Developed early on in the Soviet era, and fully subordinate to Soviet ideology, the Constructivist movement was intended to form the foundations of a brave new world. The introduction of the Five-Year Plans coincided with the time when Constructivism was adopted as the official architectural style in the USSR. These circumstances allowed many architects to implement daring projects across the entire Soviet Union, and the Urals became one of the biggest magnets.
In this article—written by Sasha Zagryazhsky, translated by Philipp Kachalin and with photographs by Fyodor Telkov—you can take a virtual tour of fourteen of Yekaterinburg's most significant Soviet Constructivist buildings.
Moscow's Strelka Institute has launched a series scholarships that will cover expenses for its first joint master’s programme with the HSE Graduate School of Urbanism, called ‘Advanced Urban Design’. Three scholarships will be granted to remarkable emerging leaders in the spheres of urban design and research to fully pursue a two-year study.
There is an enormous intensity of information, knowledge and ideas on display at this year's Venice Architecture Biennale, Reporting From the Front. With all the Executive Editors and Editors-in-Chief of ArchDaily's platforms in English, Spanish and (Brazilian) Portuguese in Venice for the opening of the 2016 Venice Architecture Biennale—plus co-founder David Basulto and European Editor-at-Large James Taylor-Foster, who curated this year's Nordic Pavilion—we've pooled together twelve of our initial favourite exhibitions and must-see shows.
http://www.archdaily.com/788809/12-things-you-need-to-see-at-the-2016-venice-biennale-reporting-from-the-front-selection-oneAD Editorial Team
Since its first version in 2011, the Moscow Urban Forum has become an important international platform devoted to the development of megacities, and improvement of the quality of life of urban residents in the world, Moscow and Russia. Over the years, it has developed into a major international project that brings together the people who come up with ideas to improve the quality of urban space, and the people who implement these ideas: mayors, politicians, urbanists, and architects from all over the world.
The topic of the 2016 Forum is "Fast-Growing Megacities: Technologies for Dynamic Development." Why is it so important to discuss growth and development of megacities at this time? What are the rules that determine their existence?
Strelka KB announces the launch of an Open International Competition for Tverskaya Streetscape Concept Design. The design project covers Tverskaya Street (from Pushkinskaya Square to Triumfalnaya Square) and 1st Tverskaya-Yamskaya Street in Moscow. The competition is aimed to attract young and emerging architects for the projects on the renovation of urban territories as a part of “My Street” programme. The winner will be announced on the 7th of July 2016.
Once a photograph is uploaded to social media, it ceases to be part of one’s private archive and becomes public property – as well as an object of study for researchers. There have been many attempts to study photographs on the scale of "Big Data." Take, for example, the numerous and well-publicised projects by Lev Manovich’s Big Data Lab. Evidently, using the results of one study of the huge online archive of photographs to make conclusions about society at large, is not necessarily a good idea. It’s fair to say that our society is not evenly represented online: a 19-year old woman may be posting her selfies daily, but it doesn’t mean that same goes for a sixty-five year old man. That said, we can learn a lot about cities and their inhabitants from the results of studies such as these.
At last year's Moscow Urban Forum, Charles Renfro discussed Diller Scofidio + Renfro's design for Zaryadye Park in Moscow. Located in the heart of the city, the park employs Wild Urbanist principles, which seek to emulate Russia's diverse landscapes – tundra, steppe, forest, and wetland – against a backdrop of architectural landmarks that includes the Kremlin, Red Square, and St. Basil’s Cathedral.
The Russian contribution to the 2016 Venice Biennale has been revealed to be "an account of how the V.D.N.H. (the 'Exhibition of Attainments of the National Economy’)—a unique complex in both scale and architecture—is being transformed into a multi-format cultural and educational space, accessible to all." Entitled V.D.N.H. Urban Phenomenon, the show will examine the park's global significance "given that the whole world is concerned by the question of how to develop society’s intellectual potential and how to create effective mechanisms for cultural assimilation." Following the Biennale, the exhibition will be permanently relocated to the V.D.N.H. in Moscow.
A total of 150 eighteenth and nineteenth century listed wooden buildings remain under protection in Moscow today. Modern city dwellers see only remnants of pre-revolution Moscow, which stayed almost entirely wooden until the early seventeenth century. This is one of the reasons why the Museum of Architecture and Kuchkovo Pole publishing house have joined forces to release a two volume set named Wooden Russia: A Glance Back From the 21st Century.
The first volume contains stories of expeditions and research projects studying the early period of Russian architecture, reports from open-air museums and articles on religious and traditional architecture practices. The second book focuses on neo-Russian architectural style, club architecture, Soviet intelligentsia dachas, and modern park buildings. Shchusev State Museum of Architecture researchers Zoya Zolotnitskaya and Lyudmila Saigina—experts on eighteenth, nineteenth and early twentieth century architecture—agreed to share the stories of ten wooden buildings which managed to survive in the centre of Moscow to this day.
We are pleased to announce a new content partnership between ArchDaily and Moscow's Strelka Institute for Media, Architecture and Design in which we will share a collection of critical essays, interviews and articles on urban events, studies in urbanism, and urban technologies which are currently taking place in Russia. ArchDaily's Editors will be working closely with those of Strelka Magazine, which was launched in 2014, to translate and publish ideas and opinions from their expert team of local writers.
http://www.archdaily.com/784794/strelka-institute-and-archdaily-partner-to-bring-critical-commentaryAD Editorial Team
The first in a series of exhibitions devoted to modern, local Russian wood craftsmanship — WOOD WORKS — will bring together workshops, designers and artisans at the Moscow design cluster ARTPLAY on April 1-3, 2016. The central themes of WOOD WORKS are wood, functionality, design, sustainability, uniqueness and local production. The fair will also feature cultural, educational and musical programs, as well as a craft market and a cafe.
A two-day event will be held on Saturday, March 19, and Sunday, March 20, 2016, in Moscow, Russia, to celebrate the 94th anniversary of the Shukhov Tower and the official launch of a petition to save the Constructivist landmark, which faces a "looming threat of demolition." The tower is on the 2016 World Monuments Watch, as well as the World Monument Fund’s biennial list of at-risk cultural heritage sites worldwide.
Built between 1919 and 1922 by Vladimir Shukhov, the tower is a landmark in the history of structural engineering, and “is an emblem of the creative genius of an entire generation of modernist architects in the years that followed the Russian Revolution.”