Rumor has it that Constructivist architect Konstantin Melnikov’s Bakhmetevsky bus garage may soon be transformed into Moscow’s prime modern art gallery. An “equivalent to London’s Tate Modern,” as the Calvert Journal describes, the historic 1927 structure has been said to be the most likely location for the new museum, dubbed “Pushkin Modern.”
This year ARCH MOSCOW is held within the 4th Moscow Biennale Architecture. The Biennale fully reflects the latest architectural trends and promotes technical innovations, stylistic researches and experimentation in the field of design ideas. The best examples of domestic and foreign architectural achievements are displayed and the principles of development of the quality architectural environment are professionally discussed. Traditionally, ARCH MOSCOW is the best platform for establishing business contacts in the field of architecture, development and construction.
The theme for this year’s Biennale is ‘Urban Blocks’. From the curator’s manifesto: “It aims to show examples of this approach through projects by Russian and foreign architects, but also by showing best practices from countries around the world, especially those where a similar transition towards the urban block has taken place or is taking place at this moment.”
For more information on the 4th Moscow Biennale Architecture please click here.
The Strelka Institute, Moscow’s most innovative school for architecture and urbanism, “might be soon forced to leave its current venue in the heart of the Russian capital” due to proposed redevelopment of the area. Faced by the threat of this possibility, the school formed a competition in order to collect ideas for the relocation. The winning proposal, developed by Squadra Komanda, proposes a “visionary program of development for the disputed and immense architectural legacy from the late-Soviet period.”
Late Soviet architecture constitutes “almost two third of all buildings in Moscow.” As it represents “an unpleasant reminder of the recent past,” many Russians dislike this kind of building. As a result, the Strelka Unsettled, with the possibility for collaboration with the outdated cultural institutions hosted inside the building of the All Russian State Library for Foreign Literature (built in 1966), seeks to offer new scenarios for this “neglected kind of architecture.”
Three teams have been chosen to advance in the third and final round of a competition to masterplan the new International Financial Center (IFC) in “New Moscow.” Once complete, the 460 hectare mixed-use development will add offices, housing and hotels, as well as commercial and social infrastructure to the area of Rublyovo-Arkhangelskoye. The finalists are…
Fifteen of 100 hopeful practices have been chosen to move forward in the second stage of the international “Russian Character” competition. Challenged to design a multi-functional Culture & Education Center for the newly developed Butovo Park residential district, the applicants will now begin to envision their proposals for the new venue. Once complete, the center will provide space for lectures, film screenings, indoor (and outdoor) concerts and master classes, as well as various outdoor sports activities and a museum that will showcase exhibitions on the the area’s history. The 15 shortlisted practices are…
UPDATE: The ArchCouncil of Moscow reports that the Melnikov House has been listed as a cultural heritage site of federal value, an important step in its conservation. The following article first appeared on ArchDaily on April 23rd, 2013.
Peter Eisenman, Steven Holl, and Rem Koolhaas are among the many architects who have signed a letter pleading for the preservation of one of Konstantin Melnikov’s greatest works, the Melnikov House. As we reported in December of 2012, the Melnikov’s house 83-year old foundations have weakened considerably since the onset of neighboring construction. Unfortunately, the situation has only worsened “significantly” over the last few months.
Read more about the state of the Melnikov House, and what architects are doing to try and prevent its deterioration, after the break…
Tadao Ando, Elizabeth Diller, Rem Koolhaas and Thom Mayne are among the many signing a petition to urge Russian president Vladimir V. Putin to reconsider the fate of the neglected Shabolovka Radio Tower (Shukhov Tower), “a structure of dazzling brilliance and great historical importance,” as Norman Foster once described. Designed by Vladimir Shukhov and completed in 1922, the 160-meter hyperboloid structure is a 20th-century engineering feat that has served as a landmark of modernist architecture.
The Ukraina Hotel, with the support of the non-state educational institution Strelka Institute for Media, Architecture and Design, have announced the finalists for the Ukraina Hotel Entryway competition. Designs from ABD Architects (Russia) in cooperation with Werner Sobek Moskwa (Russia), TPO Lesosplav (Russia) in cooperation with Malishev Wilson Engineers (UK), and Studio 44 (Russia) have been chosen from a total of ten competing proposals, one of which will now be implemented by the client. Offering the chance to design a new entrance to one of Moscow’s foremost landmarks, the winning scheme will provide a rare opportunity to work with an unique example of Stalinist architectural heritage.
Reaching the second stage of the international competition to design Russia’s National Centre for Contemporary Arts (NCCA), which was won by Heneghan Peng Architects, WAI Think Tank put forth a proposal that projects the NCCA as not just a center “for the creation, study, and support of contemporary art in Russia” but also “a building as manifesto.” WAI Think Tank focused on giving a flexible autonomy to the enclosed and external spaces, designing the galleries as extensions of the city, in an attempt to design “the first archetype of Museum as City.”
The Morton Group announces the “Russian Character” International Architecture Competition to develop the concept for a Culture & Education Center.
The Center will become the main cultural venue in the Butovo Park residential district, a place for recreation and communication for local residents.
The project will help create an environment for social interaction in the new residential district. Butovo Park, like most new developments, is relatively far from cultural and social amenities. The Culture & Education Center will be the only place in the vicinity for lectures, film screenings, concerts and master classes. It will also offer a place for physical activity and holding outdoor events in a pleasant landscaped setting. The Center will include a museum with exhibitions on the history of the area.
The competition is aimed at finding new elements, forms and images that embody contemporary Russian architecture. Applications will be accepted through March 15, 2014. More information can be found at the competition’s official website.
UNK Project Architects‘ entry for the Ministry of Culture of the Russian Federation’s National Centre for Contemporary Arts (NCCA) competition centres around the interplay between art and architecture: “It’s what touches our soul and motivates us to pursue radical new ideas.” Reaching the second stage of the international competition, which has been won by Heneghan Peng Architects, UNK Project Architect’s proposal offers an intriguing, “almost airtight” space veiled by a monolithic façade facing landscaped urban space in the centre of Russia’s capital.
The Olympics are in full swing and, although the “Coastal Cluster” of stadiums has attracted a considerable amount of attention, there is one installation demanding interaction from every spectator. Built at the entrance of Sochi’s Olympic Park is Asif Khan Studio‘s “MegaFaces,” a pavilion that “contorts itself to recreate 3D images of the faces of visitors relayed via digital face scans made in photo booths installed within the building.”
Comprised of 11,000 actuators sitting underneath the cube’s stretchy fabric membrane, the installation allows for three, eight meter tall faces to emerge from the wall at a time (the faces that emerge from the side of the pavilion are enlarged by 3500%). According to the designers, this feature of the building “has been likened to a giant pin screen and a digital, architectural Mount Rushmore.”