Today is Eduardo Souto de Moura’s 62nd birthday. With over 60 buildings worldwide, Souto de Moura is known for his thoughtful use of colors and materials. Although often described as a “Miesian” architect, de Moura provides local and original interpretations of Mies van Der Rohe’s modernist style.
Born in Porto, Souto de Moura enrolled at the School of Fine Arts in Porto, studying sculpture and later transferring to architecture at the University of Porto – a decision he credits to a meeting with the artist Donald Judd. While still a student, Souto de Moura interned in the studio of Álvaro Siza, where he worked for five years until starting his own practice in 1980, following Siza’s advice. Although his first major commission was the Cultural Center of Porto, his early career included mostly private homes. Later, de Moura was commissioned for larger public buildings, such as the the Braga Municipal Stadium (2004), the Burgo Tower (2007), and the Casa das Histórias Paula Rego (2008).
The archives of Álvaro Siza, whose drawings, sketches, and models have been exhibited in the most renowned cultural institutions around the world, may soon be transferred to the Canadian Centre for Architecture (Centre Canadien d’Architecture, CCA) in Montreal.
The architect confirmed on Wednesday to Portuguese paper PÚBLICO that he has been “in talks” with the CCA, as well as other un-named institutions from different countries, in order to “decide the future” of his archives.
Siza was born in Matosinhos, Portugal, in 1933. His first work was built in 1954, before Siza had even completed his studies at the School of Fine Arts at the University of Porto (now Faculty of Architecture, University of Porto – FAUP).
Building Pictures, a Portuguese company specialized in producing and directing architecture videos, decided to celebrate the year of Portuguese architecture by creating a competition inviting architects, artists, designers, directors, and students to submit their favorite spaces. 31 videos answered the challenge and shared their experiences and inspiring places. The jury selected three winners, whose beautiful videos can be seen after the break.
The Portuguese Pavilion at the 14th edition of the Venice Biennale has created a newspaper, “Homeland, News from Portugal,” which covers the last 100 years of architectural, social and economic news from Portugal.
“Homeland, News from Portugal” has the objective of addressing the issues raised by Rem Koolhaas for Fundamentals – Absorbing Modernity: 1914-2014 through a critical and purposeful reflection on housing – a field par excellence for modern experiments – as an essential element of urban and rural environments and a social and cultural reflection of inhabitants.
The newspaper will publish the progress of ongoing projects of 6 groups of architects working in 6 Portuguese cities on 6 different types of housing (temporary, informal, collective, improvement, isolated, rural), and will be distributed during the 6 months of the Venice Biennale.
The most awaited event in the architecture world begins this week: the opening of the Venice Biennale. Thousands of participants, journalists, and invited guests will flood the fantastical Italian city to take the pulse of the discipline -the nations’ representations, the novelties, the state of the art. For this, the 14th edition of the Biennale, the artistic direction of Rem Koolhaas has raised great expectations: the architect behind Casa da Música is, after all, the ultimate provocateur of an architectural stardom that’s ever more predictable.
This year for the 2014 Venice Architecture Biennale, Portugal will be officially represented by newspaper. This choice in media corresponds to the possibility of framing worldviews by revelling events, culture traits and socio-economic challenges of a country.
Extensively distributed in three different editions, over the six month period of the Biennale, Homeland, News from Portugal intends to report news about current architectural, social and economic life in Portugal, reflecting on and informing about a variety of aspects of the modernization of the country over the past 100 years.
More from the curator, after the break…