of the most common phrases you'll hear when talking about interior renovations is "whatever you initially planned on spending, double it, and double the time with it". Renovations, regardless of their scale, can be very time consuming and costly, especially when unexpected changes pop up last minute. However, we are often met with situations where the interior layout is no longer efficient or we feel that the interior design is a little outdated and its time for a change.
Giving your space an upgrade does not necessarily mean spending all your savings, and spending less does not necessarily mean low quality work. From doing the construction work yourself, to giving furniture pieces completely new functions, here are different ways you can renovate residential and commercial interior spaces without breaking the bank.
The built environment is responsible for approximately 42% of annual global CO2 emissions. During a building's lifespan, half of these emissions come from its construction and demolition. To decarbonize architecture and control global emissions, it is important to rethink and reduce the upfront or embodied carbon impacts of demolitions, as well as implement sustainable construction strategies for buildings. Demolitions typically involve dismantling, razing, destroying, or wrecking buildings and structural parts, leading to unsustainable levels of carbon emissions, material depletion, waste, and pollution. These hasty methods of ending the life cycle of a building have negative impacts on the environment, material components, and recycling strategies. Therefore, there is a clear need to re-think the way in which we approach the end of a building or infrastructure project's life towards a more sustainable system of deconstruction.
Moving towards a sustainable future is a global challenge that involves all disciplines working together. According to the 2021 Global Status Report for Buildings and Construction, almost 40% of carbon emissions come from the construction industry. This places a heavy responsibility on the industry, which must be open to exploring innovative strategies, technologies, and materials in order to pave the road towards a universal sustainability goal: reaching carbon neutrality by no later than 2050.
With that in mind, this article presents three specific products and systems –low-carbon glass, low-carbon concrete, and lightweight materials– that architects are applying in their projects to contribute to a low-impact architectural design.
In 1999, Birgit Lohmann and Massimo Mini co-founded designboom, self-proclaimed as the "first online architecture and design magazine." Seven years later, Facebook transitioned from Ivy League universities to massive audiences, while the first tweet was posted on formerly-known Twitter. Sixteen years have passed since these milestones.
While 16 years may be a short period in architecture, digital media and social networks are far from being considered emergent in the history of the internet. In fact, they form the core of the current Web 2.0 model, characterized by a dual interaction between content producers and consumers: sharing, liking, remixing, and reposting.
Indeed, the speed and magnitude of the transformations that digital media have undergone, and in turn, driven, provide the opportunity to begin documenting the history of the digital era and its impact on architecture.
