The annual Moscow Urban Forum is right around the corner. To be held from October 16-17, the theme of this year’s forum is “Moscow as a Dynamic Megacity: Flexible Management Practices.” The forum will feature two days of conferences, exhibitions and lectures with a focus on issues surrounding the development of Moscow. While in past years the conference focused on issues related to megacities in general, this year for the first time the forum will just focus on the capital city.
“The international political situation influenced the key aspects of the country’s life, bringing internal goals and tasks to the foreground. That is why we have decided to concentrate only on the Moscow agenda this year, and to dedicate the Forum to the presentation and discussion of projects related to the capital, a search for new Moscow development centres, outlining the problems and challenges faced by the megacity during the crisis, a search for the most optimal and effective solutions for further successful development of the city,” said Marat Khusnullin, the Moscow Deputy Mayor for Urban Development and Construction and the head of the Moscow Urban Forum executive committee.
Russian-Chinese consortium Turenscape and MAP architects was announced as winners of a major competition to redevelop the Kaban lake system embankments in Kazan, Russia. Their winning concept, “Elastic band: The Immortal Treasure of Kazan” aims to establish a "continuous system of landscapes along the bank line, which will preserve the cultural and historical memory and become a basement for future stage-by-stage development."
"The water is turning into a real living treasure and heritage of Kazan," said the competition's organizer.
Today in Moscow, Asymptote Architecture unveiled plans for the new Hermitage Modern Contemporary, alongside a 150-meter tower planned for ZiL - the city's oldest industrial area and former Soviet automotive factory. The State Hermitage Museum's newest outpost, the 15-story satellite facility was said to be inspired by El Lissitzky's "Proun" painting, which informed the building's "terraced interior."
“With so much museum work over the years, we’ve dress-rehearsed for the Hermitage,” Hani Rashid of Asymptote told the New York Times back in July. “We’ve done a lot of thinking about how art might be seen in the future, about how the museum building itself can provoke artistic responses.”
Russian artist Nikolay Polissky has completed yet another of his impressive, handcrafted installations. Located in Zvizzhi Village, in the Ugra National Park in Russia, Polissky’s newest creation—called SELPO, which stands for The Rural Consumer Association, in Russian—wraps around an abandoned soviet building, which used to house the village shop.
The project utilizes off-cut materials from Polissky’s previous work, which has ranged “from temporary pieces of landscape proportions, collectively created […] to public art works in city parks or sculpture parks […] in Europe and in Russia, as well as museum installations.”
The design integrates buildings and landscape together through a ring of individual structures connected by a large, ridged rooftop. With this roof, spaces between the buildings can be used as multifunctional, semi-covered learning spaces, activity zones, and flow areas, all of which diffuse into the central and outer landscaped areas.
Standing tall in the expansive landscape of Western Russia, the monolithic Museum for Rural Labor is an architectural beacon for the Kaluga Oblast region. Built of local straw and clay, the eight meter tower is comprised of one round sunlit room adorned with the instruments of manual labor. Jarring, unexpected and mysterious, the museum was conceived by Russian architects Sergei Tchoban and Agniya Sterligova to pay homage to the region's deep agricultural history. Defined by a stark and unorthodox form, the tower disrupts the Russian landscape while simultaneously serving as a wayfinding device for residents from the nearby village of Zvizzhi.
Enter the rudimentary world of the Museum for Rural Labour after the break.
In an article for DesignCurial, Shumi Bose visits OMA's new galleries in Milan and Moscow: the Fondazione Prada and the Garage Museum of Contemporary Art. Noting that "the mythologies [between OMA and Miuccia Prada] have become inextricably intertwined" over recent years, "the purpose of [the Fondazione Prada] was to produce a range of spaces for the creation, display of and engagement with art; what results is the built realisation of a particular ethos, affording the protean OMA a return to form. And it was always going to be stylish." Bose's flowing description of the building and its spaces, which she ultimately praises as "a place which will bear return," leads into an equally compelling description of Garage for which she recognises its clear "contribution [...] in supporting, indeed composing, the very narrative of Russian contemporary art."
http://www.archdaily.com/771373/examining-omas-two-latest-venues-for-contemporary-artAD Editorial Team
Best known for the Rusakov Workers’ Club and his own house, Russian architect and painter Konstantin Melnikov (August 3rd, 1890 - November 28th, 1974) has only recently received his due, now more than forty years after his death. He spent much of the twentieth century shunned by the Soviet architectural establishment, having refused to capitulate to the increasingly conformist (and classicist) prescriptions of Stalinism. As a result, he was forced to end his career only a decade after it started, returning to his other avocation as a painter and leaving in his wake only a precious few completed works.
Ten finalist have been shortlisted as part of an open, two-stage competition set to redesign the Kaban lake system embankments in Kazan. Held under the authority of the Republic of Tatarstan Government, the competition will now ask the remaining teams to work on other town-planning projects in the Republic of Tatarstan held within the three context of the Water-Conservation Zones Year - in Kazan, Naberezhnye Chelny, Nizhnekamsk, Almetyevsk and other cities. Visiting sessions with the President of the Republic will be organized to introduce the context of the competition to the finalists.
The Winner will receive one million Rubles and a contract for the design project development of the future embankment.
Born in 1957 in Moscow, artist Nikolay Polissky creates impressive, handcrafted structures in the middle of Russia's vast landscapes. Mostly carried out in the town of Nikola Lenivets -- located 200 km from the Russian capital -- his works are built entirely by the area's residents, using local materials, such as branches, trunks and wooden tables. Traditional construction techniques are used as a starting point for the projects.
His work is inspiring not only because of its imposing form, but also because he managed to re-activate a semi-abandoned village through art and architecture, involving residents in the creative process and transforming the region into a sort of open cultural center. Since 2003, his work has been part of Archstoyanie, the largest Land-Art festival in Russia.
All good things must come to an end, and Guardian Cities' excellent "History of Cities in 50 Buildings" series is sadly no exception, with only a few more left to be published before they hit 50. The whole series is definitely worth the read, bringing in the best of academic and architectural writing from guest authors and the Guardian's own Cities team, but if you're strapped for time - and if you're an architect, it's fairly likely that's true - we've rounded up 10 highlights from the list to get you started.
The Kaliningrad Region Government, in collaboration with the Kaliningrad City Administration and the Non-Profit Partnership ”Urban Planning Bureau 'Heart of the City'” has launched an open international design competition for an architectural design of the Governmental historic and cultural complex on the grounds of the former order castle Königsberg in Kaliningrad (“Post-castle,” 4,5 ha). The competition aims to find a contemporary architectural image of Kaliningrad's historic center, while accommodate for new functions, such as a concert hall, museum of archaeology, and history museum of the King's castle.
Six teams have been shortlisted in stage-two of a competition to develop ideas for Russia’s “Atomic Energy Pavilion” in Moscow. Planned for a site at the Exhibition of Achievements of National Economy, the pavilion is intended to share the “history of the native nuclear industry” and its “contribution into modern economic development” as well as provide an open “communication forum” for the ROSATOM and the general public.
The Moscow International Business Center (Also known as Moskva-City) was meant to be Russia’s ticket into the Western world. First conceived in 1992, the district at the edge of Moscow’s city center is intended to contain up to 300,000 inhabitants, employees and visitors at any given moment and, when completed, will house over 4 million square meters of prime retail, hotel and office space to create what the Russian government desired most from this project: an enormous financial district that could dwarf London’s Canary Wharf and challenge Manhattan. Twenty three years later though, Moscow-based real estate company Blackwood estimates that as much as 45% of this new space is entirely vacant and rents have plummeted far below the average for the rest of Moscow. The only press Moskva-City is attracting is for tenants like the High Level Hostel, a hostel catering to backpackers and other asset-poor tourists on the 43rd floor of the Imperia Tower, with prices starting at $25.50 for a bed in a six-person room. This is not the glittering world of western high finance that was envisioned back in the post-Soviet 90s; but what has it become instead?
WE architecture and CREO ARKITEKTER A/S have won one of three prizes in the first phase of an invited competition to design a new Moscow Medical Center. Combining the functionalism of today's healthcare with the humanistic qualities of past architecture, the proposal introduces a facility fine-tuned for those inside.
Architects interested in proposing ideas for a new public space in Kristall City, a former territory of legendary Moscow distillery, have until Tuesday (February 24) to submit applications. Organized by KRAYS development and the CENTER Agency of Strategic Development, the competition is calling on all architects and designers to consider three sites to host the cities premier public space. The newly developed area aims to “share the future look of the quarter” and establish a “new type of public space made out of form industrial city territories. Learn more and apply, here.
Announced in the summer of 2014 the Red Square Tolerance Pavilion, an international ideas competition organized by HMMD, was a deliberately provocative proposal before any teams had even entered - a statement planned in an envronment where tolerance is an increasingly urgent topic, for people both inside and outside Russia. In this interview, originally published by Strelka Magazine, the Italian winners of the competition discuss their proposal and its response to this charged context.