Russian artist Nikolay Polissky has completed yet another of his impressive, handcrafted installations. Located in Zvizzhi Village, in the Ugra National Park in Russia, Polissky’s newest creation—called SELPO, which stands for The Rural Consumer Association, in Russian—wraps around an abandoned soviet building, which used to house the village shop.
The project utilizes off-cut materials from Polissky’s previous work, which has ranged “from temporary pieces of landscape proportions, collectively created […] to public art works in city parks or sculpture parks […] in Europe and in Russia, as well as museum installations.”
The design integrates buildings and landscape together through a ring of individual structures connected by a large, ridged rooftop. With this roof, spaces between the buildings can be used as multifunctional, semi-covered learning spaces, activity zones, and flow areas, all of which diffuse into the central and outer landscaped areas.
Standing tall in the expansive landscape of Western Russia, the monolithic Museum for Rural Labor is an architectural beacon for the Kaluga Oblast region. Built of local straw and clay, the eight meter tower is comprised of one round sunlit room adorned with the instruments of manual labor. Jarring, unexpected and mysterious, the museum was conceived by Russian architects Sergei Tchoban and Agniya Sterligova to pay homage to the region's deep agricultural history. Defined by a stark and unorthodox form, the tower disrupts the Russian landscape while simultaneously serving as a wayfinding device for residents from the nearby village of Zvizzhi.
Enter the rudimentary world of the Museum for Rural Labour after the break.
In an article for DesignCurial, Shumi Bose visits OMA's new galleries in Milan and Moscow: the Fondazione Prada and the Garage Museum of Contemporary Art. Noting that "the mythologies [between OMA and Miuccia Prada] have become inextricably intertwined" over recent years, "the purpose of [the Fondazione Prada] was to produce a range of spaces for the creation, display of and engagement with art; what results is the built realisation of a particular ethos, affording the protean OMA a return to form. And it was always going to be stylish." Bose's flowing description of the building and its spaces, which she ultimately praises as "a place which will bear return," leads into an equally compelling description of Garage for which she recognises its clear "contribution [...] in supporting, indeed composing, the very narrative of Russian contemporary art."
http://www.archdaily.com/771373/examining-omas-two-latest-venues-for-contemporary-artAD Editorial Team
Ten finalist have been shortlisted as part of an open, two-stage competition set to redesign the Kaban lake system embankments in Kazan. Held under the authority of the Republic of Tatarstan Government, the competition will now ask the remaining teams to work on other town-planning projects in the Republic of Tatarstan held within the three context of the Water-Conservation Zones Year - in Kazan, Naberezhnye Chelny, Nizhnekamsk, Almetyevsk and other cities. Visiting sessions with the President of the Republic will be organized to introduce the context of the competition to the finalists.
The Winner will receive one million Rubles and a contract for the design project development of the future embankment.
Born in 1957 in Moscow, artist Nikolay Polissky creates impressive, handcrafted structures in the middle of Russia's vast landscapes. Mostly carried out in the town of Nikola Lenivets -- located 200 km from the Russian capital -- his works are built entirely by the area's residents, using local materials, such as branches, trunks and wooden tables. Traditional construction techniques are used as a starting point for the projects.
His work is inspiring not only because of its imposing form, but also because he managed to re-activate a semi-abandoned village through art and architecture, involving residents in the creative process and transforming the region into a sort of open cultural center. Since 2003, his work has been part of Archstoyanie, the largest Land-Art festival in Russia.